Whoopi Goldberg is back! And she isn’t taking any BS!
02.11.2022 - 20:59 / perezhilton.com
Dwyane Wade and his ex-wife Siohvaughn Funches-Wade are not on the same page about their child.
As you will likely remember, the basketball player’s daughter, Zaya Wade, came out as a transgender female back in 2020. Wade has been super supportive throughout it all, and very publicly! He explained during an appearance on Ellen at the time:
He added:
Now, two years later, the athlete is finding himself in a legal battle over the child’s ability to legally transition.
Related: Dwyane & Gabrielle’s Sweet Birthday Tribute To Zaya
Siohvaugn filed a legal petition against the recognition of her daughter’s legal change of gender and issuance of a new birth certificate to reflect that change, according to legal documents. The child, who is 15 years old, must get a court order and permission from both of her parents to go through with the change. However, Siohvaughn is now claiming her ex-husband is “attempting to circumvent the requirements of the Illinois final custody order judgment entered on March 14, 2011,” adding Dwyane “shall discuss with and obtain input in the major decisions affecting care, welfare, activities, health, education and religious upbringing” of their two children, including Zaya. The mom explained in the documents:
She then went on to claim her ex-husband is:
Wait, WHAT?!
Yeah, you didn’t read that wrong. She’s claiming Zaya’s decision to legally transition is being influenced by Dwyane — because of the potential financial gain he could receive by being the parent of a trans child. She explained:
Wow. This is the first we’re hearing of extra financial opportunities for transitioning. She added:
To be honest, it kiiiinda sounds like someone has been watching some right wing news sources that love to paint
Whoopi Goldberg is back! And she isn’t taking any BS!
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Filmmaker James Gray has arguably been trying to avoid himself and his past these last few years, perhaps in order to create something new. A filmmaker who has spent much of his time exploring America and his roots in New York, with humanistic, moral, and family stories about class within the genre of crime (“Little Odessa,” “The Yards,” “We Own The Night”), in the last few years of his filmmaking career, Gray has seemingly gone as far away from New York as possible, into the jungles of the amazon for “The Lost City Of Z” (2014) and into the far reaches of outer space for “Ad Astra” (2019). And while those films have expanded the palette of his preoccupation, “Ada Astra” in particular tackling ideas of American exceptionalism and its myths, perhaps both films—still centered on class, family, fatherhood and more— demonstrated, as far as he travels, the filmmaker cannot escape himself or his human obsessions and concerns.
Dwyane Wade is firing back at his ex-wife Siohvaughn Funches-Wade after her petition to prevent their daughter from legally transitioning.
. Wade shares two children with his ex-wife Siohvaughn Funches-Wade, their 20-year-old son Zaire and . According to , Funches-Wade has filed legal docs trying to stop Zaya from legally changing her name and gender, alleging, “I have concerns that [Dwyane] may be pressuring our child to move forward with the name and gender change in order to capitalize on the financial opportunities that he has received from companies and will receive based upon [Dwyane's] statements to me, on the basis of our child's name and/or gender change.” This content can also be viewed on the site it from.Well, Wade had the time today, and posted a long, fairly devastating rebuttal to his ex-wife's claims on his Instagram.
Filmmaker James Gray has arguably been trying to avoid himself and his past these last few years, perhaps in order to create something new. A filmmaker who has spent much of his time exploring America and his roots in New York, with humanistic, moral, and family stories about class within the genre of crime (“Little Odessa,” “The Yards,” “We Own The Night”), in the last few years of his filmmaking career, Gray has seemingly gone as far away from New York as possible, into the jungles of the amazon for “The Lost City Of Z” (2014) and into the far reaches of outer space for “Ad Astra” (2019). And while those films have expanded the palette of his preoccupation, “Ada Astra” in particular tackling ideas of American exceptionalism and its myths, perhaps both films—still centered on class, family, fatherhood and more— demonstrated, as far as he travels, the filmmaker cannot escape himself or his human obsessions and concerns.
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