Tom Holland is feeling the love!
08.05.2024 - 22:23 / deadline.com
Tonight’s performance of Broadway‘s Sufjan Stevens dance musical Illinoise has been canceled due to the death of a backstage company member.
The death did not occur at the St. James Theatre, where Illinoise is playing. The company member is not a performer and does not appear onstage, and has not been identified.
“Due to a tragedy within the Illinoise community, tonight’s performance will be cancelled and performances will resume tomorrow,” an Instagram post reads. “We apologize for the inconvenience. All tickets for the cancelled performance will be refunded at the original point of purchase.”
Based on Stevens’ 2005 album Illinois, the musical is directed and choreographed by Justin Peck. Last week the production received four Tony Award nominations, including Best Musical, Best Choreography, Best Lighting Design and Best Orchestrations. Peck and Jackie Sibblies Drury wrote the musical’s book.
Following a sold-out Off Broadway run at Manhattan’s Park Avenue Armory, Illinoise made a last-minute transfer to Broadway’s St. James Theatre in time for Tony qualification. The limited engagement Broadway staging began performances on April 24 and runs through August 10.
A post shared by Illinoise: A New Broadway Musical (@illinoiseonstage)
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Tom Holland is feeling the love!
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Illinoise, the dance-musical hybrid nominated for four Tony Awards (including Best Musical) is the seventh collaboration between Justin Peck, the resident choreographer and artistic advisor of the New York City Ballet, and his old friend and creative partner Sufjan Stevens, the indie singer-songwriter turned Oscar nominee (for his song “Mystery of Love” from 2017’s Call Me By Your Name). But it’s safe to say this quirky gem is something unique. Unlike the duo’s previous projects, which include commissions from major dance companies across the country, Illinoise isn’t exactly a ballet. It’s not exactly a musical either.
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Christian Lewis Sufjan Stevens’s indie folk concept album “Illinois”(2005) is whimsical, earnest, and sorrowful; it weaves together events and figures from Illinois history (including UFO sightings, Pullman cars, the World’s Fair of 1893, and the Lincoln/Douglas debates) with Biblical allusions and feelings of shame and loss. This multifaceted mix, often stirring and fascinating to listen to, is not an inherently logical choice for a narrative work of art — and yet, Justin Peck has devised, directed, and choreographed a 90-minute dance theater piece based on it, one that will indelibly be remembered as one of the most singular productions in recent Broadway history.
1 hour, 30 minutes, no intermission. The St.
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