‘Costa!!,’ ‘Yasmine’s Wedding’ Added to DFW International’s Cannes Market Slate (EXCLUSIVE)

Elsa Keslassy International CorrespondentPulsar Content has closed a raft of major deals on “La Maison,” Anissa Bonnefont’s erotic drama based on Emma Becker’s controversial bestselling novel chronicling the young author’s two-year undercover experience working as a sex worker at a Berlin brothel. The Paris-based company introduced the title to buyers at Cannes and sold it to Wild Bunch for Germany, Austria, Italy and Spain, among other deals. Wild Bunch will team with Capelight for the German release.

Elsa Keslassy International CorrespondentREinvent International Sales has closed major territory sales on “UFO Sweden,” a science fiction movie adventure from Crazy Pictures, a Swedish film collective whose past credits includes the 2018 hit movie “The Unthinkable.”Described as a mix between “X-Files” and “Stranger Things,” “UFO Sweden” is set in a small town and follows a teenage rebel placed in foster care, who suspects that her father is not dead, but has been kidnapped by UFOs. With the help from a UFO association, she is determined to find out the truth.

Elsa Keslassy International Correspondent“CODA” producer Philippe Rousselet’s next movie “Maestro” has been sold to major territories by Orange Studio which hosted a market screening at Cannes. “Maestro” is adapted from Joseph Cesar’s Oscar-nominated, Cannes-prizewinning Israeli film “Footnote.” The movie is directed by Bruno Chiche and stars Yvan Attal, Pierre Arditi, Miou-Miou and Pascale Arbillot.

Tom Hollander Starring In Billie August Post-WWII Drama ‘Me, You’

Patrick Frater Asia Bureau ChiefCinema box office this year in North America is poised to overtake theatrical revenues in China, the country that has been the world’s largest movie market for the past two years.Before the latest weekend, gross revenues in the year to date stood at $2.38 billion for the North American compared with $2.43 billion for China, according to data from ComScore.U.K.-based research firm Gower Street Analytics forecast that the North American figure would overtake China’s revenues over the weekend or early this week. That reflects business growth in North America and the current reversal in China, where anti-COVID measures are causing renewed cinema closures.Gower Street says that some 85% of global cinemas are now open for business, compared with pre-pandemic levels.

Marta Balaga Things got personal at Cannes Market’s Fantastic 7 showcase this year, highlighting upcoming genre projects selected by seven festivals including Spain’s Sitges, Bucheon in South Korea, Cairo, Guadalajara in Mexico, SXSW and Toronto, as well as Whanau Marama New Zealand Intl. Film Festival.“I think it’s my most personal film ever,” said director Jaume Balagueró, also behind “[REC],” co-directed with Paco Plaza.In his latest film “Venus,” presented by Sitges, he will combine elements of survival drama and modern witchery.

Lise Pedersen Scandinavia is bringing talent old and new to the Cannes Film Market’s Cannes Docs sidebar this year, with a showcase of five feature length films-in-the-making pitched as part of the Scandinavian Showcase on Saturday.“Children of the Lowest Heaven”From Denmark, internationally acclaimed writer-director Birgitte Stærmose Mortensen (“Darling,” “Room 304”), who has been working on mini-series for HBO, Starz and Netflix for the past five years (“Industry” season 2, “The Spanish Princess,” “In From the Cold” and “The English Game”), presented “Children of the Lowest Heaven” (“Ønskeliv”), a hybrid doc set in Kosovo.Inspired by her short “Out of Love” (2009), about a group of children living in poverty in post-war Pristina, it picks up where she left off with the characters, who are now young adults, still fighting to survive in one of Europe’s poorest nations. It’s about the long-term effects of war, and what it means to live a life in poverty.

John Hopewell Chief International Correspondent“1976,” the awaited first feature of Chile’s Manuela Martelli, has closed first new major territories for sales company Luxbox before its world premiere in Directors’ Fortnight later this upcoming week.The film is produced out of Chile by writer-directors Omar Zúñiga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) at auteur-focused Chile-based Cinestación (“Too Late to Die Young”) as well as Alejandra Garcia and Andrés Wood, another celebrated Chilean director (“Violeta Went to Heaven”) at Wood Productions. Nathalia Videla Peña and Juan Pablo Gugliotta at Argentina’s Magma Cine co-produce.“1976” is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship.

John Hopewell Chief International CorrespondentFrom the 100-second tracking shot to building pulse music that opens “The Realm” to the slug-fest finale of “May God Save Us,” Oscar-nominated Rodrigo Sorogoyen (“Mother”) has filmed some of the most exhilarating shots in recent Spanish cinema.His status as a filmmaker consolidated by a series, Movistar Plus’ “Riot Police,” “The Beasts” (“As Bestas”), which plays in Cannes Premiere, rates as one of, if not the most awaited Spanish movie of 2022.From a brief synopsis, it might look like a return to one of Sorogoyen’s central obsessions: Violence. But that is most likely a half truth.

Leo Barraclough International Features EditorErotic love story “99 Moons,” which has its world premiere in Cannes’ ACID sidebar today, has kicked off international sales. Berlin-based M-Appeal is handling the rights to the film, which is directed by Jan Gassmann.Arthouse VOD platform Filmin has taken the rights in Spain, and arthouse distributor StraDa Films has taken the films for Greece. France and Latin America are in negotiation.

Emiliano De Pablos Enrique Buleo’s “Still Life With Ghost,” Ana Asensio’s “The Goat Girl,” Gala Gracia’s “The Remnants of You” and Esteban Alenda Bros.’ “There Is Evil” are some of the film projects pitched at the spotlight event on Spanish cinema at Cannes’ Producers Network on Friday May 20.Five Spanish production companies– Un Capricho de Producciones, Quatre Films Audiovisuales, Potenza Producciones, Aquí y Allí Films and Solita Films – were selected by Spain’s trade promotion board ICEX and the ICAA film institute to pitch their production slates at the Marché du Film event.As part of the Production Day, which kicked off with the Producers Network, the five Spanish producers made a video pitch with their projects – the main part of them at development stage –  to encourage international partnerships with co-producers and sales agents.

“El agua,” (Elena López Riera)A Directors’ Fortnight title, the feature debut of Locarno winning López Riera (“Los Que Desean”), a fantasy-laced village-set critique of gender violence. S.A. Elle Driver“Alcarràs,” (Carla Simón)The 2022 Berlin Golden Bear winner, Simón’s follow-up to “Summer 1993” and the flagship title for Catalonia and Spain’s newest filmmaking generation.

The International Film Festival Rotterdam has appointed its new team line up and structure as the festival revamps.

Welcome to International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. This week, as the 75th edition of the Cannes Film Festival has just kicked off, we’re talking to Enrique Costa and María Zamora, co-founders of Spanish distribution and production banner Elastica Films. At just a year old, the company is already making waves in the independent sector. They tell us about the company’s first year, their love of cinema and how they build films that connect with audiences. 

EXCLUSIVE: Argentinian Distributor FilmSharks has taken on international sales of horror Karem the Possession from Dark Water creator Junichiro Hayashi and sold the Russian and Baltic Rights to Big Film at Cannes.

Emilio Mayorga From Berlin Golden Bear winner ‘Alcarrás’ to Cannes Competition title ‘Pacifiction,’ these projects will represent Catalonia at Cannes.Alcarràs Director: Carla Simón The 2022 Berlin Golden Bear winner, a family farm drama marking the flagship title for Catalonia’s newest generation of cineastes. Sales: MK2 FilmsAmazing Elisa Director: Sadrac González-Perellón The next from 2017 BiFan Grand Jury Prize winner González- Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, seeks revenge after her mother’s tragic death. La Charito Films produces.

EXCLUSIVE: On the eve of the Cannes Film Festival, Competition title Close has sold to Lucky Red for Italy, Vertigo Films for Spain and Lev Cinemas for Israel.

sexual assault and misconduct, and has two films heading to the Cannes Market next week: “Peter Five Eight” and “1242: Gateway to the West.”The first project is the modern day thriller “Peter Five Eight” also stars Rebecca De Mornay, Jet Jandreau and Jake Weber, and is directed by Michael Zaiko Hall, according to a spokesperson for VMI International, which is handling worldwide sales at Cannes. “Peter Five Eight” centers on Sam (Jandreau), a seemingly poised and glamorous real estate agent in a small mountain community is revealed to be an unhinged and troubled alcoholic with a dark secret, when a charismatic man in a black sedan named Peter (Spacey) shows up in town one day.

Nick Vivarelli International CorrespondentFriendship, mountains, growing up, and our changed rapport with the planet in the wake of the pandemic are the main elements in Cannes competition title “The Eight Mountains” by Belgian directors Felix van Groeningen (“Beautiful Boy”) and Charlotte Vandermeersch. (Watch the trailer above.)The film is based on an Italian novel of the same title by Paolo Cognetti.

Ed Meza @edmezavarBlood Window, the Latin American genre film platform, returns to the Cannes Film Market this year with a selection of works in progress and completed films, including titles from Brazil and Mexico.Part of Ventana Sur’s genre industry platform, this year’s Blood Window Showcase screens Brazilian director Sabrina Greve’s film debut — still a work in progress — “The Basement of Scream Street” (“O porão da rua do grito”). The pic won Blood Window’s best work-in-progress competition at Ventana Sur last year, an honor that also granted it a world premiere at this year’s Sitges Film Festival in Spain.“The Basement of Scream Street” centers on siblings Jonas and Rebeca, who, haunted by guilt over their parents’ death, have developed an obsessive dependency on each other as they care for their grandmother and a child trapped in the basement.