Baz Luhrmann On Making ‘Australia’ Into A Series: “I Never Got To Finish It”

Anna Marie de la Fuente Baz Luhrmann’s “Elvis,” described by Variety as “a fizzy, delirious, impishly energized, compulsively watchable 2-hour-and-39-minute fever dream,” is set to open the 37th Guadalajara Int’l Film Festival (FICG) on June 10.The biopic starring Austin Butler as Elvis opposite Tom Hanks as his controversial manager, received a rousing 12-minute standing ovation at Cannes, the longest at this year’s edition.The Festival closes June 18 with Mexico’s own musical icons, Los Tigres del Norte, in the documentary “Los Tigres del Norte: Historias que contar,” by Carlos Pérez Osorio (“Las Cronicas del Taco”), with its band members descending on Guadalajara to present it. The documentary debuts on Prime Video the day before but it’s all about bringing back the in-person theatrical experience, said festival director Estrella Araiza.FICG has managed to push through the pandemic and the current government’s indifference to culture and subsequent budget cuts.

Harry Styles and Elvis Presley are both pop-culture sensations who crossed over to movies after wildly successful music careers. But for “Elvis” director Baz Luhrmann, their status as generational icons made Styles a poor choice to play The King in his new biopic.

Did you know Harry Styles’s first-ever recorded song was apparently a cover of Elvis Presley’s version of “The Girl of My Best Friend?” The “Watermelon Sugar” singer grew up listening to The King as a kid, so naturally, he eventually became a frontrunner to play the legend for director Baz Luhrmann’s upcoming Elvis biopic. But alas, it was not meant to be. “Harry is a really talented actor.

Zack Sharf Harry Styles’s film career is set to explode later this year thanks to roles in films such as “Don’t Worry Darling” and “My Policeman,” but the pop star would’ve had an even bigger movie debut in 2022 had he nabbed the starring role in Baz Luhrmann’s “Elvis.” Styles was a serious contender to play Elvis Presley, but Luhrmann opted to cast Austin Bustler instead. The filmmaker recently opened up to to the Australian radio podcast “Fitzy & Wippa” (via Uproxx) about why he rejected Styles.“Harry is a really talented actor. I would work on something with him [but] the real issue with Harry is, he’s Harry Styles,” Luhrmann said.

Baz Luhrmann is opening up about the main reason why Harry Styles wasn’t chosen to portray Elvis Presley in the upcoming Elvis movie.

Austin Butler and Olivia DeJonge strike a pose at the premiere of their new film Elvis at the Event Cinemas Pacific Fair in Gold Coast, Australia on Saturday (June 4).

Nicole Kidman made a surprise appearance at her husband Keith Urban’s concert in Las Vegas, joining the country singer on stage at The Colosseum in Caesars Palace.The 54-year-old artist posted a video of the sweet moment on Instagram, writing “Just a Saturday in Las Vegas” following the last performance of his residency.In the video Nicole can be seen sharing a hug and a kiss with the Australian actress, who took a moment to say “Hi” to the audience. “What’s your name?” Keith joked, “Where are you from?” to which Nicole replied laughing, “Nicole Urban.”She also explained why she followed her husband to the stage.

Nicole Kidman and Keith Urban are one of Hollywood's most adored couples, and proved that once again with their latest appearance together.MORE: Keith Urban teases exciting news in cryptic post that sends fans wildALSO: HELLO! launches Jubilee T-shirt collection to celebrate Queen Elizabeth in styleInstead of a red carpet or a candid snapshot at home, Nicole made a surprise appearance at one of Keith's concerts in Las Vegas.VIDEO: Nicole Kidman's husband Keith Urban shares glimpse inside Australia homeWhile the actress makes sure to often attend her husband's performances, she rarely ever ventures out onstage, and delighted fans with her cameo.It proceeded to get even more romantic, however, as Keith decided to play up a schtick by asking her who she was and where she was from like he would any other fan.MORE: Keith Urban makes heartbreaking confession about family life"Nicole Urban," she said adoringly, cozying up to her husband as he gave her a kiss on the cheek and pulled her in for a hug."I want your jacket," Nicole responded.

Måneskin have spoken to NME about working with director Baz Luhrman on their cover of ‘If I Can Dream’ for upcoming Elvis biopic.Elvis, the upcoming Presley biopic directed by Baz Luhrmann that’s set to arrive in cinemas next month, comes with a soundtrack of covers along with “original songs and recordings” by Presley himself and the film’s star, Austin Butler. Artists to have contributed include Eminem, Tame Impala, Stevie Nicks, Jack White, Swae Lee, Diplo, Chris Isaak, Denzel Curry, Jazmine Sullivan, Pnau and more.Speaking to NME for this week’s Big Read cover story, Måneskin told us about recording their version of Evlis’ “huge ballad” ‘If I Can Dream’.“We were talking about it with Baz Luhrmann, who had this really cool, super-smart idea, because it would have been so easy to give us an up-tempo song and go super rock-ish,” said frontman Damiano David.

Steven Gaydos Executive VP of ContentNearly a half-century has passed since Elvis left the building, permanently. Australian auteur Baz Luhrmann has just unleashed “Elvis,” his big, bold, nearly three-hour biopic, at Cannes and that Warner Bros. bet appears to have paid off.

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

in a tweet. “The film is dazzling, bold and moving. Austin Butler absolutely nails it- all the shades: voice, moves, emotion.

“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

There’s really no overstating the sociocultural impact of Elvis Aaron Presley, whose music and celebrity cleaved the twentieth century in half as an Ozymandias colossus foretelling the future of fame: merchandising, overexposure, descent into self-parody. That’s all in Baz Luhrmann’s new biopic “Elvis,” though mostly because he’s jammed everything he possibly can into its million-millennia run time.

“When we made this, we wanted to make it theatrical to bring audiences into theaters,” said Baz Luhrmann at the Cannes press conference for Elvis, the morning after the pic received the longest standing ovation of the fest at ten minutes.

Cannes Film Festival on Wednesday. The model, 24, looked sensational in the figure hugging shimmering blue, pink and green ensemble which featured thin straps around her neck.  She posed up a storm turning to the side revealing her peachy behind in the backless eye catching number.

Refresh for latest… Baz Luhrmann’s Elvis strutted its way up the Cannes Film Festival red carpet this evening for the film’s world premiere which was greeted by explosive applause inside the Palais.