Ed Solomon & The Black List Launch ‘Word By Word’ To Explore Process Of Screenwriting; Lena Dunham & Susanna Fogel Set As First Guests

“Joy Ride” Los Angeles PremiereRegency Village Theatre, WestwoodHitting the “Joy Ride” premiere was quite a jaunt for comedy lovers in L.A., as Oscar nominee Stephanie Hsu brought some of her pals and costars to the center of Westwood for the fun. Joined by her fellow stars Ashley Park, Sabrina Wu and Sherry Cola, Hsu shared her thoughts about the profound impact she believes the movie will have, saying, “People of all backgrounds will get to associate themselves with this film.”Front and center were two of Hsu’s biggest fans, Daniel Kwan and Daniel Scheinert, the triple Oscar-winning team behind “Everything Everywhere All at Once,” along with “Joy Ride” creatives Adele Lim, Teresa Hsiao and Seth Rogen.

A sci-fi comedy by Mel Eslyn and a literary noir by Alice Troughton – who are, respectively, the longtime producer for the Duplass brothers, and an award-winning UK television director (Dr. Who, Cucumber, The Living And The Dead) — debut in limited release this weekend, alongside Adele Lim’s Joy Ride, a Lionsgate wide-release – marking first-time feature film debuts by three women.

A sci-fi comedy by Mel Eslyn and a literary noir by Alice Traughton – who are, respectively, the longtime producer for the Duplass brothers, and an award-winning U.K. television director (Dr. Who, Cucumber, The Living And The Dead) — debut in limited release this weekend, alongside Adele Lim’s Joy Ride, a Lionsgate wide-release – marking first-time feature film debuts by three women.

Brent Lang Executive Editor Sony’s “Insidious: The Red Door” scared up $5 million in Thursday night screenings, a strong start for the moderately-priced horror flick. It was also nearly enough to displace “Indiana Jones and the Dial of Destiny,” which made $5.2 million on the same day. Indy may still top the box office in its second weekend of release, but “Insidious: The Red Door” is proving to be more competitive than some thought. The latest installment in the long-running horror franchise is expected to net $25 million during its debut weekend. The weekend’s other major new release, Lionsgate and Point Grey’s “Joy Ride,” earned $1.1 million in Thursday previews. The R-rated comedy is expected to generate between $7 million to $9 million in its debut. “Joy Ride” is the feature directing debut of “Crazy Rich Asians” co-screenwriter Adele Lim. It’s the story of four friends who embark on a trip to help one member of their group find her birth mother. Raunchy detours ensue. Critics have praised “Joy Ride,” providing it with a 92% “fresh” rating on Rotten Tomatoes. Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu star in the film.

Adele Lim isn’t stopping to the haters’ level.

Killers of the Flower Moon is coming!

Comedy fans are anxiously awaiting the premiere of “Joy Ride”, the hilarious and unapologetically explicit story of identity and self-discovery centring on four unlikely friends who embark on a once-in-a-lifetime international adventure, starring Ashley Park, Sherry Cola, Stephanie Hsu and Sabrina Wu.

Adele Lim made her directorial debut with “Joy Ride”, the new comedy feature produced by Point Grey Pictures, the production company launched by Seth Rogen and Evan Goldberg.

Cardi B and Megan Thee Stallion gave their blessing for the use of “WAP” in the new comedy “Joy Ride”.

Producer Seth Rogen is showing support for his upcoming movie Joy Ride at the Los Angeles premiere on Monday night (June 26).

Angelique Jackson SPOILER ALERT:This interview contains spoilers from “The Blackening,” now playing in theaters. Dewayne Perkins is living his dream — though the $8 million box office tally for “The Blackening” wasn’t something he actually dreamed was possible. The microbudget (just $5 million) horror-comedy, co-written by and starring Perkins, follows a group of college friends who reunite to celebrate Juneteenth at a cabin in the woods, only to be hunted by a killer. But in a genre where the Black character usually dies first, what happens when all the characters are Black?

After nearly a month in theaters, “Spider-Man: Across The Spider-Verse” looks like an early frontrunner for 2023’s movie of the summer. And while the film faces off against “Indiana Jones And The Dial Of Destiny” next weekend, Sony‘s animated film is off to a great start at the box office.

Rebecca Rubin Film and Media Reporter “Spider-Man: Across the Spider-Verse” has notched another box office milestone, crossing $500 million globally. So far, Sony’s animated comic book sequel has grossed $290.4 million in North America and $215.9 million internationally, which brings its worldwide tally to a mighty $506.3 million. It currently stands as the third-highest grossing domestic release of the year, behind Universal’s “The Super Mario Bros. Movie” ($572 million) and Disney’s “Guardians of the Galaxy Vol. 3” ($345 million). And it’s the fourth-biggest global release following “Mario” ($1.3 billion), “Guardians” ($822 million) and “Fast X” ($679 million). “Across the Spider-Verse” opened on June 2, collecting a huge $120 million during its first weekend in theaters. Despite competition from “Transformers: Rise of the Beasts,” another comic book adventure “The Flash” and Pixar’s animated “Elemental,” the second “Spider-Verse” remained a huge draw at the movies and even managed to surpass the entire run of its 2018 predecessor, “Into the Spider-Verse” ($384 million), after just 12 days of release.

With Tuesday’s global business factored in, Columbia Pictures and Sony Pictures Animation’s Spider-Man: Across the Spider-Verse has swung past the half-a-century mark worldwide, grossing $506.3M through yesterday.

On the Friday after Tom Wambsgans became the new puppet CEO of the Waystar-Royco media empire, the actor who has spent the past five years essaying the character’s ups, downs, and withering one-liners is propping up the bar of a small boutique hotel in London’s Chelsea. Matthew Macfadyen is nursing a lime tonic and contemplating a rest after several months of hard work on Succession’s blockbusting fourth season. In some other world, one imagines his fictional alter-ego is already discovering the poison in the chalice of the job he has spent a lifetime coveting. Macfadyen, instead, is content simply to think ahead to a quiet family dinner, and to reflect on the adventure of his past half decade.

Manori Ravindran Executive Editor of International The next season of “Bad Sisters” is slowly taking shape, even amid a writers strike. Creator Sharon Horgan confirmed that she’s currently writing Season 2 of the hit Apple TV+ series “Bad Sisters,” which will continue the story of the Garvey sisters after they successfully got rid of their toxic brother-in-law Jean-Paul (played by a deliciously evil Claes Bang). Horgan, who was speaking at the Banff World Media Festival, is likely able to continue working on the U.K.-filmed show — which she writes alongside Brett Baer and Dave Finkel — because she has a local contract in place with Apple TV+ for “Bad Sisters” rather than a WGA-governed deal. Under the current rules, U.K. writers can continue working on existing projects (under the jurisdiction of non-WGA contracts) with “struck” companies such as Apple, but can’t take on new work.

Ever since “Joy Ride” had its world premiere at SXSW in March, it’s been one of the summer’s most anticipated movies. Why’s that? Well, it’s raunchy, hilarious (our review praised it), and it’s helmed by “Crazy Rich Asians” writer Adele Lim in her feature directorial debut.

Stephanie Hsu co-stars as Kat, Audrey’s college friend turned Chinese soap star. Sherry Cola plays Audrey’s uninhibited childhood friend.

The Flash showrunner Eric Wallace will be telling fellow American writers “we are not in this alone” when he returns home from London later.

Friendship never goes out of style. Taylor Swift and Emma Stone have remained one of Hollywood’s closest pairs of celebrity besties over the years.