Charlize Theron spoke about her latest film “The Old Guard” being a huge hit on Netflix in a new interview with Variety.
09.07.2020 - 22:33 / etcanada.com
Chiwetel Ejiofor was inspired by the movies of his youth just like the stars of tomorrow will be inspired by the work of his generation.
Ejiofor caught up with Ian de Borja for IMDb’s “Movies That Changed My Life” podcast. The actor highlighted 1948’s “Bicycle Thieves” as one of the works that inspired him.
“I suppose I watched it first when I was quite young and I maybe like on VHS maybe or something or maybe it was even playing,” he recalled. “I saw it years later on Wilshire, on Wilshire
Charlize Theron spoke about her latest film “The Old Guard” being a huge hit on Netflix in a new interview with Variety.
Netflix doesn’t release viewership numbers all that often, but when the streaming service does, it’s normally for a good reason. In the case of “The Old Guard,” and its viewership totals after just a matter of days, it’s clear that Netflix wants everyone to know the new Charlize Theron action film has become one of the service’s most popular films of all time, with 72 million purported viewers.
Charlize Theron is ecstatic over the buzz her recent film, The Old Guard has received. In a recent interview with Variety, the actress reflected on the film’s massive success and positive reviews.
Netflix just gave us a peek inside the proverbial chocolate factory by sharing some small amount of data regarding viewership numbers for their original movies. The streaming giant posted a list of their 10 most viewed original movies ever, and Gina Prince-Bythewood‘s “The Old Guard” is among them.
When it rains, it pours. But sometimes, it’s a good pour.
The latest news update about Charlize Theron's recently released Netflix film suggests that the action thriller could have a possible sequel. The film which ended on a suspense note, when one of the immortals who was perceived to be dead, shows up alive.
Chiwetel Ejiofor is jealous of Charlize Theron.
Jazz Tangcay Artisans EditorIt’s 2020 and “Love and Basketball” director Gina Prince-Bythewood has achieved a Hollywood first — she’s the first Black woman to direct an action-comic book film, and her editor, Terilyn Shropshire (“When They See Us”) has the same distinction.“It’s whack,” comments Prince-Bythewood of the historic moment.“The Old Guard,” which premieres on Netflix July 10, is based on the graphic novel by Greg Rucka, who also wrote the screenplay.
Netflix the week of July 10-16. Netflix is doing one of those weeks where there's one marquee release whose standout status is thrown into sharp relief by the low-profile releases around it.
For all the painful absences of this summer, it has been a season blessedly bereft of superheroes. No, they’re not all bad.
Charlize Theron is looking back at conquering her fear of riding horses.
Marc Malkin Senior Film Awards, Events & Lifestyle EditorOne would assume that the powers that be at Disney and Marvel have approached Charlize Theron about joining the MCU.But no, Theron says, she hasn’t heard a peep. “I swear to God.
Charlize Theron‘s film The Old Guard hits Netflix on Friday and we dug up an old interview where she revealed what happened during one of the stunts she filmed!
shedding any tears for Disney ever. Spider-Man is gonna be fine.Unlike the Avengers, you likely haven’t heard of this unusual crew of super soldiers.
With every superhero there comes problems. Superman has his kryptonite, Batman has his mortality, but what could be the problem with being immortal?Being known.
Angelique Jackson KiKi Layne is a natural — and not just when it comes to acting. While training to star opposite Charlize Theron in Gina Prince-Bythewood’s graphic novel-based film “The Old Guard” (streaming on Netflix beginning July 10), the 28-year-old learned she’s quite adept at preparing firearms.
As a good rule of thumb, assume that whatever filmmaker Gina Prince-Bythewood is doing now will become common industry practice within five years. Her films have always served as a beacon of quiet yet radical corrective energy pointing towards a cinema that practices the virtues it so frequently signals.