Brandi Carlile to Hit IMAX Theaters This Month With Concert Livestreamed From L.A.

Jamie Redknapp’s parents Harry and Sandra were forced to make a mad dash to Bermuda when he shared the surprise news he was marrying his now ex-wife Louise Redknapp. Harry, 75, and Sandra, 74, were in France when Jamie, 49, called to tell them he had popped the question to Louise – and they were getting married in a matter of days. Recalling the moment in their new book, When Harry Met Sandra, Sandra shares: “Harry and I were in France where we had been watching the 1998 World Cup when Jamie called with the news.

Chris Willman Senior Music Writer and Chief Music Critic If the planet was under threat of annihilation from beyond, and we had to present our divine or interplanetary overlords with just two musical emissaries to make a case that humankind is worth being spared as a species, Bonnie Raitt and Mavis Staples might be the couple we’d want to pick. Fortunately, with no such emergency yet in sight, they’ve managed to pair up of their own volition for a segment of Raitt’s current headlining tour that makes for a two-sided portrait of what heart, soul and understated heroism look like in music. Not that those kinds of superlatives showed up anywhere but in the subtext of Saturday night’s show at the Greek Theatre in L.A. It was a show where you could think about what Staples meant during the civil rights movement, and since, or about Raitt’s role as a warrior without uniform in the early days of women fighting to get their due in rock. Or you could just enjoy the chops and grease that feed into the respective performances of historically significant figures who wear their mantles as lightly as anything else they’d need to peel off upon stepping into a humid roadhouse.

Marcus Mumford released “Cannibal,” the lead-off song for his first solo album, he was very much declaring a different set of lyrical as well as musical intentions. But for most of the press and public, the focus immediately got put on peripheral matters. Like: Did the existence of a solo project mean Mumford and Sons were breaking up? Had tension over one of the band members leaving last year amid controversy forced a fissure in the group? And then, on the lighter side, hey, how about that Steven Spielberg clip for “Cannibal,” the first music video the filmmaker had ever done? All good, reasonable questions… and all of them burying the lead, as it were. But when Brandi Carlile, who co-wrote and sings on the new album’s final track, “How,” publicly praised him for his bravery and described the album — “Self-Titled” — as “a trust fall,” something more seemed to be afoot than the very modest amount of courage it might take for a star frontman to go solo. And then Mumford went public in confirming what fans who’d listened carefully to “Cannibal” had already figured out: that it was a song addressing someone who sexually abused him in his childhood. The rest of “Self-Titled,” which arrives this weekend, is not so strictly focused on that particular trauma as “Cannibal” and “How” are, but they all touch on points in a lifelong series of reconciliations that will strike deep chords in any listeners who may be on the same journey from horror to healing.

How do you inspire a legend? Country music star Tanya Tucker finds motivation to try again in “The Return of Tanya Tucker-Featuring Brandi Carlile.” The film chronicles a surprising chapter in Tucker’s career, charting an unexpected comeback album. Singer-songwriter Brandi Carlile is invaluable to the project.

Chris Willman Senior Music Writer and Chief Music Critic The Americana Honors & Awards have always, perhaps more than any other music awards show, rewarded work that is fairly unassailable … which doesn’t always mean that the ceremony has always seized the moment. In 2018, Brandi Carlile’s breakout album and song, “By the Way, I Forgive You” and “The Joke,” both lost in their respective categories to Jason Isbell. Although he was being rewarded for top-flight work and there was nothing remotely shameful about this wins, it had the feeling of an opportunity lost, rubber-stamping the time-tested when a rising star who offered a chance for increased representation was right there in the nominees’ midst. So this year, if the award had gone to Carlile’s excellent “In These Silent Days,” it would have been a perfectly reasonable case of playing catch-up.

Chris Willman Senior Music Writer and Chief Music Critic Allison Russell, Brandi Carlile and Billy Strings were among the winners Wednesday night at the Americana Honors & Awards ceremony in Nashville, where the love was spread around among the genre’s current leading lights. Six different performers prevailed in the six voted categories, with newcomer Sierra Ferrell, instrumentalist Larissa Maestro and the husband-wife duo the War and Treaty also coming up winners. The competition can be more inter-familial at the Americana Awards than at other shows, and the three leading nominees — Carlile, Russell and Yola, who had three nominations each — have been particularly tight-knit in supporting and guesting with one another. Carlile was even instrumental in helping get Russell her record deal with Fantasy Records.

Chris Willman Senior Music Writer and Chief Music Critic Freddie Freeman was hitting homers down in San Diego, so it was up to visiting superstar Lady Gaga to keep the on-base percentage exceptionally high Saturday night at Dodger Stadium, site of one of the last stops on her “Chromatica Ball” outing. Surprises were few, this many weeks into a mega-tour whose production values were already known among the legions of Little Monsters who’d long since put curious paws to Googling Gaga’s setlists and setpieces. Anyway, knowing what’s coming doesn’t quash the overpowering effects of a savvy performer who’s determined to look as cold as inhumanly possible while also, conversely, sounding like the warmest superstar you’ve ever encountered. Does that count, in ballplaying terms, as a slider?

Chris Willman Senior Music Writer and Chief Music Critic Nick Lowe and Shakespeare were wrong, about having to be cruel to be kind. A tour stop Tuesday in Anaheim that had Lowe supporting headliner Elvis Costello as an opening act before eventually joining him for three climactic duets was kindly and 100% cruelty-free, reuniting the two former studio workmates in a fashion that made it seem as if no 40-year intervals had passed at all, except for the incidental actually-getting-better factors. (You’re not getting older, you’re getting Basher, etc.) Not that the show at the City National Grove of Anaheim — one of several SoCal appearances this week by Costello, with and without Lowe in tow — needed its crowning dream-teaminess to come up aces. Costello’s current sets with the Imposters represent the best example rock ‘n’ roll has at the moment of a vast catalog of classic material played with improvisational vigor by one of the great bands the medium has known, augmented by fresh material that can stand proudly alongside the vintage. “Indoor Fireworks” was one of the quieter songs performed Tuesday, but it’s an apt description of what’s occurring on this can’t-miss outing (with apologies to the shed stops where the group pyro happens outdoors).

Chris Willman Senior Music Writer and Chief Music Critic Taylor Swift is not the only one re-recording fairly recent albums. Now Brandi Carlile has done it, although with very different reasons than the ones that prompted Swift to revisit her catalog. Carlile has gone back into the studio to redo last year’s “In These Silent Days” in its entirety, in a new, acoustic-focused version that’s been titled “In the Canyon Haze.” The newly recorded album will be out Sept. 28 and is preceded today by “You and Me on the Rock (In the Canyon Haze),” a remake that features her wife, Catherine Carlile, on harmony vocals. Carlile said that the project came about when she was looking at putting out a deluxe edition of “Silent Days” for the album’s upcoming anniversary, with bonus tracks, but settled on a way to make the entire album a bonus. The “canyon” part alludes to how the artist thinks the re-do aims for a vintage Laurel Canyon spirit in the reconfigured arrangements.

Chris Willman Senior Music Writer and Chief Music Critic The lineup of performers for the 2023 Americana Honors and Awards has been revealed, with Brandi Carlile, Lucinda Williams, Allison Russell, the Indigo Girls, Chris Isaak and Lukas Nelson among those set to take the stage Sept. 14 at Nashville’s storied Ryman Auditorium. The roster includes mostly artists who are either up for the annual awards or achieving lifetime achievement honors. Other set to perform include Adia Victoria, the McCrary Sisters, James McMurtry, Sierra Farrell, the War and Treaty, Morgan Wade, Neal Francis and Phosphorescent. The longtime band leader for the annual awards show, Buddy Miller, will be back with a crew of musicians that includes the aforementioned McCrary Sisters, Don Was, Larry Campbell, Brady Blade, Jen Gunderman, Jim Hoke, Rob Burger and Lorenzo Molina.

Thania Garcia Live Nation Women is joining forces with the When All Women Vote campaign to put together a week of events called Beautiful Noise Live, taking place in Atlanta from Sept. 19-23. Fans can register ahead of time for a chance to win a variety of prizes including VIP experiences for the Brandi Carlile concert on Sept. 22 at the Fox Theater and the Alicia Keys concert Sept. 23 at Cadence Bank Amphitheater. The VIP experiences are a part of the grand prize package which also includes a trip for one winner and a friend to attend Beautiful Noise Live in Atlanta. This package covers the price of airfare, hotel stay and tickets. There is also a silver prize package comprised of a gift bag with special edition merch, along with a pair of tickets to either Carlile’s or Keys’ concerts. The last day to enter to win is Sept. 13.

People really want to see Carol Burnett host “Saturday Night Live”.

Chris Willman Senior Music Writer and Chief Music Critic The Nashville Film Festival announced the full lineup Friday for a fall gathering of filmgoers in Music City that will begin with the Brandi Carlile-produced documentary “The Return of Tanya Tucker” as the gala opening on Sept. 29 and end with director Sacha Jenkins’ “Louis Armstrong’s Black & Blues” for closing night on Oct. 5. The 53rd annual edition of the festival will take place both in-person and virtually, with a selection of more than 150 films that includes 38 full-length features, about 30 of which will be world, North American or U.S. premieres. Although the virtual component continues to be strong for the festival, its leaders note that of the 150 or so films in the festival, more than 50 will screen for audiences in Nashville venues, starting with the Tanya Tucker doc, which will be seen in the historic main auditorium of the city’s beloved Belcourt Theater, one of the original homes of the Grand Ole Opry. Other locations include the Franklin Theater in the nearby city of that name, and the TPAC Andrew Johnson Theater in downtown Nashville.

Vanessa Bryant is paying it forward to a cause near and dear to her late husband, Kobe Bryant, and their late daughter, Gianna Bryant. Vanessa and co-plaintiff Christopher Chester — who lost his wife, Sarah, and 13-year-old daughter, Payton, in the same helicopter crash that killed Kobe and 13-year-old Gianna -- were seeking millions of dollars in damages for emotional distress after gruesome photos of the victims' bodies were leaked and taken by officers at the site of the fatal January 2020 crash. On Wednesday, a jury ordered Los Angeles County to pay $31 million to Vanessa and Christopher, according to multiple reports. The jury awarded $16 million to Vanessa and $15 million to Christopher.Per Vanessa's lawyer, Luis Li, revealed that Vanessa plans to give an unspecified amount of the verdict award to the Mamba and Mambacita Sports Foundation, a nonprofit that continues Kobe and Gianna's legacies by offering opportunities to underprivileged young athletes.«From the beginning, Vanessa Bryant has sought only accountability, but our legal system does not permit her to force better policies, more training or officer discipline,» Luis said in a statement to the outlet. «Those measures are the responsibility of the sheriff's and fire departments — responsibilities that Mrs.

Vanessa Bryant plans to donate her part to the Mamba and Mambacita Sports Foundation, a nonprofit dedicated to her husband Kobe Bryant and daughter Gianna, that offers sports education to underserved and aspiring athletes. After an 11-day trial, in which Vanessa detailed the moment she learned first responders took graphic images of Kobe Bryant and daughter Gianna Bryant’s remains and shared them with unauthorized people for entertainment purposes and not as part of the accident’s investigations, a Los Angeles federal jury ordered Los Angeles County to pay $16 million to Bryant and $15 million to Chris Chester, who lost his wife, Sarah Chester and their 13-year-old daughter Payton Chester.Vanessa’s lawyer Luis Li spoke about the emotional distress the images taken on January 26, 2020, have had on the philanthropist and businesswoman.

Celebrating her triumph. Vanessa Bryant spoke out after being awarded $16 million in her trial against Los Angeles County first responders. 

Vanessa Bryant’s lawsuit against Los Angeles County is finally over.

A verdict has been reached for Vanessa Bryant‘s case against Los Angeles County.

J. Kim Murphy A federal jury has found that the county of Los Angeles must pay Vanessa Bryant, the widow to NBA player and Los Angeles Lakers legend Kobe Bryant, a sum of $16 million, as reported by the Los Angeles Times. Vanessa Bryant’s case concerned photographs of the remains of Kobe and their 13-year-old daughter, Gianna, which circulated after the two died in a 2020 helicopter crash. The jury’s unanimous decision was announced on Wednesday afternoon, one day after what would’ve been Kobe Bryant’s 44th birthday. In addition to Vanessa Bryant’s legal victory, her co-plaintiff, Chris Chester, whose wife and daughter were among the nine people killed in the helicopter crash, was awarded $15 million.