Can you spot the historical mistake in ‘Oppenheimer?’ Fans say it ‘totally ruined the film’

Oppenheimer has passed $500million (£392m) at the global box office, making it the most successful WW2 film ever.Cillian Murphy stars in Christopher Nolan‘s critically acclaimed film as Robert J. Oppenheimer, the real-life American physicist who played a pivotal role in the creation of the atomic bomb.This past weekend, the film passed the huge box office milestone and its total figure now sits at $552.9m.According to Box Office Mojo, that takes it beyond Dunkirk ($527m), Saving Private Ryan ($482m), and Pearl Harbor ($449m) to become the highest grossing film of all time to be set during the second world war.However, it is still lagging behind its box office rival Barbie, which hit $1bn at the global box office this weekend.Oppenheimer scored a glowing five-star review from NME upon its release, with Paul Bradshaw writing: “Not just the definitive account of the man behind the atom bomb, Oppenheimer is a monumental achievement in grown-up filmmaking.

Christopher Nolan’s mega-hit Oppenheimer features dozens of historical characters, but among them you won’t find Ted Hall. And yet Hall, who went to work on the Manhattan Project as a teenage wunderkind physicist, occupies a significant place in the overall story. As a fresh-faced and idealistic youth, he shared top secret details of the atom bomb’s design with Soviet agents — but he was never prosecuted for it.

Christopher Nolan has explained why some audience members may have difficulty hearing the dialogue in Oppenheimer.The movie, which stars Cillian Murphy as Robert J. Oppenheimer — the real-life American physicist who played a pivotal role in the creation of the atomic bomb — has received rave reviews and become a box office hit, but some fans have raised complaints about the film’s sound quality.Nolan’s films have long been criticised for hard-to-hear dialogue, with The Dark Knight Rises and Tenet being two notable examples.

Oppenheimer.Directed by Christopher Nolan, the biopic follows the life of J. Robert Oppenheimer (Cillian Murphy) who was instrumental in the creation of the first nuclear weapons.Early on in the film, we’re introduced to Florence Pugh’s character Jean Tatlock, who was Oppenheimer’s lover before and during his marriage to Kitty (Emily Blunt).Tatlock’s connections to the communist party cause Oppenheimer to face intense scrutiny from US government officials, who are suspicious of his loyalty to the US as he oversees the creation of nuclear weapons under the secret Manhattan Project.It’s later revealed that Tatlock died by suicide, with quick shots showing her drowning herself in the bath.

reports the South China Morning Post.The fan-made poster, which was originally uploaded last month by the account DiscussingFilms on X (formerly Twitter), showed Cillian Murphy’s J. Robert Oppenheimer holding Margot Robbie’s Barbie in front of a mushroom cloud. Japanese users were further aggravated when the official US account for the Barbie film commented on the post, writing that “it’s gonna be a summer to remember.” Since the comment controversy, the hashtag “#NoBarbenheimer” has been trending on social media.

JFK filmmaker Oliver Stone posted a series of tweets Tuesday praising Christopher Nolan’s latest film Oppenheimer during which he revealed he once turned down a project based around J. Robert Oppenheimer’s life because he couldn’t crack the narrative.

Zack Sharf Digital News Director Christopher Nolan’s “Oppenheimer” has generated a lot of headlines due to its nudity and sex scenes, the first of the director’s career. Cillian Murphy, who plays the title character in Nolan’s biographical drama, was recently asked by GQ UK to weigh in on all of the buzz surrounding the “Oppenheimer” sex scenes, to which Murphy said they were “vital” to the film.

Christopher Nolan‘s Oppenheimer has been met with rave reviews – but what was the significance of the film’s final scene?The movie stars Cillian Murphy as Robert J. Oppenheimer, the real-life American physicist who played a pivotal role in the creation of the atomic bomb.

Steven Spielberg and Paul McCartney recently attended a screening of Christopher Nolan‘s Oppenheimer together.The pair were spotted outside a cinema in New York’s summer vacation hotspot the Hamptons on Monday (July 24). You can view the pair at the premiere below.McCartney and the famous director have known each other since 1986, when the former Beatle told Rolling Stone at the time that he sought out Spielberg’s advice on the possibility of making a movie about the Fab Four’s career.More recently, Spielberg noted that The Beatles song ‘Michelle’ from 1965’s ‘Rubber Soul’ brought back memories of his first kiss in college.Steven Spielberg and Paul McCartney were spotted at a theater to watch #Oppenheimer in the Hamptons on Monday July 24.

Zack Sharf Digital News Director Before Christian Bale landed the role of Batman/Bruce Wayne in Christopher Nolan’s “Dark Knight” trilogy, the filmmaker screen-tested his “Oppenheimer” star Cillian Murphy. Both men have since admitted that Murphy was never a real threat to steal the part from Bale, and Murphy told GQ Magazine UK in a recent interview that it “was for the best” that Bale won the coveted role over him anyway. “Yes, I think it was for the best because we got Christian Bale’s performance, which is a stunning interpretation of that role,” Murphy said.

Comedian Joel Dommett often cracks jokes on his Instagram, and fans love his brand of humour. But there is a growing number of commenters calling him out for his latest post because they just don't believe him.

Cillian Murphy honed his craft for nearly three decades before his Oppenheimer role made him one of Hollywood’s biggest names.

Barbie was more than it actually cost to make the film itself, it has been reported.Greta Gerwig‘s film, starring Margot Robbie and Ryan Gosling, came to cinemas on Friday (July 21).Ahead of its box office opening, the film hosted a host of marketing activities from making a real-life Barbie dreamhouse to pink burgers and beyond, as well as a social media-led meme trend pitting the film against Christopher Nolan‘s Oppenheimer.Now, it has been reported by Variety that the marketing budget for the film was a staggering $150million (£117m), eclipsing the $145m (£113m) it cost to actually make the film itself.Barbie is currently set to outpace Oppenheimer at the box office over the two films’ shared opening weekend.As things stand, Gerwig’s comedy is set to bring in $110million (£86.6million) at the US box office this weekend, over twice the expected takings of Nolan’s biopic about the creator of the atomic bomb. Oppenheimer is expected to gross $50million (£38.8million).Barbie’s current takings mean it will break the record for the highest-opening film in the US by a female director. Wonder Woman previously held the title, bringing in £103million (£89.1million) in 2017.Warner Bros confirmed that Barbie had earned $22.3million (£17.3million) in box office previews – the highest figure of any film this year.

Christopher Nolan’s biographical epic Oppenheimer.During a scene set in 1945, J. Robert Oppenheimer (Cillian Murphy) goes to deliver a speech to a crowd waving American flags.The flags featured however are the current version of the flag, with 50 stars representing 50 states.

Manori Ravindran Executive Editor of International Decades before Christopher Nolan set his sights on a movie about J. Robert Oppenheimer, a science-obsessed BBC executive ventured to America in 1979 to make a $1.5 million TV show about the father of the atom bomb. Peter Goodchild began his career at the BBC in radio drama, but eventually migrated to the storied “Horizon” science unit to put his chemistry degree to some use. The division began experimenting with factual dramas in the 1970s, and after delivering a hit series on French-Polish physicist Marie Curie, Goodchild set his sights on the New York-born Oppenheimer. “I’d seen a play on J. Robert Oppenheimer at the Hampstead Theatre Club way back in 1966,” the 83-year-old tells Variety from his home in Exeter, southwest England, where his Zoom background reveals a room teeming with books on heaving shelves.

Zack Sharf Digital News Director While “Oppenheimer” has been touted as Christopher Nolan’s first biopic, that’s not necessarily true. It’s only the director’s first biopic to hit the big screen. Decades ago, Nolan wrote the screenplay for a biopic about aviator and business tycoon Howard Hughes, but the project never took flight because Martin Scorsese’s “The Aviator,” starring Leonardo DiCaprio as Hughes, beat him to it. Nolan told The Daily Beast in 2007 that his Hughes biopic was the best script he’d written, and he even lined up Jim Carrey to star as Hughes. Nolan said Hughes was the role that Carrey was “born to play.” Nolan’s Howard Hughes movie never materialized, but learning how to distill the life of an iconic American figure into a movie script would pay off years later when it came time to penning “Oppenheimer.”

Christopher Nolan’s latest pic Oppenheimer launches into cinemas Friday, and while on the promotion rounds, the director once again was confronted with the age-old question: Would he ever direct a James Bond movie?

Zack Sharf Digital News Director “Oppenheimer” marks several firsts for writer-director Christopher Nolan. It’s his first outright biopic, and the first movie to be shot on IMAX cameras using black-and-white film stock. It’s also the first Christopher Nolan movie to feature sex scenes. J. Robert Oppenheimer, played by Cillian Murphy, had a steamy romance with physician Jean Tatlock (Florence Pugh) before his marriage to Katherine “Kitty” Oppenheimer. His romance to Tatlock continued despite the marriage. “Any time you’re challenging yourself to work in areas you haven’t worked in before, you should be appropriately nervous and appropriately careful and planned and prepared,” Nolan recently told Insider when asked about filming sex scenes for the first time.

Owen Gleiberman Chief Film Critic In the early scenes of “Oppenheimer,” J. Robert Oppenheimer (Cillian Murphy), an American physics student attending graduate school in England and Germany in the 1920s, with bright blue marble eyes and a curly wedge of hair that stands up like Charlie Chaplin’s, keeps having visions of particles and waves. We see the images that are disrupting his mind, the particles pulsating, the waves aglow in vibratory bands of light. Oppenheimer can see the brave new world of quantum mechanics, and the visual razzmatazz is exactly the sort of thing you’d expect from a biopic written and directed by Christopher Nolan: a molecular light show as a reflection of the hero’s inner spirit. But even when “Oppenheimer” settles down into a more realistic, less phantasmagorical groove (which it does fairly quickly), it remains every inch a Nolan film. You feel that in the heady, dense, dizzying way it slices and dices chronology, psychodrama, scientific inquiry, political backstabbing, and history written with lightning — no mere metaphor in this case, since the movie, which tells the story of the man who created the atomic bomb, feels almost like it’s about the invention of lightning.

A film adapted from a book entitled “American Prometheus” was not going to be subtle about its inspirations. Christopher Nolan’s “Oppenheimer” offers nothing short of a mythological retelling of American history as modernism’s end.