By Dino-Ray Ramos
20.01.2020 - 16:51 / variety.com
Universal Pictures’ sci-fi thriller “Extinction” starring Lizzy Caplan and Michael Pena was critically panned, yanked from its planned 2018 U.S. theatrical debut, and offloaded to Netflix. But it has found a new life on the big screen two years later in China, where it came in fifth at the box office over the weekend with a $1.4 million debut.
With its strict censorship and IT compliance rules, China is one of the few countries in the world where the multinational streaming platform does not
By Dino-Ray Ramos
Fear of the spread of the coronavirus that is sweeping China has begun to contaminate the film industry in South Korea.
LOS ANGELES (Variety.com) — Box office newcomers “Rhythm Section” and “Gretel and Hansel” fumbled as “Bad Boys for Life” remained champions during a painfully slow Super Bowl weekend.
By Nancy Tartaglione
By Dino-Ray Ramos
Sony’s “Bad Boys for Life” is keeping the North American box office healthy as it heads for its third weekend crown at domestic multiplexes with about $17.4 million at 3,705 sites, estimates showed Saturday.
By Mike Fleming Jr
GÖTEBORG, Sweden — Home to the most dynamic streaming markets in Western Europe, the Nordic region still posted solid box office returns in 2019, especially from Hollywood tentpoles “The Lion King,” “Avengers: Endgame” and “Joker,” which ruled on all top ten charts, except in Denmark. Local fare, however, lost ground in all five territories.
Locally-made action comedy “The Grand Grandmaster” emerged on top of the Hong Kong box office during the Lunar New Year holiday. But, hit by the aftermath of political protest and growing precautions against the coronavirus threat, the theatrical business took a steep tumble.
The Japanese box office leaped by 17% in 2019 to set a record $2.4 billion score, according to figures announced Tuesday by the Motion Picture Producers Association of Japan, locally known as Eirin. The previous high was the $2.2 billion recorded in 2016.
Measures to limit travel and the closure of most cinemas almost completely eliminated box office takings in China on what should have been the country’s busiest movie-going weekend of the year. The pain is set to continue.
By Nancy Tartaglione
Cinema box office in Australia dipped by 2% in 2019 to an annual total of A$1.23 billion, or $841 million, according to data from the Motion Picture Distributors Association of Australia. That was the country’s third highest figure in local currency terms, but it also shows the theatrical industry to be rangebound since 2015.
In the more than six months that protest movements have rocked Hong Kong, a whole range of business sectors have become color-coded, as both Beijing-loyal blue elements and yellow pro-democracy forces have weaponized the economy.
Opening on Wednesday (Jan. 15), Korean-made comedy “Secret Zoo” landed on top of the South Korean box office. The Son Jae-gon (“My Scary Girl”) film earned $5.95 million from 813,000 admissions over its opening five days, including $4.3 million earned over the weekend. That was enough for a 38% share of the country’s total weekend box office. Distributed by Acemaker Movieworks, “Secret Zoo” sees the story of a couple who try to save a zoo from being shut down.
LOS ANGELES, (Variety.com) — Universal’s Dolittle and 1917 found out what Bad Boys will do when they come for you at the box office. Sony’s Bad Boys for Life, the third entry in the Will Smith and Martin Lawrence-led series, beat expectations and towered over the competition during the Martin Luther King Jr. weekend.
“Bad Boys for Life” is showing plenty of power at the North American box office with an impressive launch of around $66 million at 3,740 venues over the four-day holiday weekend.