Box Office: ‘Exorcist: Believer’ Makes $2.85 Million in Previews

No one knew how big this was going to be, or is going to be but Universal/Blumhouse’s feature take on beloved horror videogame, Five Nights at Freddy‘s is eyeing a $50M+ start possibly even more. At that level, it’s the second-best opening of this autumn’s B.O. behind Taylor Swift: The Eras Tour ($92.8M).

Rebecca Rubin Film and Media Reporter Taylor Swift’s movie is presiding over Martin Scorsese’s in North American theaters, but the “Mean Streets” director has outstripped the “Mean” singer at the international box office. Scorsese’s “Killers of the Flower Moon,” a crime epic starring Leonardo DiCaprio and Robert De Niro, has generated $21 million from 63 overseas markets. In terms of weekend ticket sales, it’s pacing ahead of Swift’s “The Eras Tour,” which added $10.5 million in its second weekend of release.

Taylor Swift: The Eras Tour” reigned supreme in theaters for the second Friday in a row, earning $10.4 million, according to IMDB’s Box Office Mojo.After her negotiations with movie studios failed, the songstress struck an unprecedented agreement with AMC Theatres for its distribution.Some fans told The Post that they are getting reprimanded by fellow Swifties and theater employees for singing and dancing while watching the movie. Swift managed to beat out Martin Scorsese’s “Killers of the Flower Moon,” which saw sales of $9.4 million on Friday, its opening night.

Killers of the Flower Moon” earned $9.4 million from 3,628 theaters on its opening day, a figure that includes $2.6 million in Thursday previews. The epic-length historical drama is now projecting a finish of $23.5 million over the three-day opening frame, tracking behind the second weekend of Swift’s “Eras Tour” concert film.

Jordan Moreau This weekend at the box office is a showdown of two pop culture titans: Martin Scorsese and Taylor Swift. The “Mean Streets” director and “Mean” singer each have a movie facing off this weekend, “Killers of the Flower Moon” and “Taylor Swift: The Eras Tour.” Scorsese’s latest movie has so far made $2.6 million in Thursday previews at the box office. “Eras Tour” made $5.9 million on Thursday, Oct.

The AMC distributed Taylor Swift: The Eras Tour returned yesterday, Thursday, at around noon after a three day pause, pulling in $5.9M per industry estimates. This takes the running total of the Sam Wrench directed concert film to $98.7M at 3,855 theaters. Meanwhile, Apple Original Films big splash into wide theatrical releases with Martin Scorsese’s Killers of the Flower Moon, distributed by Paramount, drew $2.6M in previews that began at 2PM. Why so early? The Leonardo DiCaprio Robert De Niro movie is 3 hours and 26 minutes long.

Rebecca Rubin Film and Media Reporter Taylor Swift‘s “The Eras Tour” concert film officially opened to $92.8 million in North America and $30.7 million internationally, bringing its first weekend tally to a massive $123.5 million globally. These ticket sales are slightly below Sunday’s estimates of $95 million to $97 million domestically and $126 million to $130 million worldwide, but wildly impressive nonetheless. At the domestic box office, it’s the second-biggest October debut of all time, trailing only 2019’s “Joker” with $96 million.

surprise appearance on “Saturday Night Live” a day earlier and the success of Swift’s concert film — estimated to have brought in astronomical numbers at the box office.“Taylor Swift: The Eras Tour” raked in close to $96 million at the box office in the United States and Canada, movie theater chain AMC said Sunday — making it the highest-grossing concert film for an opening weekend.The biggest domestic concert films prior to Swit’s were 2011’s “Justin Bieber: Never Say Never,” which finished with total earnings of $73 million, and 2009’s “Michael Jackson’s This Is It,” cashing in with $72 million box office sales, according to IMDb.The runners-up at the box office by a long shot this weekend were the “Exorcist: Believer,” with estimated ticket sales of $11 million, and the family-friendly animation “Paw Patrol: The Mighty Movie,” racking in a mere $7 million.Kelce spent Sunday afternoon at MetLife stadium watching his brother, Philadelphia Eagles center Jason Kelce, and his team fall short of a victory over the New York Jets.The Kansas City Chiefs tight end was photographed leaving the “Cruel Summer” singer’s NYC apartment solo on Sunday, decked out in a green tracksuit with white Nike sneakers, black shades, and a backward baseball cap as he hopped into a black SUV outside the songstress’ luxe pad.Despite being a well-known Eagles fan from Pennsylvania, Swift did not attend the game with her new beau.The duo seems to be playing into the world’s interest with their blossoming relationship since both attended “SNL” on Saturday night, with Kelce even featured in a skit poking fun at the NFL and Swiftys’ obsession with their romance.The athlete appeared in a sketch based on a parody of “Fox NFL Sunday,” where the crew

Rebecca Rubin Film and Media Reporter “Taylor Swift: The Eras Tour” is towering over the global box office with estimates of $126 million to $130 million in its first weekend of release. It’s a seismic start for any concert film, but this is particularly impressive because it was announced just six weeks ago and unspooled on the big screen with minimal marketing dollars. “The Eras Tour” which is produced by Swift and distributed by AMC Theatres, collected a projected $31 million to $33 million from 94 international markets.

Rebecca Rubin Film and Media Reporter Long live the new box office queen. After selling out stadiums across the country, Taylor Swift is filling movie theaters with “The Eras Tour” concert film, which ignited to estimates of $95 million to $97 million over the weekend. Studios typically report a firmer number at this point, but “without clear comparisons, Sunday box office projections remain a range,” the film’s official distributor AMC Theatres said in a note to press.

Taylor Swift, but the box office fun is just beginning. Her concert movie, “Taylor Swift: The Eras Tour,” is opening this weekend and has made $2.8 million in Thursday previews from 2,700 theaters. Showings began last night at 6 p.m.

The AMC distributed Taylor Swift: Eras Tour concert movie officially made $2.8M in Thursday night previews.

EXCLUSIVE: There’s a reason why her last name is Swift.

Rebecca Rubin Film and Media Reporter Taylor Swift‘s “Eras Tour” concert film is projected to open to $100 million at the domestic box office, but the final weekend number will likely be much bigger. The movie, a cinematic rendering of the pop star’s record-breaking, three-hour stadium tour, looks to generate up to $125 million from approximately 3,850 theaters in North America, according to early estimates. It’s also expected to add $30 million to $50 million from 4,150 venues internationally in more than 90 countries for a global start upwards of $150 to 175 million.

Rebecca Rubin Film and Media Reporter “The Exorcist: Believer,” a reboot in the legacy horror franchise, opened atop box office charts despite falling short of expectations. The film, from Universal and Blumhouse, collected $27.2 million from 3,663 North American venues over the weekend, below estimates that were closer to $35 million. “Believer” also opened at the international box office with $17.8 million for a global start of $45.1 million.

according to IMDB’s Box Office Mojo.The Post called the slasher flick — which stars Ellen Burstyn and Linda Blair reprising their roles from the original — “a dud” and “awful.”“PAW Patrol: The Mighty Movie” remained in second place with close to $2.9 million in sales.Kim Kardashian, who voiced the character Delores in the 2021 original, returned for the sequel and this time was joined by her two eldest children North and Saint West, who also lent their voices to characters.“Saw X,” which was in first place last week, came in third, earning $2.4 million. Sci-fi action thriller “The Creator,” which was in the number three spot last week, moved down a notch to fourth with a just over $1.7 million take.

J. Kim Murphy Nearly 50 years after William Friedkin’s “The Exorcist” landed in theaters to leg out a run as the highest-grossing feature of 1973, a new sequel to it is opening on top of the box office. Universal’s “The Exorcist: Believer” compelled audiences to the tune of an $11.9 million opening day from 3,663 locations, a number including $2.85 million in previews.

Jordan Moreau SPOILER ALERT: This article contains spoilers for “The Exorcist: Believer,” now playing in theaters. After 50 years, “The Exorcist” franchise is back with “The Exorcist: Believer,” and it returns with some familiar faces. It was announced early on that Ellen Burstyn, who played Chris MacNeil in the original “Exorcist,” would reprise her role in “The Exorcist: Believer,” which is the start of a brand new trilogy.

Jordan Moreau SPOILER ALERT: This article contains minor spoilers for “The Exorcist: Believer,” now playing in theaters. Released 50 years after the original “Exorcist,” Universal and Blumhouse’s follow-up, “The Exorcist: Believer,” pays homage to the horror masterpiece in some grotesque ways. Just like the original, there’s vomit, head-spinning and not one, but two demonic possessions. “Exorcist: Believer” follows a pair of girls who go missing in the woods and return three days later under a supernatural influence.

David Gordon Green’s The Exorcist: Believer kept the horror peace train going at the box office with $2.85M in previews last night on its way to a potential high $20M to $30M start at the box office.