Christopher Nolan says Zack Snyder’s ‘Watchmen’ was “ahead of its time”

Zack Sharf Digital News Director As 2023 draws to a close, Christopher Nolan is feeling pretty good about the state of the movie business. That shouldn’t come as too much of a surprise considering “Oppenheimer” pulled in a remarkable $954 million at the box office this year, beating every superhero movie and several major Hollywood tentpoles, like “Indiana Jones and the Dial of Destiny.” Audiences turning out in droves for a three-hour, R-rated and incredibly dense biographical drama as if it were a major action movie blockbuster has Nolan quite optimistic about the future. “I’ve just made a three-hour film about Robert Oppenheimer which is R-rated and half in black-and-white – and it made a billion dollars.

Thanks to the long, drawn out process of bringing “Zack Snyder’s Justice League” to the screen, people are now obsessed with the idea of Zack Snyder doing director’s cuts of his films. So, even before anyone saw one frame of his new film, “Rebel Moon — Part One: A Child of Fire,” there was already extensive discussion about his R-rated director’s cut.

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Christopher Nolan’s epic biographical thriller Oppenheimer. Based on American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and Martin J. Sherwin, Nolan wrote the script about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed.

Zack Snyder’s forthcoming sci-fi space opera “Rebel Moon” is a project he’s been kicking around for over ten years. It started out as an R-rated “Star Wars” film idea in 2012 that he pitched to Kathleen Kennedy.

Owen Gleiberman Chief Film Critic Zack Snyder is a pop-fantasy filmmaker who now has a fanboy cult around him. In the two decades since he made his feature directorial debut with the grainy unsettling 2004 reboot of “Dawn of the Dead,” Snyder’s flamboyant fusion of visual wizardry, technological fixation, and kick-ass spirit has made him, at least in some quarters (read: the Comic-Con and video-game demo), a creative hero for the Age of Escapism. Fans who grew up feasting on such Snyder extravaganzas as “300,” “Watchmen,” and “Sucker Punch” then saw his much-ballyhooed entrée into the DC comic-book sphere marked by ambitious but maligned misfires.

Zack Snyder‘s Rebel Moon-Part 1: Child of Fire his latest foray into science fiction, ambitiously attempts to weave a tale of interstellar rebellion and personal redemption. Written by Snyder, and co-written by Kurt Johnstad and Shay Hatten, the film struggles under the weight of its own aspirations, lacking the distinct personality often associated with Snyder’s works. The film delivers on the visual aesthetics, the film falters in delivering a compelling story. The film stars Sofia Boutella, Michiel Huisman, Charlie Hunnam, Dijmon Hounsou, Ed Skrien, Ray Fisher, Cleopatra Coleman, Fra Fee, Doona Bae, and Staz Nair.

Zack Snyder has revealed hs desire to return to his controversial 2011 movie Sucker Punch and reshoot the ending with the original cast.The film follows Baby Doll (Emily Browning), an asylum inpatient who often retreats to a fantasy world in her mind. Determined to fight for real freedom, she recruits a group of fellow inmates and plots an escape.

Marc Malkin Senior Editor, Culture and Events As we know by now, Zack Snyder has massive plans for his “Rebel Moon” universe. The franchise launches with the Netflix movie “Rebel Moon – Part One: A Child of Fire,” followed by a sequel that will be released next year. Snyder is developing a “Rebel Moon” comic book series, mobile game (“I would love to do big console game,” he says), an animated component, and is even releasing his first book of photography featuring a collection of black and white portraits he shot on set.

The stars of the new Netflix movie Rebel Moon stepped out for the London premiere!

Emily Blunt asks Anne Hathaway. “This is so embarrassing,” Hathaway replies, “because I remember every second of the first time I met you. I’m so much more into you than you are into me.

Zack Snyder has revealed that he was aware of a Zack Snyder’s Justice League joke being included in Greta Gerwig‘s Barbie ahead of its release earlier this year.Speaking to Men’s Health Magazine to promote his upcoming sci-fi film Rebel Moon, Snyder shared that Warner Bros. executive Michael DeLuca had his wife and producer partner Deborah Snyder of the joke.The joke, told by a version of Barbie played by Alexandra Shipp, was used to to describe her time being under the patriarchy of Ryan Gosling‘s Ken: “It’s like I’ve been in a dream where I was really invested in the Zack Snyder Cut of Justice League.”“They gave us a heads-up,” Snyder said of the joke.

Zack Snyder is sharing his thoughts on the Barbie joke about his cut of Justice League.

Zack Sharf Digital News Director Zack Snyder knew he was going to be the butt of a “Barbie” joke well before the blockbuster comedy opened in theaters from Warner Bros. In a new interview with Men’s Health, the “Rebel Moon” director revealed Warner Bros.’ film co-chief Michael DeLuca informed his wife and producer partner Deborah Snyder earlier this year about the joke and the studio’s intention to keep it in the film’s final cut. The Snyder Cut joke in “Barbie” arrives during a critical moment in the film.

Christopher Nolan is to receive a BFI Fellowship, the highest honor bestowed by the UK’s lead organization for film.

Oppenheimer” director Christopher Nolan is being accorded a BFI Fellowship, the highest honor bestowed by the British Film Institute. “The fellowship recognizes Nolan’s extraordinary achievements and enormous contribution to cinema as one of the world’s most successful and influential film directors, constantly pushing the limits of what large-scale filmmaking can be whilst retaining a reverence for the history of the medium and the primacy of cinema-going,” the BFI said in a statement. The fellowship will be presented to Nolan at the BFI chair’s dinner in London on Feb.

It’s interesting to think of how cinema fans are often forced to pick sides. You’re either pro-cinema and on the side of folks like Christopher Nolan, or you’re maybe someone who likes major franchises and *gasp* comic book movies, so you’re on the side of Zack Snyder.

There’s a whole debate in Hollywood about how much the industry relies on established franchises like superhero movies and how many original films get commissioned. Director Christopher Nolan is weighing in on the matter explaining that there needs to be a balance between all types of movies.

Christopher Nolan has responded to Martin Scorsese‘s assertion that cinema needs to be saved from superheroes, sequels, reboots and franchises.In a recent interview with GQ, Scorsese suggested that such films present a “danger to our culture… because there are going to be generations now that think movies are only those—that’s what movies are”.The Killers Of The Flower Moon director added: “We have to then fight back stronger. And it’s got to come from the grassroots level.

Christopher Nolan is opening up about rumors that point to him taking over the James Bond film franchise and directing the next chapter of the franchise.

Christopher Nolan has said that he will not be directing the next James Bond film.The Oppenheimer director has long been linked with a possible involvement in the British spy franchise, and has spoken multiple times in the past about his admiration for the films, even expressing direct interest in becoming a part of it.In a new interview with Associated Press, however, he has formally distanced himself from Bond. When asked whether that might be his next project, he said: “No, sadly no – no truth to those rumours.”In July, Nolan had said that it would be “an amazing privilege” to direct a Bond film.“The influence of those movies in my filmography is embarrassingly apparent.