“Dementia Is Nothing To Be Ashamed Of”: Gaspar Noé On ‘Vortex’, His Experimental Study Of Old Age And Death – Cannes Q&A

Kanye West has just wrapped up his second listening event for forthcoming tenth album ‘Donda’, held at Atlanta’s Mercedes-Benz Stadium, revealing new features from Kid Cudi, The Weeknd and more.This is the second of its kind to take place, with West holding a similar event in late July.

WKXW/NJ101.5.Vanderpump, 23, was known “in Trenton and across New Jersey as a fierce LGBTQ advocate,” the LGBTQ rights group Garden State Equality wrote in a Facebook post, vowing to “fight to bring justice to Shai and her loved ones.”According to The Trentonian, police responded to a report of a shooting at a residence in the unit block of Kelsey Avenue, in the city’s Pennington/Prospect neighborhood, around 4:40 a.m on Friday, July 30. Upon arrival, they found Vanderpump shot in the face.

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Talk about a full circle moment!

John Hopewell Chief International CorrespondentSpain’s San Sebastian Festival, the most important film meet in the Spanish-speaking world, has unveiled the 13 title lineup of its 2021 New Directors lineup, which includes awaited debuts such as Argentine Mara Pescio’s “That Weekend” and Spaniard Javier Marco’s “Josephine” plus Jeonju Fest double winner “Aloners.”Here are the titles.

Matt Damon is opening up about getting emotional after his new film got a standing ovation at the Cannes Film Festival.Damon walked the red carpet at the premiere of his new drama thriller,, on Monday, at the Rose Theater at Jazz at Lincoln Center in New York, and he opened up to ET's Rachel Smith about how he got choked up earlier this month after the successful Cannes debut.«I mean, I turned to the director [Tom McCarthy] and I was like, »I'm thinking I am getting old because I am really

leaked video clip between both about his controversial song “Famous” caused more drama.It’s not the first time Kanye has hosted a listening event for an upcoming album. In 2016, he debuted his album “The Life of Pablo” during a massive event and fashion show at Madison Square Garden in New York City.

Jem Aswad Senior Music EditorOak View Group — the venue-development, advisory, and investment company for the sports and live entertainment industries founded by Irving Azoff and Tim Lieweke — has announced a long-term partnership with Ticketmaster, the Live Nation-owned largest ticketing company in the world, covering six of OVG’s new arenas.

The cinema of filmmaker Gaspar Noé tends to skew toward the younger, stickier parts of life. Since the name-making controversy of his second feature, “Irreversible” (2002), the Argentinian filmmaker has become synonymous with a world of parties, loud music, drug-taking, and sex.

No one has ever confused Gaspar Noé for a filmmaker that likes to make four-quadrant features for the whole family. And because of this, the director is well aware that his films are very divisive and push buttons as well as boundaries.

Note to self: do not get old. The alternative, i.e., death, may not be very pleasant but, sedate and dignified and swathed in vaguely biblical white sheets, it doesn’t get anything like the bad press that old age does in Gaspar Noé‘s “Vortex.” Let’s not forget that in “Enter the Void,” this same director made death seem like quite the trip – infinitely preferable to the progressively demeaning ravages of dementia or the Sword of Damocles that is a dodgy ticker.

“It would be better if I were dead,” the old lady laments to her even older husband in Gaspar Noé’s startling new film Vortex, and he makes no effort to disagree. Even though its title might have worked just fine for one of the perennially youth-obsessed director’s previous films, here it serves as an indicator of life swirling down the drain.

With Cannes winding down tonight—just one last movie in the festival’s official selection, by Gaspar Noe, was left to play—Bill Murray took to the stage at the Debussy theater with cellist Jan Vogler, pianist Vanessa Perez and violinist Mira Wang for a 25-minute concert of music following the premiere of Andrew Muscato’s doc New Worlds: The Cradle of Civilization.

French cinema’s favorite enfant terrible is back at the Cannes Film Festival. Gaspar Noé returns to the French Riviera with his latest film, “Vortex,” to premiere out of competition this week in the Cannes Premiere section.

“abomination,” to which the audience consensus seems to be, “Well, what did you expect?” The sequel to the ’90s cult classic, “Space Jam,” was unleashed Friday at theaters and on HBO Max to some not-so-glowing reviews, with critics panning it as “garish and soulless” and simply “pointless.” But many Twitter users think that anyone holding high expectations for the LeBron James-starring animated film needs to come back down to earth.One Twitter commenter, @el_budget, had a concise response to