Javier Bardem is all smiles at the premiere of his new movie, The Good Boss, during the 2021 San Sebastian International Film Festival at Kursaal Palace on Tuesday (September 21) in San Sebastian, Spain.
03.09.2021 - 21:17 / deadline.com
There was something moving and even poignant in watching the MGM Lion logo roaring once again at the opening of director Joe Wright’s new musical adaptation of Cyrano last night at the Telluride Film Festival, where this lovely new telling of the classic story of Cyrano de Bergerac had its world premiere. Both MGM and de Bergerac have had a storied history in show business, both still very alive in a series of reincarnations.
Javier Bardem is all smiles at the premiere of his new movie, The Good Boss, during the 2021 San Sebastian International Film Festival at Kursaal Palace on Tuesday (September 21) in San Sebastian, Spain.
EXCLUSIVE: The documentary community, a loose assemblage of independent creatives under the best of circumstances, has labored under the absence of in-person gatherings during the pandemic. For well over a year, most all-documentary festivals have been forced to go virtual, hardly a respite for filmmakers inured to hermitry.
San Sebastian International Film Festival kicked off this Friday, September 18th, featuring some of the biggest stars of Spanish cinema.
Marion Cotillard shows off her award after being honored with the Donostia during the 2021 San Sebastian International Film Festival held at the Kursaal Palace on Friday (September 17) in San Sebastian, Spain.
‘Tis the season. Well almost. And perhaps that is why AMC+ and RLJE recently swooped in and took the new holiday-themed dramedy Silent Night off the market (domestically at least) before its Toronto International Film Festival premiere tonight. Who doesn’t love a good ‘ol Christmas movie, perhaps the most reliable genre for feel good feelings?
I am not of fan of movies that resort to breaking the fourth wall, as it were, and letting their key characters talk incessantly to the audience. It is a device that generally feels lazy, a writer’s crutch to explain story points away instead of letting us discover for ourselves.
The remarkable true story of Harry Haft, is made even more pertinent by the simple fact that his story has not been the subject of a large scale feature film until now.
The global pandemic has provided filmmakers opportunities to get creative in order to make films in unusual circumstances. Already at this year’s Toronto International Film Festival we have seen The Guilty with Jake Gyllenhaal in what is essentially a one man show connected to outside world simply by a phone in an emergency operations 911 call center.
Watching the intriguing and unpredictable adult drama The Forgiven, which takes place right in the heart of the High Atlas mountains in Morocco, I couldn’t help but think that if the 2012 book on which it is based were around a few decades earlier this would be the kind of movie Richard Burton and Elizabeth Taylor would have made.
Watching the intriguing and unpredictable adult drama, The Forgiven, which takes place right in the heart of the High Atlas Mountains in Morocco I couldn’t help but think that if the 2012 book on which it is based were around a few decades earlier this would be the kind of movie Richard Burton and Elizabeth Taylor would have made.
Mill Valley Film Festival will open with the California premiere of “Cyrano,” directed by Joe Wright and written by Erica Schmidt, adapted from Schmidt’s 2018 stage musical of the same name, which is based on Edmond Rostand’s 1897 play “Cyrano de Bergerac.” Opening night takes place on Oct. 7 at the Sequoia Theatre and Smith Rafael Film Center.Peter Dinklage stars as Cyrano de Bergerac, who, believing himself to be ugly, feels unworthy of the love of his friend Roxanne (Haley Bennett).
Character actor Tim Blake Nelson may have found his niche in memorable turns recalling the heyday when Westerns ruled the roost in Hollywood. Or at least in Venice, where this film festival once again has shown a fondness for the star in a genre that rarely gets much of a closeup anymore.
Pandemic? What pandemic?
Anastasia Steele and Christian Grey are together again!
Leave it to Edgar Wright to play with genre expectations and deliver yet another delightfully off-kilter thriller that also thrills with its undeniably trippy atmosphere and blast to the past of swinging 60’s London. The director of films like Baby Driver, Scott Pilgrim Vs.
TELLURIDE – Since it first debuted in 1897, Edmond Rostand’s original play “Cyrano de Bergerac” has been staged all over the world, adapted into numerous films, and seen its ingenious narrative used in almost every form of modern media. For a new version to triumph, it needs to equal or, hopefully, transcend what came before.
EXCLUSIVE: Peter Hedges, like so many filmmakers looking not to lose their creative mojo during the pandemic, managed at the height of the Covid lockdown to take advantage of so many talented actors trying to survive in the same circumstance, and in the best show business tradition managed to create a new film, The Same Storm, that turned out to be so much more than he could have imagined.
There is an especially very telling, and actually chilling scene in Spencer, Pablo Larrain’s brilliantly imagined portrait of Princess Diana (Kristen Stewart) facing the crossroads of a long dead marriage during a Christmas holiday at the Queen’s Sandringham Estate. Prince Charles (Jack Farthing), stands in an ornate room at one end of a pool table while his wife Diana, clearly miserable and almost dead in the eyes, stands far apart at the other end. They are not playing pool.
Clayton Davis Peter Dinklage’s musical interpretation of the “friend zone” took center stage at the Telluride Film Festival for the world premiere of “Cyrano,” and a leading Oscar contender for best actor appeared to emerge.The premiere started with an actor’s tribute to Dinklage, which highlighted notable performances such as his Emmy-winning role in HBO’s “Game of Thrones.”Once the film began, the crowd was elated with the music, orchestrated by Aaron and Bryce Dessner, who also compose on