‘Burial’ Keeps Itself from Getting Buried Beneath Its B-Movie Ambitions [Review]

An Oldham councillor has been arrested by Greater Manchester Police on suspicion of rape.

Oliver Hermanus and starring Bill Nighy and Aimee Lou Wood, comes from a screenplay that Kazuo Ishiguro wrote, adapting it into English from Akira Kurosawa’s Japanese film “Ikuru.” (“Ikuru” itself was inspired by Leo Tolstoy’s 1886 Russian novella “The Death of Ivan Ilyich.”) Nighy plays a British bureaucrat in post-World War II London whose cancer diagnosis inspires him to reevaluate his life of solitude and try to make a difference in his community before he dies. Hermanus, Nighy and Wood visited TheWrap and Shutterstock’s Interview and Portrait Studio at the Toronto International Film Festival for a discussion about the filmmaking process.Nighy plays the bureaucrat, Williams, and he and Hermanus weren’t too worried by the legacy of Kurosawa’s original film looming over their adaptation.

Jonathan Bennett and Brooke D’Orsay have some fun in an obstacle course in this new look at their Hallmark movie, Wedding of a Lifetime.

A few minutes before the North American premiere of “Freedom on Fire: Ukraine’s Fight for Freedom,” director Evgeny Afineesvky summed up his state of mind in a single word: “exhausted.”That makes sense, because “Freedom on Fire” screened at the Toronto International Film Festival about six months after Afineevsky and his team began working on it, barely more than a month after its final footage was filmed and only a few weeks after Helen Mirren recorded narration for a scene that comes early in the documentary.For Afineevsky, who landed Oscar and Emmy nominations for 2015’s “Winter on Fire: Ukraine’s Fight for Freedom,” this sequel of sorts was made in a six-month rush, including just three months of editing after Russian forces invaded Ukraine in February of this year. “The urgency of the movie,” the Russian-born director told the audience before the Tuesday morning TIFF screening, “is to not neglect the situation right now.”Certainly, urgency is a hallmark of “Freedom on Fire,” a harrowing document shot by dozens of people inside Ukrainian cities as the Russian army conducted a bombing campaign and an invasion that seemingly targeted civilians, despite Vladimir Putin’s claims that Russia was there to “demilitarize” and “denazify” the country, and to somehow “free” it – though as more than one person in the film points out, the Russian offensive has resulted in ordinary citizens being freed from their lives, their homes, their families.The director’s first film about Ukraine, “Winter on Fire,” was an on-the-ground look at the 2013-2014 Maidan uprising, in which student protests against the Russian-backed president drew a brutal response but resulted in the removal of the president.

EXCLUSIVE: House Of The Dragon star Emma D’Arcy, Industry actor Harry Lawtey and Willow star Ellie Bamber have joined Maxine Peake (The Village), Oscar nominee Ciaran Hinds (Belfast) and Jason Isaacs (The Death Of Stalin) in feature thriller Anna (formerly known as Mother Russia).

Don’t worry, darling — Florence Pugh isn’t going anywhere. She’s already booked her next Marvel project with the all-star movie Thunderbolts alongside Sebastian Stan and more familiar faces.

Widespread optimism months ago that domestic box office might readily return to pre-Covid levels has given way to a new sense of pragmatism about the movie business.

Netflix has a number of high-profile movies coming to the Toronto  Film Festival, just as it did at Venice and Telluride, but a less heralded title with no instantly recognizable star names was chosen to open the fest tonight, and The Swimmers may turn out to be a surprise winner for the streamer when it debuts this fall. It certainly reverses the curse of some of TIFF’s less successful opening-nighters.

EXCLUSIVE: Canadian filmmaker Chandler Levack has signed with WME.

Peter Debruge Chief Film Critic Most of the time, documentaries don’t get sequels, which is strange. Unlike their scripted fiction counterparts, the story doesn’t end when the cameras stop rolling. If you’ve ever attended a filmmaker Q&A after the screening of a great documentary, you know the first question from the audience is almost inevitably either “What’s happened since?” or “Where are they now?” Bryan Fogel must have heard that more times than he can count in the five years since his game-changing Russian sports doping doc “Icarus” won the Academy Award. “Icarus: The Aftermath” is his response, a daring and sure-to-be-divisive movie that’s even more shocking than the 2017 original, even if the big news is already out of the bag.

Timothée Chalamet‘s new movie received an almost nine-minute standing ovation at Venice Film Festival. The actor arrived in Italy for the premiere of his second film with Call Me By Your Name director Luca Guadagnino on Friday (2 September). Chalamet plays a cannibal in the film, which is titled Bones and All.

For all its discussion of weighty topics such as morality, espionage, and whistleblowing, Bryan Fogel’s Oscar-winning documentary “Icarus” was, at its heart, a buddy comedy. Existential and, at times, terrifying? Sure.

never doped its athletes, Putin’s administration shifted to claiming that Rodchenkov was a rogue agent who did it all himself and is now a traitor. The evidence clearly suggests otherwise, but the Olympic ban is essentially toothless: It prohibits the Russian Olympic committee from being part of the games but allows athletes to compete under the “Olympic athletes from Russia” banner.

As a child growing up in the United States, you’re taught that betraying the country is a terrible act, punishable by death. Every morning, in most public schools, you’re forced to recite the Pledge of Allegiance, which overtly puts your patriotism at the forefront of the day’s events.

Given the fragile state of world peace at the moment, it seems like a good time for the latest film from Hoop Dreams director Steve James, a piece of little-known history from the cold war that could potentially have devastating consequences today. Sadly, James’ Venice Film Festival out of competition title A Compassionate Spy just doesn’t deliver the drama and tension you might expect from the high-stakes story of a mild-mannered American scientist who passed sensitive nuclear secrets to the Russians out of a mixture of idealism and naivety.

Manori Ravindran International Editor High-profile espionage cases in the post-war period often invoke the grisly fate of the Rosenbergs, the first U.S. citizens to be convicted and executed by electric chair for sharing atomic secrets with the Soviet Union in peace time. But in the new documentary “A Compassionate Spy,” filmmaker Steve James tells the incredible story of Manhattan Project scientist Ted Hall, who shared classified nuclear secrets with Russia — and got away with it. The Participant and Kartemquin Films-produced documentary, which has its world premiere in Venice on Sept. 2, is one of a number of films at this year’s festival that tackle the topic of nuclear disaster: Projects from Noah Baumbach’s feature adaptation of Don DeLillo’s “White Noise” through to Oliver Stone’s on-the-nose documentary “Nuclear” all contemplate some aspect of our nuclear past and future.

Ed Sheeran was joined at his Poland gig on Saturday night by Ukrainian band Antytila – watch them give a live debut of their collaborative remix of ‘2step’.Earlier this year Antytila reached out to Sheeran asking if they could perform remotely at the ‘Concert For Ukraine’ fundraiser event in Birmingham. Organisers refused because the event is “only able to focus on the humanitarian situation” and the band are currently fighting the Russians in the Ukrainian capital Kyiv, but Sheeran did say he was going to be checking out their music.Following that, they released a collaborative remix of Sheeran’s track ‘2step’ in May, with Antytila sharing screenshots of conversations they’d had with Sheeran.“I’m up for whatever man, just please keep safe,” Sheeran wrote to the group.