Kelis and Bill Murray have reportedly called it quits.
08.08.2023 - 18:59 / deadline.com
Bill Maher took to Twitter (or X) on Monday to tell his followers that he had seen Barbie and promised a “review” to follow. On Tuesday, Maher delivered…sort of. His post reads less like a review than one of his biting closing soliloquies on Real Time.
In any case, Maher’s gist is that Barbie, with a main character who fights the patriarchy, is actually a few years out of date because the power structure of the world we live in is “not really any longer deserving of the word ‘patriarchy.'”
For proof, he offers the fact that the Mattel board is actually made up of 5 women and 7 men, not all men, as the film posits.
“Truth is, I’m not the one who’s out of step – I’m living in the year we’re living in,” writes Maher. “Barbie is fun, I enjoyed it – but it IS a #ZombieLie. And people who don’t go along with zombie lies did not take some red pill – just staying true to CURRENT reality. Let’s live in the year we’re living in!”
Read Maher’s full “review” below.
Spoiler alert, Barbie fights the Patriarchy. Right up to the Mattel board who created her, consisting of 12 white men! The Patriarchy! Except there’s a Mattel board in real life, and it’s 7 men and 5 women. OK, not perfect even-steven, but not the way the board IN THE MOVIE – which takes place in 2023 – is portrayed. And not really any longer deserving of the word “patriarchy.” Yes, there was one, and remnants of it remain – but this movie is so 2000-LATE. At one point the Barbies have to win over the Kens, and they are told to do it by pretending to act helpless and not know how to do stuff. Helen Gurley Brown called, she wants her premise back. Yes, that WAS a thing. I saw “Barbie” with a woman in her 30s who said, “I don’t know a single woman of any age who would act
Kelis and Bill Murray have reportedly called it quits.
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Editors Note: Bill Mechanic is chairman and CEO of Pandemonium Films and a former top executive at Paramount, Disney and chairman and CEO of Fox Filmed Entertainment. He is also a former producer of the Oscars and Oscar-nominated films like Hacksaw Ridge and Coraline. He previously advocated for interim agreements as a guest on Deadline’s Strike Talk podcast and his company has applied for them since.
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Mark Ronson has trolled Bill Maher for describing Barbie as “man-hating”.In a recent post on X (formerly Twitter) Maher took aim at the film for being “preachy” and criticised a scene in which Barbie (Margot Robbie) confronts the Mattel board, which is made up of 12 men in the movie.Maher described the scene as a “zombie lie”, due to the fact that the Mattel board actually has seven men and five women on it in real life.In response to Maher’s post, Ronson, who served as a music producer and oversaw the film’s original soundtrack, jokingly quoted Nicole Kidman’s famed AMC cinema ad.“We come to this place for magic,” he wrote. “We come to AMC theatres to laugh, to cry, to care… and to furiously google ‘Mattel board configuration’ while others are trying to enjoy a fucking magnificent comedy.”OK, "Barbie": I was hoping it wouldn't be preachy, man-hating, and a #ZombieLie – alas, it was all three.
Mark Ronson is trolling Bill Maher after the Real Time host criticized the Barbie film and categorized it as “preachy” and “man-hating.”
Oscar-nominated producer Bill Pohlad has a long history of aligning himself with auteurs on award-winning fare—from Ang Lee’s Brokeback Mountain to Terrence Malick on the Palme d’Or winning The Tree of Life to Steve McQueen’s Oscar Best Picture winner 12 Years a Slave, and getting financially behind them with his River Road Entertainment banner. We talk with Pohlad on Crew Call today about his third career feature as director, Dreamin’ Wild, based on the New York Times Steven Kurutz article about the Fruitland, WA-based Emerson brothers whose dad literally bet the farm (mortgaging it to the tune of $100K) on the duo’s singing talents in the 1970s, and built them a studio. They didn’t make it initially — not until 2008 when the album they made some near 40 years prior, “Dreamin’ Wild,” was discovered by a record collector in Spokane, Jack Fleischer, and championed fervently. The record’s single “Baby” ultimately became a cult hit when it was covered by Ariel Pink in 2012. Casey Affleck plays Donnie Emerson, the aorta of the songwriting duo, who grapples with the mid-life crisis of finding some facet of fame, when all seemed forever lost.
Zack Sharf Digital News Director Mark Ronson roasted Bill Maher on social media over the latter’s response to “Barbie,” for which Ronson served as music producer and oversaw the film’s original soundtrack. Maher slammed “Barbie” as “man-hating” and “preachy” and criticized the scene in which Barbie (Margot Robbie) confronts the Mattel board of executives, which is depicted as 12 white men in the film.
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“Barbie” may be a worldwide smash hit phenomenon that’s raked in more than $1 billion (and counting) at the box office, but not everyone is a fan.
Zack Sharf Digital News Director Bill Maher is the latest man to claim that “Barbie” is “man-hating.” The television personality and political commentator took to social media to criticize the Warner Bros. comedy blockbuster, which cracked the $1 billion mark at the worldwide box office in less than a month. “OK, ‘Barbie’: I was hoping it wouldn’t be preachy, man-hating, and a #ZombieLie – alas, it was all three,” Maher wrote.
Barbie is the latest movie to pull off a very impressive feat – netting $1 billion at the global box office – and it is one of the fasted movies to hit the goal.
“[Crowd work] has sort of been a staple thing in VFX for a long time, but I think one of the things that made our show sort of different was the volume and quantity of shots that needed to be done,” said Ted Lasso VFX compositing supervisor Bill Parker at Apple TV+ and Deadline’s Visual Effects + Screen event today.
Bill Cosby is being accused of sexual assault by another woman.
Bill Cosby has been hit with a new lawsuit.
Billie Eilish headlined Lollapalooza in Chicago last night (August 3) – watch her give Barbie track ‘What Was I Made For?’ its live debut.The singer recently shared the Finneas-produced melancholic piano-led ballad for the blockbuster film’s accompanying album, appearing alongside Dua Lipa, Charli XCX, Sam Smith and more.At Lollapalooza on Thursday, the track got its live debut during a headline set featuring songs from across Eilish’s catalogue.See footage of the live debut of ‘What Was I Made For?’ and her full Lollapalooza setlist below.The lovely @billieeilish singing ‘What Was I Made For’ tonight, closing out @lollapalooza pic.twitter.com/gVAij301BU— NME (@NME) August 4, 2023‘Bury A Friend’‘I Didn’t Change My Number’‘NDA’‘Therefore I Am’‘My Strange Addiction’‘idontwannabeyouanymore’‘Lovely’‘You Should See Me In A Crown’‘GOLDWING’‘What Was I Made For?’‘Oxytocin’‘ilomilo’‘I Love You’‘Your Power’‘TV’‘Bellyache’‘Ocean Eyes‘Lost Cause’‘Never Felt So Alone’ (Labrinth cover)‘When The Party’s Over’‘All The Good Girls Go To Hell’‘Everything I Wanted’‘Bad Guy’‘Happier Than Ever’In a pioneering move, Eilish’s Lollapalooza set was partially solar-powered by intelligent, zero-emission battery systems.The pop singer shared that the climate-friendly performance is part of the Music Decarbonization Project co-founded by Eilish herself in partnership with the environmental non-profit REVERB.According to a press release, the zero-emissions battery systems that will power her set will be supplied and managed by Overdrive Energy Solutions and will be charged via a temporary onsite “solar farm”.The use of these battery systems will serve as a powerful demonstration of clean energy technologies that can drastically reduce live music’s
Barbie is on track to hit a major milestone at the box office – surpassing $1 billion in global ticket sales. Will it be one of the fasted to pull off the feat?
Hollywood weight-loss drug Ozempic — and its gruesome side effects, including vomiting.“It’s different for everybody, but for me, the first few weeks was f—ing s–t because you just throw up all the time. You feel so nauseous,” Osbourne, 70, said on the “Club Random with Bill Maher” podcast this week.“After a couple of weeks, it goes,” she continued.