Breaking Down the ‘Below Deck’ Love Triangle Timeline Between Daisy Kelliher, Gary King and Colin MacRae

"It’s not rain, it’s next year’s whisky," was one soggy person's take on the downpours at the annual garden party at the Palace of Holyroodhouse in Edinburgh. Heavy rain lashed down in the gardens on Tuesday, 4 July, as 8,000 guests gathered to meet King Charles and Queen Camilla as well as Anne, the Princess Royal.

Ever since his reign began last September, King Charles has introduced a handful of new modern proposals, but certainly nothing that has shaken the monarchy to its core. The most significant of these changes was to make both The Princess Royal and The Duke of Edinburgh Counsellors of State - thereby removing the need for Prince Andrew or Prince Harry to have to step in if the King was ever abroad or otherwise incapacitated.This approach of not drastically shifting how the Firm operates is something that former BBC royal correspondent Jennie Bond feels is entirely to the Monarch's credit.

Pete Davidson may not have thought it through when he decided to join Colin Jost in buying a massive ferry, but more than a year after the purchase the comedian's got plans in motion, and he admits it's because he's feeling the pressure!While talking to Seth Meyers on his  podcast, the 29-year-old comedian for the first time shared some specifics when it comes to what he and Jost plan to do with the Staten Island Ferry they invested in back in January 2022 (after he and Jost got "very stoned").«So, we just got all the plans built,» Davidson said. «We had them do one of those computer generated, you know, show-you-what-it-could-be type of thing. And now we're out to a few people and it seems like it's all going well, but it's definitely five years away.»The goal, Davidson said, is to transform the ferry into a floating party vessel.«We wanna be able to dock it from April to September, maybe October, in New York and it will be like a restaurant.

Pete Davidson may not have thought it through when he decided to join Colin Jost in buying a massive ferry, but more than a year after the purchase the comedian's got plans in motion, and he admits it's because he's feeling the pressure!While talking to Seth Meyers on his  podcast, the 29-year-old comedian for the first time shared some specifics when it comes to what he and Jost plan to do with the Staten Island Ferry they invested in back in January 2022 (after he and Jost got "very stoned").«So, we just got all the plans built,» Davidson said. «We had them do one of those computer generated, you know, show-you-what-it-could-be type of thing. And now we're out to a few people and it seems like it's all going well, but it's definitely five years away.»The goal, Davidson said, is to transform the ferry into a floating party vessel.«We wanna be able to dock it from April to September, maybe October, in New York and it will be like a restaurant.

Captain Sandy weighed in on Captain Lee‘s surprising departure from Below Deck — telling Us Weekly she didn’t know it wasn’t his decision.

Daisy Kelliher‘s relationship with Colin MacRae hit another obstacle — and Gary King was once again caught in the middle.

The Bachelorette is back – and Charity Lawson is breaking down the biggest moments from the season 20 premiere on Us Weekly’s “Here for the Right Reasons” podcast.

Charity Lawson is dishing on the season premiere of . In an interview with ET's Denny Directo, the child and family therapist broke down the biggest moments from the start of her journey for love.The episode began with Charity explaining what she wants out of the show, namely a relationship like her parents, who have been married for 48 years.«I take away so much from what my parents have modeled and how they view love,» she told ET.

Daisy Kelliher found herself in an incredibly awkward situation in bed when she thought Colin MacRae was actually Gary King.

“Bridgerton” is giving fans a sneak peek of season 3, including the romance between Penelope Featherington (Nicola Coughlan) and Colin Bridgerton (Luke Newton).

Andy Cohen is opening up about his very, very close friendship with John Mayer.

The Last of Us started as a video game, became a hit TV series and is about to become not one but two live attractions: Universal Studios’ Halloween Horror Nights will open Last of Us haunted houses at Universal Orlando Resort and Universal Studios Hollywood in September.

Jessica Kiang Over the course of his first three features — “Ilo Ilo,” “Wet Season” and this year’s “Drift” — Singaporean director Anthony Chen has developed a signature style. It is a graceful, lucid classicism, a mode that in its straightforward sincerity is not fashionable in our abrasive moment, but can yield significant satisfactions. That is certainly true of his second film of 2023, “The Breaking Ice,” which describes, in a trio of perfectly judged  performances, the burgeoning, momentous and yet fleeting connection between three differently lonely people — a love triangle with rounded, snowdrift corners. Yu Jing-Pin’s lovely photography contrasts wintry wides and warm close-ups, as writer-director Chen carves out three characters against the frozen landscapes of Yanji, a small Chinese town in shouting distance of the North Korean border. This is the current home of Nana (Zhou Dongyu, “Better Days”) an unfulfilled bus-tour guide who switches on her ready smile for her passengers — and switches it off just as quickly when she turns away to massage her cold, cramping feet.

After “The Super Mario Bros. Movie” made over $1.3 billion at the global box office, it’s safe to say that Illumination is pretty pleased with its partnership with Nintendo.

Season 10 of Vanderpump Rules isn’t officially over until all the secrets are revealed — and Us Weekly watched the Wednesday, June 14, bonus episode so you don’t have to.

Hunter Ingram SPOILER ALERT: This story contains spoilers for the entire first season of “Based on a True Story,” now streaming on Peacock. Most true crime documentaries and podcasts reach the inevitable moment when the killer makes a mistake and the authorities come calling. The season finale of Peacock’s new comedy “Based on a True Story” may have just arrived at that moment. All season, Ava (Kaley Cuoco) and Nathan (Chris Messina) have been pulled into a comedy of complicity of their own making after they partner with part-time plumber, part-time serial killer Matt (Tom Bateman) to document his Westside Ripper crimes for a podcast called “Based on a True Story.” But in the finale, he indoctrinates them into his world by killing their friend Ruby (Priscilla Quintana), and dumping her body on the doorstep of their newly leased beachfront dreamhouse for them to clean up.

Elizabeth Olsen and Meghann Fahy deliver two of the most nuanced performances of the Emmy season, both playing complicated women who are wives and mothers. In “Love & Death,” Olsen’s Candy Montgomery is based on a real housewife in late-1970s Texas, who out of boredom instigates an affair with Allan (Jesse Plemons), a member of her church — an illicit assignation that eventually leads to Candy being on trial for murdering Allan’s wife, Betty (Lily Rabe). In a very different setting, Season 2 of Mike White’s “The White Lotus,” Fahy plays Daphne, a character on a luxury Sicilian vacation with her husband, Cameron (Theo James), and another couple: Ethan (Will Sharpe) and Harper (Aubrey Plaza). As the tension among the four escalates, it’s both sexual and violent — and oddsmakers were entirely wrong about the identity of the dead body in the season-premiere flashback.

William Earl On any given episode of Paramount Network’s “Bar Rescue,” the establishments featured are in a catastrophic state of disrepair: awash in grime, bugs, rotted food and/or mysterious stains. The surroundings are matched by the decay of their owners, who have no idea how to run a business. Enter the show’s tough-talking but big-hearted host, Jon Taffer, a nightlife veteran whose extensive resume includes running legendary L.A. hotspot The Troubadour in the early ’80s and being one of the first inductees of the Nightclub Hall of Fame. In 2011, he started “Bar Rescue,” then on Spike TV. Although Taffer is often met with resistance from flailing bar owners who think they know everything, he’s never turned down people who need help.

Jazz Tangcay Artisans Editor Composer Daniel Pemberton pushed a few boundaries and “made something really creative and different” when he scored 2018’s “Spider-Man: Into the Spider-Verse.” When he returned to score the sequel, “Spider-Man: Across the Spider-Verse,” he knew he would have to “push it as far as we can go.” Pemberton says he had to build the score from the ground up, which was complicated. “You’re trying not to make a score that sounds like other film scores. You’re trying to invent your own language.” Inventing that language took experimentation, research and failure. He explains, “I spent two years researching and developing this score, going through ideas, coming up with concepts and throwing them out.”