Elon Musk Slams ‘The Rings of Power’ for Making ‘Almost Every Male Character a Coward’ or ‘Jerk,’ Reigniting Jeff Bezos Feud

It’s safe to say Elon Musk is not a fan of The Lord of the Rings: The Rings of Power.

Elon Musk has heavily criticised Amazon‘s Lord Of The Rings: The Rings Of Power following the release of its first two episodes.READ MORE: The Lord Of The Rings: The Rings Of Power review: epic fantasy franchise returns to rule them allThe Tesla CEO recently took to Twitter to deliver his damming verdict, writing: “Tolkien is turning in his grave.”In a follow-up tweet, he added: “Almost every male character so far is a coward, a jerk or both. Only Galadriel is brave, smart and nice.”Set thousands of years before The Hobbit and The Lord Of The Rings, the J.D.

Elon Musk’s verdict on Amazon’s massive budget drama series The Lord of the Rings: The Rings of Power? “Tolkien is turning in his grave”.

The Lord of the Rings: The Rings of Power is the biggest thing Amazon Prime Video has ever done, and it looks like the TV series based on J.R.R. Tolkien’s writing has delivered big time.

Jazz Tangcay Artisans Editor Hot off of its Venice Film Festival premiere, a concept album for Cate Blanchett’s “Tár” is set to be released on Oct. 21. The film bowed to rave reviews and a six-minute standing ovation. The Focus Features film, releasing Oct. 7, stars Blanchett as the fictional Lydia Tár, a globally renowned, gay and sometimes tyrannical conductor of a German orchestra, who finds herself in the crosshairs of a perilous #MeToo scandal. The film is director Todd Field’s first movie in 16 years, following the critically acclaimed “Little Children” (2006) and his breakout “In the Bedroom” (2001).

Film premiere and headlines spilling from a trio of fests in full swing (Venice), just starting (Telluride) and queued up (Toronto) have indie exhibitors and distributors the most hopeful since Covid hit that a stream of new films could fire up the arthouse market.

SPOILER ALERT: This podcast contains details of the first two episodes of Prime Video’s The Lord of the Rings: The Rings of Power, which debuted Thursday night. For more on the epic series, watch Deadline’s Inside The Ring: The Lord of the Rings: The Rings of Power after-show that launches Saturday. 

A new era of Middle-earth! The Rings of Power explores a totally different side of The Lord of the Rings — and fittingly, the cast is full of new faces.

The Rings Of Power showrunners have confirmed the show’s ending will remain faithful to J.R.R. Tolkien’s source material.Based on the appendices to the Lord Of The Rings trilogy, The Rings Of Power covers Middle-earth’s Second Age, from the rise of Sauron, the forging of the rings and the last alliance between Elves and Men.The show has been mapped out for five seasons by showrunners JD Payne and Patrick McKay, including an endpoint which won’t deviate from Tolkien’s original works.Asked by NME if they have an ending for the show, McKay said: “Yes, if you’re a fan of the lore or a fan of The Lord Of The Rings, then you know that the rings of power… it’s the rings which were scattered across Middle-earth through Elves, Dwarves and mortal Men as Tolkien called them.

Michael Nordine author SPOILER ALERT: Do not read unless you have watched the first two episodes of “The Lord of the Rings: The Rings of Power,” now streaming on Amazon Prime Video. That sound you just heard is neither drums, drums in the deep nor the roar of a Balrog. It was actually a collective sigh of relief emanating from countless “Lord of the Rings” fans who just watched the first two episodes of “The Rings of Power” and realized that it is, in fact, a compelling expansion of the Middle-earth mythos. The episodes, titled “Shadows of the Past” and “Adrift,” both premiered tonight, while the remaining six will air weekly. The Second Age of Middle-earth is fairly technologically advanced, all things considered, but it would seem they haven’t yet developed the means to drop an entire season of prestige television at once. 

have finally premiered on Prime Video, kicking off season 1 of the prequel series about the Second Age of Middle-earth about a time set several thousand years before the events of and . During this era of peace and prosperity, there are subtle signs of re-emerging evil as many characters’ lives come crashing together. Among them are the lumbering giant (Daniel Weyman), who crash lands on Middle-earth via a meteor, and the Harfoot, Elanor ‘Nori’ Brandyfoot (Markella Kavenagh), who discovers him. Now that the first two episodes are streaming, both Weyman and Kavenagh address the many theories about the stranger’s true identify, including a popular one that he’s Gandalf, the wise and powerful wizard originally played by Sir Ian McKellen in Peter Jackson’s film adaptations of the novels. [: Spoilers for the first two episodes of .] While Hobbits are canon, and led J.R.R. Tolkien’s previous books, Harfoots are new to the overall franchise.

House of the Dragon” vs. Amazon’s “The Lord of the Rings: The Rings of Power.” It’s such fun, isn’t it? Warner Bros. and Jeff Bezos ruthlessly vying for our attention and money like we’re the hottest girl in school.

“The Lord of the Rings: The Rings of Power” star Morfydd Clark revealed the intense way she prepared for her role as Galadriel — an ethereal warrior elf that was played by Cate Blanchett in the films. “When I was playing Galadriel, the stunt team said, ‘You’ve got a problem because you’re used to being attacked on film,’” she told Empire about adjusting to J.R.R. Tolkien’s Middle-earth fantasy world.“I would flinch a lot when people came at me.

Who is Lydia Tár? Is she the acclaimed composer-conductor celebrated by The New Yorker in the opening of the movie that shares her fictional namesake as generational? Is she the heavily pruned and curated brand that she herself cultivates, her swishy suit pants as well-measured as her staccato? Or, indeed, is there an all-the-more sinister side: a narcissistic megalomaniac as beholden to her plaudits as she is driven by them?  READ MORE: Venice Film Festival Preview: 16 Must-See Films To Watch The truth, as is so often the case, is nestled in the center of the Venn Diagram, astutely observes director Todd Field in his first film for sixteen years, “Tár.” Though not without its blemishes, here’s a timely — and, indeed, timeless — a piece about the corrupting essence of power, exploitation, and the burdensome nature of the crown, elevated by a hydrogen bomb of a performance from Cate Blanchett, inarguably at her best since 2015’s “Carol.” The aforementioned questions emerge, of course, across the two hours and change of runtime; as far as we’re concerned, the Lydia Tár we’re initially introduced to is a flawless demigod.

Michaela Zee editor“The Lord of the Rings: The Rings of Power” is only days away, and the Amazon Prime Video series has earned mostly rave reviews with a few mixed reactions (and one flat-out pan) as critics returned to Middle-earth.As Variety chief TV critic Caroline Framke wrote in her review: “It’s safe to say that Amazon throwing the weight of its coffers at this property has resulted in a perfectly winning adaptation that unfolds swashbuckling adventures with clear reverence and affection for the considerable mythos behind it.”Set during the Second Age of Middle-earth (thousands of years before the events of “The Lord of the Rings: The Fellowship of the Ring” and “The Hobbit”), the prequel series reintroduces characters from Peter Jackson’s “The Lord of the Rings” film trilogy, including a young Galadriel (Morfydd Clark) and Elrond (Robert Aramayo). The Second Age consists of the rise and fall of Númenor, the creation of the Rings of Power and the formation of the Last Alliance.

notoriously hefty$715 million they reportedly spent on the first season budget and rights to the “Lord of the Rings” franchise.The money certainly shows onscreen: “The Rings of Power” is a dazzling, gorgeous, thrilling trip to Middle Earth.[Warning: Some minor spoilers ahead.]Premiering Sept. 1 at 9 p.m.

Caroline Framke Chief TV Critic Several years (and several hundreds of millions of dollars) after Amazon bought the TV rights to “The Lord of the Rings” from the J.R.R. Tolkien estate, the mammoth effort to boost Prime Video’s profile with the same kind of phenomenon HBO found in “Game of Thrones” is upon us — and it’s just as grand, if not as downright surreal, as the occasion calls for. Sure, “Game of Thrones” might have solidified a television format for fantasy epics. But George R.R. Martin’s novels simply wouldn’t exist without Tolkien’s “Lord of the Rings,” and bringing these stories to episodic life requires not just all the considerable money Amazon can provide, but a certain amount of guts from the TV writers taking it on now, some 85 years after “The Hobbit” changed the game.