Barney Slobodin Joins Rain Management & Production Company

“Trump is the only person… who is saying: ‘Wait a second. You know, why are we supporting an endless war in Ukraine?’”“All I can say at… pic.twitter.com/dTEbQvD27k“I’m struck by his foreign policy views,” Carlson said. “Trump is the only person with stature in the Republican Party really who’s saying, ‘Wait a second, why are we supporting an endless war in Ukraine?’”Carlson went on to say that aside from the fate of Trump’s pursuit to presidency, he’s “grateful that Trump is using his platform to voice his concern about the war. Nevertheless, Carlson did share that he is aware of the ongoing Republican primary and its two lead contenders Trump and Ron DeSantis.

AC/DC and Guns N’ Roses has helped him during the war against Russia.In an interview with CNN, journalist Erin Burnett asked Zelensky: “As a human being, so many people look up to you; they rely on you. No one can imagine how hard that is.

Harry Styles invited three Ukrainian refugees to attend his concert when he performed in Poland last weekend.The ex-One Direction singer is currently on the latest European leg of his ‘Love on Tour’ shows, which stopped at Warsaw’s PGE Narodowy Stadium on Sunday (July 2).At the show, the ‘As It Was’ star teamed up with the International Rescue Committee (IRC) to invite three Ukrainian refugees to attend the show.

A new survey suggests that more than half of adults who fled Ukraine in the wake of Russia's invasion want to stay living in the UK - even when it is safe to return to their home country.

Three Ukrainian refugees were invited by Harry Styles to his weekend concert “Love on Tour” in Warsaw, Poland, reports Variety.

Naman Ramachandran Harry Styles treated three Ukrainian refugees supported by the International Rescue Committee (IRC) to his “Love on Tour” concert experience at Warsaw’s PGE Narodowy Stadium on Sunday. Maryna, her 13-year-old daughter Daria and friend Daria Kathina were forced to flee their homes in Ukraine in July 2022 and are now living in Sosnowiec, Poland. Maryna has participated in the IRC’s Step to Work project for Ukrainian refugees in Poland, attending workshops on navigating the Polish job market and meeting with a career advisor who encouraged her to achieve her professional goals. With the support of the IRC, Maryna has been motivated to pursue her dream of becoming a tram driver.

A Scots man who travelled to Ukraine to deliver aid has told how he visited a village so badly shelled it had just one building left.

Apple became the first publicly traded company to be valued at $3 trillion Friday, leading a tech sector revival that helped the Nasdaq record its best opening half of a year since 1983.

As the cost of living crisis continues to make homeowners and businesses face tough spending decisions, there is one company that is aiming to provide some light at the end of a very dark tunnel.

EXCLUSIVE: As the 57th edition of the Czech Republic’s Karlovy Vary International Film Festival (KVIFF) kicks off Friday, there will be renewed interest in the central European country’s local industry, particularly the curious case surrounding its incentive program for international productions.

Ukrainian President Volodymyr Zelenskyy, Pope Francis and Oscar-nominated filmmaker Evgeny Afineevsky are sharing the Cinema for Peace Award, an honor recognizing their “contributions to the freedom of Ukraine and humanitarian efforts to protect civilians and children.”

More than £700,000 could be spent in Stirling to bring 40 council properties up to scratch to house Ukrainian refugees.

EXCLUSIVE: London-based documentary specialist Dogwoof has acquired international sales rights to Mstyslav Chernov’s documentary feature 20 Days in Mariupol following its award-winning bow at Sheffield DocFest.

EXCLUSIVE: British production company Youngest Media, which was behind series including NBC’s Small Fortune and MTV’s Game of Clones, is being revived as a U.S. production company.

In the Rearview, Maciek Hamela’s documentary about Ukrainians fleeing war in their homeland, won the Grand Jury Award for International Competition tonight at the 30th Sheffield DocFest.

In the Ukraine-themed documentary In the Rearview, a young girl and her family ride in a van over bumpy roads, on their way – if all goes well – to safety across the Polish border. In her hand the girl grips a piece of paper bearing essential information: her name, age, and a phone number to call in case she falls victim to Russian bombing and her body is discovered in a pile of rubble.

EXCLUSIVE: The BBC is making a film about a young British aid worker killed in the line of fire in Ukraine.

Marta Balaga Ukrainian animation keeps on fighting for its survival. “At the beginning of the invasion, it was crucial to keep working. We had to show our partners and the international market that despite the war, we can deliver. And we did it successfully,” Anastasiya Verlinska, director of Linoleum Animation Festival, tells Variety. “Our next step is to reorganize from in-house production to service companies. This is something that’s still in progress.” At Annecy, Verlinska is busy organizing the Animation in Ukraine Now! pitch.

Christopher Vourlias In the fall of 1990, in the dying days of the Soviet Union, fighting broke out in the breakaway republic of Transnistria between Russian-backed separatists and forces loyal to the Moldavian Soviet Socialist Republic, a territory on the cusp of its own successful campaign of independence from Moscow. The Transnistria War hardly registers as more than a footnote in most world history books, but it was nevertheless a formative moment in the making of Moldova, a small nation carved from the flank of Eastern Romania and nestled against the western border of Ukraine. When Moldovan filmmaker Ion Borş was growing up in Chisinau, the capital of the former Soviet republic, he heard stories about the conflict from his father, a veteran of Transnistria. The tales — no doubt embellished for his audience — were “tragic but also comical,” says Borş, driving home the absurdity of a war that likely looks even more confounding to its participants more than 30 years later.

Christopher Vourlias Celebrating its tenth anniversary as part of the industry program of the Transilvania Film Festival, the Transilvania Pitch Stop — one of the leading co-production and co-financing platforms for filmmakers from Eastern Europe, the Balkans and the wider Black Sea region — will showcase 10 projects by first- and second-time directors searching for potential European partners on June 15 in the historic medieval city of Cluj. The selection, which includes projects from eight countries, is a diverse crop that ranges from intimate personal dramas to stories casting a wider net, capturing their protagonists in the throes of historical forces.