Box Office: 'Godzilla vs. Kong' Roars to Pandemic-Best $390.2M Globally

Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong has reached a new global benchmark, crossing $400M with a cume through Sunday of $406.6M worldwide. Of that, $320M comes from the international box office in 41 markets. The monster mash, already the biggest Hollywood movie of the pandemic era, continues to track above its Monsterverse predecessors. It is the highest-grossing of the films in China, Russia, Spain, Australia, Hong Kong, Taiwan and Mexico.

Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong is approaching the $400M global mark, as it topped $300M at the international box office this weekend. Adding $12.2M from 41 overseas markets (a good -49% hold), the monsters have cumed an estimated $309.7M offshore for $390.2M worldwide through Sunday.

Rebecca Rubin Film and Media Reporter“Godzilla vs. Kong” remained atop the domestic box office in its third weekend of release.

On a weekend where the film industry is still grappling with the closure of Pacific Theaters and ArcLight Cinemas, the box office slowed down again as the theaters that have reopened await new releases. For now, fellow Warner title “Godzilla vs.

Warner Bros. and Legendary Entertainment's Godzilla Vs.

Godzilla vs. Kong easily stayed No.

Rebecca Davis editor“Godzilla vs. Kong” was once again muscled out of the top China box office slot by local drama “Sister” thanks to a $13.2 million third weekend cume that was no match for the latter’s $21 million.Its China tally was a touch less than its $13.4 million second weekend sales in North America.

In its first week, Legendary and Warner Bros.' big-budget spectacle Godzilla vs. Kong has already earned more at the domestic box office than any other film opening during the pandemic era.

Here’s something nobody was expecting during the pandemic at the global box office: An event film which is bound to profit.

Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong continues to dominate the global and international box office, now with a $288.3M cume offshore for $357.8M worldwide. It will soon cross Tenet globally and overseas. Domestically, it has overtaken Tenet to become the No. 1 grossing movie of the pandemic era.

Brent Lang Executive Editor of Film and Media“Godzilla vs. Kong,” the new special effects extravaganza that imagines a battle royale between two of cinema’s most famous monsters, has surpassed $350 million at the global box office.

Brent Lang Executive Editor of Film and Media“Godzilla vs. Kong” stormed to the top of the domestic box office, picking up $13.4 million in its second weekend of release.

Also Read: Blame Canada: Box Office Recovery Faces New Challenge Despite 'Godzilla vs Kong' SuccessGiven the steep drop this weekend, it is looking like an uphill battle for “Godzilla vs Kong” to become the first film to gross over $100 million in the U.S. since the start of the pandemic.

The debut of Legendary and Warner Bros.’ Godzilla vs. Kong on HBO Max on March 31, the same day the big budget pic opened in theaters, became an afterthought when the monster showdown roared to a $48.1 million opening at the domestic box office, by far a pandemic best and providing a huge jolt of confidence for the theatrical business.

Patrick Frater Asia Bureau ChiefTheatrical box office in Hong Kong was down by only 4% over the four-day Easter holidays, compared with the same period in 2019, the last pre-COVID year. The score was achieved despite mandatory seating restrictions still in place.Data published Wednesday by Hong Kong Box Office Limited, showed gross revenues of HK$28.4 million ($3.64 million) between April 2-5, 2021.

It has been months since we’ve really been able to give good news regarding the box office, but thanks to Adam Wingard’s MonsterVerse extravaganza, “Godzilla vs. Kong,” North American theaters are finally starting to show some signs of life.

Godzilla vs Kong seems to have put theatres back in business and has become that film which is successfully boosting the confidence for theatre owners and studios who have been plagued with worries owing to the pandemic. The COVID-19 crisis put a hold on the theatre business and the Adam Wingard film seems to have come as a saviour.

The U.S. box office is back in action.