Berlin Forum Player ‘Ancient Soul’ – a Portrait of One of the World’s Deadliest Workplaces & Misguided Progress

EXCLUSIVE: Cinema Guild has secured the North American distribution rights to Expedition Content, a documentary that premiered in the Forum section at the 2020 Berlin International Film Festival and had its U.S. debut as part of Film at Lincoln Center’s Art of the Real. Directed by Ernst Karel and Veronika Kusumaryati, the doc will be released in theaters later this year.

EXCLUSIVE: Fresh off its world premiere in the Berlin International Film Festival’s competition program, where it won the Silver Bear Jury Prize, Maria Speth’s feature documentary Mr Bachmann And His Class has sold into multiple territories.

Leo Barraclough International Features EditorARRI Media has closed a deal with Crescendo House – a new boutique distribution company – for North American rights on Marxist vampire comedy “Bloodsuckers,” following its world premiere at the Berlin Film Festival.The film, which screened as part of the Berlinale’s Encounters section, was written and directed by Julian Radlmaier.Radlmaier’s script was praised by the jury as being “extravagant, bizarre, and hilarious” when he was presented with the

International buyers have jumped on Maria Schrader's I'm Your Man, and the Daniel Brühl-directed Next Door, both of which premiered in competition at the Berlin International Film Festival last week.

Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.

It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.

One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.

The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.

As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.

After working together on the domestic release of Portrait of a Lady on Fire,Neon has acquired the North American rights to Céline Sciamma'sPetite Maman. Petite Maman, which premiered at Berlinale,is a time-travel story that follows 8-year-old Nelly, who has just lost her beloved grandmother and is helping her parents clean out the childhood home of her mother, Marion.

The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.

Carole Horst “Best Sellers,” a Berlinale Special Gala screener and debut feature from Lina Roessler, has scored deals from major territories, which were announced by film’s sales outfit Foresight Unlimited at the European Film Market.Universal Pictures Content Group has acquired major markets including the U.K., Germany, France and Latin America, among others.

There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.

Jamie Lang For the third year in a row, Netflix has a film in the main competition at the Berlin Film Festival. This year, Alonso Ruizpalacios’ “A Cop Movie” follows the path first blazed by Isabel Coixet’s “Elisa Y Marcela,” which at the time was met with a letter from 160 German independent exhibitors demanding the film be removed from competition.

Jamie Lang Brussels-based Best Friend Forever Sales has given Variety exclusive access to the international trailer for Berlin Panorama player “All Eyes Off Me,” the sexually charged sophomore outing of actor-director Hadas Ben Aroya.Told in three distinct yet related chapters, the film begins at a party in Tel Aviv where young Danny is trying to find Max to let him know that she’s pregnant with his child.

Jamie Lang It’s been eight years since twin brother directing duo Ramon and Silvan Zürcher’s “The Strange Little Cat” caught the eye of audiences around the world, playing at major festivals in Turkey, India, Argentina, Portugal and beyond.

For the students at a remote boarding school for Kurdish boys, survival is a matter of course, particularly during the frigid depths of winter. The meals are meager, the heating doesn’t work, and even the principal’s car won’t start.

It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.

South Korean filmmaker Hong Sangsoo has been a particular favorite at the Berlin Film Festival for quite some time — he won the Best Director prize there last year for The Woman Who Ran — and he’s back again this year with another competition entry, Introduction.

Exactly one year ago, Chinese film buyers were almost entirely absent from Berlin's European Film Market as broad swaths of the world's second-biggest economy remained in a state of total shutdown. Business in the U.S.