‘Blue Beetle’ Costume Designer Hid Strategic Zippers to Allow for Quick Bathroom Breaks

Franne Lee, a Tony-winning costumer and set designer who joined the fledgling Saturday Night Live and created the looks of some of the NBC’s late-night show’s most iconic characters, including the Coneheads, the Nerds, the Killer Bees and the Blues Brothers, died August 27 in Atlantis, Florida, following a brief illness. She was 81.

Over the weekend, DC Studios released “Blue Beetle,” the latest attempt to kickstart a superhero franchise. And judging by the opening weekend box office, while it was the #1 film domestically, not nearly as many people watched Angel Manuel Soto’s superhero film as the studio might have hoped.

Naman Ramachandran The “Barbenheimer” juggernaut continued rolling on at the U.K. and Ireland box office, occupying the top two slots for the fifth consecutive weekend. Warner Bros.’ “Barbie” took pole position yet again with £2.6 million ($3.4 million), per numbers released by Comscore.

Dave Bautista (Guardians of the Galaxy franchise) and Jason Momoa (Aquaman and the Lost Kingdom) have been set to star in The Wrecking Crew, a buddy action comedy that Blue Beetle‘s Ángel Manuel Soto will direct for MGM, Deadline can confirm.

Jazz Tangcay Artisans Editor “The Great” costume designer Sharon Long faced one of her biggest challenges in the show’s third season: Creating outfits that would work as well underwater as they would on land. And among those, one in particular stood out. “The swimsuit,” Long says, referring to the outfit worn by Belinda Bromilow in the eighth episode, titled “Peter and the Wolf.” The third season of the Hulu series begins with Catherine (Elle Fanning) and Peter(Nicholas Hoult) in love.

DC’s latest addition to superhero cinema, Blue Beetle (★★☆☆☆), seems to thread together two disparate films that the makers struggle mightily to fuse into a satisfying, cohesive whole.At its most successful, the movie, directed by Ángel Manuel Soto (Charm City Kings), introduces Mexican college grad Jaime Reyes, played by Cobra Kai’s Xolo Maridueña, along with Jaime’s loving, but financially imperiled family. Dad Alberto (Damián Alcázar), mom Rocio (Elpidio Carrillo), younger sister Milagro (Belissa Escobedo), crazy conspiracy theory-addled uncle Rudy (George Lopez), and feisty matriarch Nana (Adriana Barraza, who almost steals the show) all rally around Jaime when a mysterious sapphire-blue scarab latches onto his body and consciousness, making him an unwilling host to a “world-destroying weapon.” Time spent with Jaime and the Reyes family, steeped in authentic Latino culture, humor, and relationships, plays like the warmly comic pilot episode of a sitcom I’d gladly binge.Each episode could include a flashback to the adventures of Nana Reyes, which, based on the hints she drops, would be as thrilling and dangerous as anything Jaime encounters in his new scarab-assisted superhero form as Blue Beetle.That brings us to the other, less successful counterpart to the Meet the Reyes Family sitcom: the relatively lame-ass origin story of another DC Comics hero that’s so clearly intended as a setup for future appearances that it fails to do anything interesting with the character’s big-screen debut.

is the newest hero in the DC cinematic universe, and he's got his work cut out for him!Director Ángel Manuel Soto recently sat down with ET's Ash Crossan to talk about making the first major superhero movie with a Latino lead — and the uphill battle that has been releasing it amid the ongoing WGA and SAG-AFTRA strikes. «The strike was not in my bingo card,» Soto admitted.

director Ángel Manuel Soto knew that making the first major superhero movie with a Latino lead would require a pitch-perfect cast. That included the voice of the alien Scarab, which becomes the Blue Beetle's exoskeleton supersuit when it attaches to host Jaime Reyes (Xolo Maridueña).So, whom did he cast? None other than Mexican-American pop superstar Becky G!«I really wanted to work with Becky G,» Soto raved to ET's Ash Crossan in a recent interview.

DC Comics’ dreadful movies deserve to be violently squished, but not “Blue Beetle,” a refreshingly spry new film featuring the lesser-loved, bug-shaped superhero who’s been crawling around in some form since 1939.Running time: 127 minutes. Rated PG-13 (sequences of action and violence, language, and some suggestive references.) In theaters Aug.

Keep an eye peeled for these Easter Eggs when you see DC’s Blue Beetle in theaters – Just Jared Jr There’s been an update about Prince Harry and Meghan Markle‘s royal titles – Celebitchy Doja Cat revealed a reason why she feels “free” – Popsugar Two hugely famous YouTubers met up for the very first time – Just Jared Jr

Xolo Maridueña wants Blue Beetle to perform well at the box office, and he’s explaining why that’s so important.

Director Ángel Manuel Soto didn’t think too much about the “Latino side of things” when visually crafting DC’s “Blue Beetle” alongside Mexican screenwriter Gareth Dunnet-Alcocer.

The latest D.C. superhero movie is not another grim Batman sequel, or yet another Superman reboot.

Blue Beetle is here!

Give the waning days of the old era of DC movies at Warner Bros some credit for going out in style. I might have been something of a dissenting voice, but I thought June’s big-screen The Flash, despite disappointing some fanboys and at the box office, was a winning affair, a step above most superhero fare. And now I can say the same for the first cinematic attempt at bringing Blue Beetle to life, a much better movie than its August 18 release date might indicate.

Owen Gleiberman Chief Film Critic Is comic-book movie culture reaching a tipping point…into peak exhaustion? This summer, we’ve seen signs of that in the ho-hum box-office returns for “The Flash” and “Ant-Man and the Wasp: Quantumania.” To be fair, the mega-success of “Guardians of the Galaxy Vol. 3” and “Spider-Man: Across the Spider-Verse” has testified to the genre’s continuing appeal. Still, there are onscreen indicators that the superhero-movie audience, while it remains vast, might be entering the thrill-is-gone zone.

Angelique Jackson Amid the ongoing Hollywood strikes, Warner Bros. and DC Studios launched “Blue Beetle” on Tuesday night in Los Angeles with a star-free “fan screening” in lieu of a splashy blue-carpet premiere. Despite the fact that the film’s actors — including Xolo Maridueña, Bruna Marquezine, George Lopez and Oscar winners Adriana Barraza and Susan Sarandon — could not attend due to the SAG-AFTRA strike, there was still plenty of fanfare outside the TCL Chinese Theatre in Hollywood.

In what is poised to be a case of Warner Bros beating itself for the No. 1 spot at the box office this coming weekend, the studio’s new DC superhero title, Blue Beetle, is poised to halt Barbie‘s three-weekend streak with a $28M-$32M opening. Barbie, meanwhile per industry sources, is looking at a $22M-$24M fourth weekend, -30%. Through Monday, the Greta Gerwig directed Mattel doll feature counts $531.2M.

Angel Manuel Soto is a filmmaker who directs to capture specific, authentic experiences, especially if they relate to his heritage. Born in Puerto Rico, many of Soto’s earliest short films – including several non-narrative works such as “The Second Line: A Parade Against Violence” – as well as his feature directorial debut, “La Granja,” contrast a pride in his Latin roots against the inequalities that come with it.

Karen M. Peterson From the start, “The White Lo­­tus” has focused on building characters. The second season of Mike White’s watercooler show for HBO, brought a (mostly) new cast, a new location and a switch from limited series to drama, where it added 23 Emmy nominations to its tally, five of which went to supporting actresses.