Devo On Sundance Return, Chris Smith Directed Documentary & Next 50 Years

Christian Bale and his wife Sibi are hard at work on their new foster care facility!

EXCLUSIVE: Netflix has landed the Sundance Film Festival buzz title documentary Skywalkers: A Love Story. The film premiered January 18 at The Ray Theatre.

Michaela Zee Netflix has acquired “Skywalkers: A Love Story” following the documentary feature’s debut at the Sundance Film Festival. “Skywalkers,” which premiered Jan. 18 at the Ray Theatre, follows daring couple Angela Nikolau and Ivan Beerkus from Moscow, who saved their relationship and career by climbing one of the world’s tallest buildings.

Claudia Winkleman was inundated with messages as she shared a very clever 'next year' message with her fans and followers following the final of The Traitors. The end of the BBC One show provided a spectacular 70 minutes of television as the traitors and faithfuls battled it out to the end.

Chris Evans took a year-long break from acting after a jam-packed 2022, and now he’s back to work!

Owen Gleiberman Chief Film Critic I will never forget the first time I saw Devo. It was October 14, 1978, and my college roommates and I were watching “Saturday Night Live.” The band, which I had never heard of (I would guess that was true of 98 percent of the people watching the show), came on in their yellow jumpsuits, stiff and mechanical, swiveling like angry androids as they performed their brutalist robo version of “(I Can’t Get No) Satisfaction.” When the song ended, one of the band members shot up his hand in what looked kind of like a Hitler salute.

Jaden Thompson Ramy Youssef will return to HBO with the new comedy special “Ramy Youssef: More Feelings,” debuting on the network in March before it streams on Max. Youssef is set to tape the special on Feb. 2 and Feb.

A formally rigorous and free-associative dive into a decade’s worth of political fighting in the Congo, from roughly 1955 to 1965, Johan Grimonprez’s “Soundtrack to a Coup d’Etat” is a fascinating and sprawling historical overview. Eschewing the usual mix of contextual talking heads, the Belgian filmmaker and multimedia artist instead adopts its narrative approach from the jazz that flows freely throughout the film and helps frame the political struggles of the Congo.

The first of many misdirects of perspective occurs in the opening shot of “In a Violent Nature.” The film opens with off-screen voices in discussion as the camera fixes its glance on what appears like a slipshod frame of a tree branch in the forest. It’s an image that feels haphazardly put together, and combined with the disembodied dialogue, filmmaker Chris Nash primes the audience to perceive the scene as something akin to a DIY YouTube video.

It’s safe to assume that, were one to simply look at the film’s runtime or consider the basic concept surrounding the documentary “Daughters,“ there’s presumably much more to this than a simple film about a Father-Daughter dance organized for one particular group of incarcerated men and their children, separated by prison walls and an ocean of distance both physically as much as emotionally. Such dance events are commonplace; normally held annually as a way for fathers to bond with their young girls within a setting not unlike a homecoming dance or prom, most could be seen as little more than an excuse for a large group of children to burn off energy as they dash around a gymnasium to any number of DJ-provided pop hits, but there are equal parts undeniable connections made throughout the course of the evening as well as a memory both will, in all likelihood, forever cherish.

told People magazine at Sunday night’s Sundance Film Festival premiere of the new documentary, “Super/Man: The Christopher Reeve Story.““And what sticks with me most,” he said, “was after that incredible warm welcome and that very long standing ovation that he received, his introduction — he followed it up with a wonderful speech about how cinema and movies are at their best when they not only entertain, but they inform and educate and address issues.”Among those in the audience applauding the “Rear Window” actor that night were Tom Hanks, Quentin Tarantino, Brad Pitt, John Travolta, Meryl Streep, Jim Carrey and Nicolas Cage.Reeve also remembered how clips from movies including “Coming Home” and “Terms of Endearment” addressed important human issues.“So that’s always stuck with me,” he told People.

A top adviser to the Scottish Government during the coronavirus pandemic told colleagues to delete their WhatsApp conversations on a daily basis, an inquiry has heard.

Holly Willoughby has showed off her 'stunning' new look as she returned for the second episode of Dancing on Ice before offering a cheeky update on her co-host Stephen Mulhern. The presenter returned to screens for the first time in three months last weekend.

Since returning from his announced retirement from feature filmmaking, Steven Soderbergh has been on a tear of productivity unmatched since the heyday of Hollywood’s studio system. His quickie projects might feel like slight exercises in style or storytelling, but they have never felt disposable.

Todd Gilchrist editor Although it isn’t structured any differently from dozens of other cradle-to-grave documentaries about artistic luminaries, “Luther: Never Too Much” sheds light on much more than just the life and career of R&B singer Luther Vandross. Drawn largely from interview and performance footage of Vandross over his almost 40 years in entertainment, and bolstered and contextualized by retrospective talks will collaborators and confidantes, director Dawn Porter’s film exposes some uneasy truths about the music industry and the media we may now know, but whose seeming ubiquitousness at the time he was alive may be difficult to fully comprehend.

Chris Willman Senior Music Writer and Chief Music Critic Devo is headed to Sundance, not just for the festival premiere of the Chris Smith-directed documentary film that share’s the band’s name, but a Jan. 21 performance by the group at the just-opened Marquis on Main Street.

Elsa Keslassy International Correspondent Brussels-based company Best Friend Forever has acquired international rights to Lenny and Harpo Guit’s new feature “Heads or Fails,” the duo’s follow-up to Sundance comedy “Mother Schmuckers.” Now in post, “Heads or Fails” tells the story of Armande Pigeon, a queen of shenanigans in Brussels who struggles to make ends meet because she can’t stop gambling on everything, always ending up on the wrong side of luck. When she teams up with Ronnie one night, everything changes – they win it all.

There’s an odd tension and dichotomy coursing throughout the new documentary, “Frida,” an intimacy meets a standard-issue form: a lyrical, magical quality next to something just maybe too safely chronological for its own good. Carla Gutierrez’s new documentary, her directorial debut, is well-meaning and has a clear devotion and affection for her subject, the legendary Mexican artist Frida Kahlo, but as a primarily told cradle-to-grave story, it is doggedly linear and therefore often feels a little familiar.

Maya Erskine and Donald Glover are all smiles at the premiere of their new series Mr. & Mrs. Smith held at The Curzon Mayfair on Wednesday (January 17) in London.

EXCLUSIVE: Lionsgate is closing a deal to purchase a package that will have Chandler Baker adapt her short story Big Bad for Chris Landon to direct. Todd Lieberman and Hidden Pictures will produce with Landon.