& Juliet, the Olivier Award-winning musical with a book by Schitt’s Creek writer David West Read, will make its Broadway debut this fall, with previews beginning October 28 at the Stephen Sondheim Theatre ahead of a Nov. 17 opening.
22.06.2022 - 20:38 / nypost.com
to Deadline on Wednesday, with a debut sometime in 2023.“Synchronize Your Watches — The Future’s coming to Broadway in 2023!!!,” reads the tweet which includes a clip featuring the West End actors. The West End version of the show — which opened in 2021 — features music and lyrics from Alan Silvestri and Glen Ballard as well as a book written by the original “Back to the Future” writer Bob Gale.
Synchronize Your Watches — The Future's coming to Broadway in 2023!!!Sign up to be the first to buy tickets! https://t.co/ZvFEjJ72wR pic.twitter.com/ZGr90KC6sNWhile no official Broadway cast has been announced, the roles of Marty McFly and Doc Brown are played by Olly Dobson and Roger Bart. Producers of the show have yet to release a specific date on which the show will teleport onto a Broadway stage.
& Juliet, the Olivier Award-winning musical with a book by Schitt’s Creek writer David West Read, will make its Broadway debut this fall, with previews beginning October 28 at the Stephen Sondheim Theatre ahead of a Nov. 17 opening.
Zack Sharf Emilia Clarke is making her West End stage debut playing Nina in Anton Chekhov’s “The Seagull,” a production that was originally set to launch in March 2020 but was got suspended after four preview performances because of the pandemic. Now Clarke is finally taking the stage, and she’s surely hoping it goes better than her 2013 Broadway debut in “Breakfast at Tiffany’s.” The “Game of Thrones” favorite recently told the BBC that her debut was a “catastrophic failure” she wasn’t ready for.Clarke was two years into her “Game of Thrones” fame when she tackled Broadway for the first time as Holly Golightly opposite Cory Michael Smith as Fred and George Wendt as Joe Bell in “Breakfast at Tiffany’s.” Her performance was widely panned. The New York Times said Clarke acted like “an under-age debutante trying very, very hard to pass for a sophisticated grown-up,” while Variety wrote that her performance “won’t make Broadway audiences forget” Audrey Hepburn’s iconic turn in the film adaptation.
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