Berlin: Robert De Niro's 'Wash Me in The River' Sells Wide

Kristoffer Ajer after he was criticised for his showing in defeat to Turkey. The centre-back was brought back into the starting line-up having missed the game against Gibraltar but was at fault for two goals in the 3-0 World Cup qualifiers defeat.

EXCLUSIVE: Fresh off its world premiere in the Berlin International Film Festival’s competition program, where it won the Silver Bear Jury Prize, Maria Speth’s feature documentary Mr Bachmann And His Class has sold into multiple territories.

Leo Barraclough International Features EditorARRI Media has closed a deal with Crescendo House – a new boutique distribution company – for North American rights on Marxist vampire comedy “Bloodsuckers,” following its world premiere at the Berlin Film Festival.The film, which screened as part of the Berlinale’s Encounters section, was written and directed by Julian Radlmaier.Radlmaier’s script was praised by the jury as being “extravagant, bizarre, and hilarious” when he was presented with the

Kristoffer Ajer must make a move away from the club. The centre-back, 22, has long been linked with a host of teams from Europe's top leagues, most notably AC Milan who were unable to seal a summer move.

EXCLUSIVE: Bollywood star Rani Mukerji is set to lead feature drama Mrs. Chatterjee vs Norway, we can reveal.

A pack of international buyers is howling along to Werewolves Within. The new comedy-horror film from director Josh Ruben (Scare Me), was snatched up by indie distributors across Europe, Asia, and Latin America following its premiere at Berlin's all-virtual European Film Market earlier this month.

COPENHAGEN, Denmark -- Norway’s 84-year-old King Harald V will remain on sick leave from his ceremonial duties until April 11 after successful leg surgery earlier this year, the palace said Friday.In January, the ageing monarch underwent a surgery for torn tendons above the knee and was “in good recovery and continues treatment and training,” the palace said.The sick leave is one of several for the popular king in the past two years.

Dennis Harvey Film CriticThough it will forever be associated with one brief mid-1970s heyday, the disaster-movie genre has made a stealth comeback in recent years, being a natural fit for a cinematic era dominated by CGI-laden action fantasies. Of course Hollywood has kept its hand in, with efforts like “San Andreas” and “Pompeii.” But there have also been parries as far afield as China, whose enjoyably ridiculous, volcano-centric “Skyfire” from late 2019 only reached the U.S.

Naman Ramachandran U.K. production funding and distribution agency Drive has sold two-part documentary series “The Diana Interview: Revenge of a Princess” to Channel Nine in Australia, REELZ in the U.S., TV 2 in Norway, Servus TV in Austria, RTL Netherlands and TVNOW in Germany, to broadcast this year.Produced by Minnow Films for U.K.

link!“Responding to their breath can be really powerful. Some have no speech and no sight – and that is when you particularly miss physically being with the child.“Sound is a big thing, as is mimicking the kids.

Manori Ravindran International EditorParis-based Totem Films has scored a raft of international sales on Iranian directors Behtash Sanaeeha and Maryam Moghaddam’s Berlin Film Festival competition entry, “Ballad of a White Cow.”“Ballad of a White Cow,” as sales agent Totem notes, is the story of a woman’s struggle for justice, recognition and independence in today’s Tehran.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

Alissa Simon Film CriticCould this be Norway’s year at the Oscars? An unprecedented number of Norwegian productions and co-productions are on this year’s shortlists, exciting the domestic media, industry and audiences.“Recognition from the Oscars is a great inspiration for all of us who have an ambition to reach outside our own borders,” says Yngve Saether of Motlys, who served as executive producer of Norway’s shortlisted international feature submission “Hope.” “And it builds confidence.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

There’s no shortage of movies about kids who discover they possess special powers. Most of these, however — from The Incredibles to the Harry Potter franchise to the Razzie-nominated Tim Allen-starring Zoom: Academy for Superheroes(no, we didn't bother either) — are very much aimed at a younger audience.

U.K.-based sales outfit Alief has racked up a series of international territory deals for Isaac, a romantic drama from directors Ángeles Hernández and David Matamoros, about two childhood friends who reconnect as adults. Hernández and Matamoros were both producers on Netflix's Spanish-language horror hit The Platform.

As hooks go, The Painter and the Thief has a great one: The Oscar-shortlisted documentary, by 31-year-old Norwegian filmmaker Benjamin Ree, follows a friendship between a Czech painter and the tattooed gangster who stole two of her most valuable works from an Oslo art gallery. What begins as a caper with a twist, however, soon reveals itself to be a much deeper rumination on things like friendship, self-destructiveness and the artistic impulse.

Jessica Kiang Like cracking a window in a stuffy room, it sometimes feels as if Hong Sangsoo’s films are where festival lineups go when they need to breathe. The 2021 Berlin Film Festival takes a quick, deep lungful with “Introduction,” an airy 66-minute sampler of everything the Korean director’s fans admire, which is coincidentally everything his detractors dislike.