My guest on 20 Questions this week is Anthony Michael Hall.
08.06.2024 - 05:09 / deadline.com
At the Tribeca world premiere of Brats, actor-turned-director Andrew McCarthy said the Brat Pack Label, which he had “received as horrible,” turned into a “blessing.”
That unlikely arc was actually what compelled him to make the film, McCarthy said Friday night during a post-screening Q&A. “I turned 60 last year, and you start to look at your life a little differently,” he said. “I looked back at this seminal moment in my past, that I’d been dragging around for so many years, and it seemed frozen in the past. And I wanted to bring it up into my present. And by examining it, I could sort of honor it. And if I honored it, it started to turn into a blessing. And then I was fascinated by the journey.”
McCarthy was joined onstage by acting contemporaries Ally Sheedy, Demi Moore and Jon Cryer, along with casting director Marci Liroff, Pretty in Pink director Howard Deutch and journalist David Blum. The group, along with Emilio Estevez, Judd Nelson, Rob Lowe and Molly Ringwald, were labeled the Brat Pack in Blum’s cover story in New York magazine in 1985. The effect of that devastatingly succinct gloss was complicated, to say the least. Estevez and McCarthy recall the dissolution of a project they were supposed to team on after the article came out because they both suddenly wanted nothing to do with their Pack-mates. Hollywood’s upper tier of directors, including Spielberg and Scorsese, they reason, didn’t come calling because the moniker made them seem callow, shallow and unserious about their craft.
“The greatest loss of it was the time we’ve lost with each other over these years,” Moore said. “There was a fear that if we didn’t try to just move out on our own that we would somehow be seen as less. And the joy of this has
My guest on 20 Questions this week is Anthony Michael Hall.
Chris Willman Senior Music Writer and Chief Music Critic “I Am: Celine Dion,” newly released for viewing on Prime Video, is so focused on what the singer has been through in more than a decade and a half of struggling with Stiff Person Disease that it’s hard to believe that director Irene Taylor didn’t even know Dion was ill when she signed on to the project. All she Taylor really knew, when she agreed to direct the film about a year of discussions, was that Dion seemed like a star who really, really had something to get off her chest… with little anticipation of just what kind of floodgates would open.
Selome Hailu “The Sympathizer” is an epic about Vietnamese histories — plural. The HBO series takes its title from the experience of a North Vietnamese spy known as the Captain (Hoa Xuande), who embeds in a South Vietnamese community in 1970s Los Angeles after the war. By the end, he has nearly lost his sense of himself after struggling to make sense of the infinite political ideologies held by his country’s people and the fact that none had put an end to human suffering.
Phoebe Waller-Bridge and Andrew Scott were among the latest bunch of famous faces to be spotted at Taylor Swift’s ‘Eras’ tour show in London.Swift took her record-breaking tour to London at the weekend where she performed a sold-out three-night run at Wembley Stadium.Various celebrities have been spotted enjoying the show from the VIP tent over the weekend, including Tom Cruise, Greta Gerwig, Hugh Grant and Prince William.At last night’s show (June 23), where Swift brought out Gracie Abrams to perform their new duet ‘Us’ for the first time, Waller-Bridge and Scott were spotted in attendance.Social media users are reacting to the Fleabag reunion, and have been posting various pictures and videos of them enjoying the show.One video shows the pair leaving the stadium during the transition between the ‘folklore’ and ‘1989’ ‘eras’, before hearing the iconic guitar riff at the start of the song ‘Style’ and rushing back to the VIP tent to catch the chart-topping track.not Phoebe Waller-Bridge and Andrew Scott running back when they hear Style lmao #erastourtaylorswift #tstheerastour #taylorswift #ttpd #traviskelce #erastourlondon #phoebewallerbridge #andrewscott ♬ original sound – Fahima A caption to the video read: “POV: me when I hear the style intro”, with many Swifties noting how relatable their reaction was.
“Pretty in Pink” at the time that it came out.“I didn’t think it was that interesting,” said McCarthy, 61, in an interview with PEOPLE published Saturday. “I didn’t quite get the movie at the time.
Selena Kuznikov During her time in journalism school, writer-director Ally Pankiw discovered documentary studies and broadcast news, and immediately fell in love with video editing and production. Although she didn’t attend traditional film school, she taught herself the basics of Final Draft after graduating and started writing. After directing Season 1 of Netflix’s “Feel Good,” the “Joan Is Awful” episode of “Black Mirror” and more, Pankiw finally got funding for her first feature film: “I Used to Be Funny,” starring “Shiva Baby” breakout Rachel Sennott.
EXCLUSIVE: Andrew McCarthy‘s Hulu documentary Brats has brought back memories of the coming of age film where The Brat Pack was coined. Deadline can reveal that Sony is exploring the possibility of making a new version of St. Elmo’s Fire. This version would hinge on reuniting original cast members McCarthy, Emilio Estevez, Rob Lowe, Demi Moore, Judd Nelson, Ally Sheedy and Mare Winningham.
Editor’s Note: Journalist David Blum might have forever coined The Brat Pack era, but it was Carl Kurlander who provided the reason the infamous New York article got written. St. Elmo’s Fire was a script Kurlander wrote with director Joel Schumacher, inspired by events in his life. Now an academic, Kurlander has written several guest columns for Deadline including a 35th anniversary remembrance of St. Elmo’s Fire. Why is he tapping again into those memories? He just watched Brats, the Hulu documentary that premiered at Tribeca, directed by and starring Andrew McCarthy. He was part of the St. Elmo’s Fire ensemble that felt maligned by a mag article published the week before the film was released and became a surprise hit. Here, Kurlander supplies some great dish — did you know Demi Moore‘s drug demons almost forced Joel Schumacher to replace her with the young singer Madonna? Or that Georgetown shunned the movie for immoral activity but OK’d The Exorcist because despite the vile goings on involving a possessed child, evil didn’t win? A little of that stuff would have helped McCarthy’s docu, which gets tedious as he attempts to expunge demons, even as cohorts like Moore, Rob Lowe, Emilio Estevez and Ally Sheedy seem to be humoring him on camera. After all, that film launched fine futures for them, even if the moniker stung. McCarthy paints journo Blum as a villain, but in fairness, The Brat Pack was a far more clever coinage than putting “gate” on the end of every scandal since Watergate. Blum also unwittingly etched into permanent Hollywood history the memory of those actors when they were young and gorgeous. Who wants to be forgotten?
Michael Nordine For viewers of a certain age — or, perhaps more likely at this point, most ages — the term “Brat Pack” evokes nostalgia at its fondest. Movies like “The Breakfast Club” and “Pretty in Pink” remain rites of passage for teenagers coming of age nearly 40 years later, and few would argue that the 1980s didn’t represent a high-water mark for teen movies.
Elsa Keslassy International Correspondent French shark movie “Under Paris” made a sneak attack on worldwide streaming last week, scoring the best launch for a non-English language film on Netflix with 41 million views in its five first days on the service. Dropping a month before the start of the summer Olympics in Paris, the movie about triathlon athletes who get devoured during a swimming race in the Seine river ranked first on Netflix’s top 10 for non-English language films across 93 countries.
new Brat Pack documentary on Hulu, Andrew McCarthy, 61, confronted writer David Blum, 68, about how he coined the now-iconic group title in a notorious New York Magazine cover story from 1985.At the time, Blum was doing a piece on Emilio Estevez and joined him on a night out in LA with other actors including Rob Lowe and Judd Nelson. Blum ran the Brat Pack profile that changed the lives of McCarthy, Estevez, Lowe, Nelson, Demi Moore, Anthony Michael Hall, Molly Ringwald and Ally Sheedy forever.
As studio and network executives rack their heads around what the under 25 demographic craves, multihyphenate creator and actor Alan Chikin Chow, who is behind the YouTube hit series Alan’s Universe, and his cast of Chelsea Sik, Michelle Park and Haven Everly have already figured it out.
Jon Cryer, Timothy Hutton and Robert Downey Jr. are sometimes also cited as members.) The core Brat Pack movies include “The Breakfast Club,” “Pretty In Pink,” “Sixteen Candles” and “St. Elmo’s Fire.” Directed by and starring McCarthy, 61, the documentary follows McCarthy as he seeks out his former peers – some of whom he hasn’t seen in several decades — and has frank conversations with them.
“Brat Pack” – a collection of popular young actors in the 1980s — have made it clear that they weren’t, and in some cases, still aren’t, fans of the group nickname.The phenomenon started with the 1985 New York magazine cover by David Blum. He had a night out in Los Angeles with Emilio Estevez, Rob Lowe, and Judd Nelson, and decided to coin the now-iconic phrase which was inspired by the “Rat Pack,” a group of entertainers (including Frank Sinatra and Dean Martin) from the 1940s and 1950s.Estevez, Lowe, Nelson, Andrew McCarthy, Demi Moore, Anthony Michael Hall, Molly Ringwald and Ally Sheedy make up the Brat Pack, as they all appeared in the ensemble of classic ‘80s films such as “St.
turned down former co-star Andrew McCarthy’s offer to appear in the new Hulu documentary, “Brats,” about the ’80s-era group of actors. But Nelson seemingly makes a cameo — though only over the phone — at the very end of the doc. Just before the credits roll on “Brats,” McCarthy, who wrote, directed and stars in the project, is standing on a dock and answers a phone call.“Hello? Judd?” says McCarthy, 61.There’s been no confirmation that Nelson was on the other end of that phone call.
he told Us Weekly. “Brats” is about the famous group of ‘80s stars, their memories of their heyday and their gripes with that moniker. The circle of stars associated with the label are Emilio Estevez, Ringwald, Demi Moore, Ally Sheedy, Judd Nelson, Anthony Michael Hall, Jon Cryer and McCarthy.(Tom Cruise, Robert Downey Jr.
J. Kim Murphy SPOILER ALERT: This article discusses the “Ren Faire” finale, now streaming on Max. Long live the king. In his search for a worthy heir to buy out his stake in the Texas Renaissance Festival, theme park founder George Coulam has put his subordinates through some dark ages.
Turns out there wasn’t a whole lot of prettiness behind the scenes of one famous movie filmed during the prominent “Brat Pack” era.Jon Cryer, who starred in the 1986 film “Pretty in Pink,” revealed that he and co-star Andrew McCarthy did not get along off-camera. McCarthy has assembled several members of the group, including Cryer, to appear in his upcoming documentary “Brats,” which examines the significance of the “Brat Pack.”McCarthy, along with several other budding actors in the ’80s, like Cryer, Demi Moore and Rob Lowe, were dubbed the “Brat Pack,” a group of young actors that frequently collaborated in films like “The Breakfast Club” and “Sixteen Candles.”“When we had done ‘Pretty in Pink’ together, we did not get along because he was a d—,” Cryer said of McCarthy during a Q&A session at the Tribeca Film Festival, as reported by People magazine.“That’s very true,” McCarthy admitted.
The Brat Pack has been through a lot, but time has only strengthened their offscreen friendships.
Hollywood’s Brat Pack.”Reading it today, David Blum’s article about hanging out with a group of movie stars with the world — and many women — at their feet as they hit Hollywood clubs and sow their wild oats seems tame and fun.But for McCarthy, now 61, the “Brat Pack” label ghettoized and diminished the actors, who were part of a talented new generation of young stars heating up the box office with movies like “St. Elmo’s Fire” — considered the pre-eminent Brat Pack film — “The Breakfast Club,” “Taps,” “The Outsiders,” “Pretty in Pink,” “About Last Night,” “Sixteen Candles” and others.“Oh f–k,” was McCarthy’s first reaction to seeing the cover story, as he reveals in “BRATS,” a new documentary he wrote, directed and stars in.“I just thought that was terrible instantly.