‘Animal Control’ Is a Too-Snarky Showcase for Joel McHale: TV Review

“Sons of Anarchy” and a ruthless, in-your-face chef in “The Bear.”“I’m very sarcastic, and now my two sons are very sarcastic, so that has come back to haunt me in a big way,” he said. “I was asking for it. So, I think that’s the part where I relate to Frank.

EJ Panaligan editor The heroes in a half-shell are back. The first trailer for Paramount Pictures’ and Seth Rogen’s “Teenage Mutant Ninja Turtles: Mutant Mayhem” reboot has been released. It’s the latest iteration of Leonardo, Michelangelo, Raphael and Donatello after several TV shows and film runs, and this is the second fully animated version to hit the big screen. Revealed on Saturday, the voice cast includes Micah Abbey, Shamon Brown Jr., Nicolas Cantu and Brady Noon as the roles of Donatello, Michelangelo, Leonardo and Raphael, respectively. The A-list cast has Jackie Chan as Master Splinter, Ayo Edebiri as April O’Neil, Rogen as Bebop, John Cena as Rocksteady, Hannibal Buress as Genghis Frog, Rose Byrne as Leatherhead, Ice Cube as Superfly, Natasia Demetriou as Wingnut, Giancarlo Esposito as Baxter Stockman, Post Malone as Ray Fillet, Paul Rudd as Mondo Gecko and Maya Rudolph as Cynthia Utrom.

Steve Howey is leaving the door open for a reboot!The star told ET's Nischelle Turner that he'd be open to revisiting his character, Van Montgomery, in a new series if Reba McEntire was down to do it.«Yeah, I mean, I don't even know because when I played Van on that show, I was in my early 20s,» Howey said. «And to see where Van is now and where the family is, I mean I would do anything. Reba says, 'Jump,' and I'll say, 'How high?'»The actor's relationship with McEntire has remained strong ever since the sitcom ended in 2007 after six seasons.

Priscilla Presley is promoting her latest project. On Wednesday, the 77-year-old ex-wife of the late Elvis Presley took to Twitter to share the first trailer for , Netflix's upcoming animated action-comedy series.Priscilla and John Eddie created the series, which follows Elvis as he's inducted into a secret government spy program, all while holding down his day job as the King of Rock 'n' Roll.Priscilla will voice herself in the project, while Matthew McConaughey will voice the role of Elvis in the show. Don Cheadle, Kaitlin Olson, Johnny Knoxville, Niecy Nash and Tom Kenny are also signed on to star.The trailer teases all the action to come, culminating with Priscilla's animated appearance, in which she asks Elvis, «It's groovy, don't you think?»«So excited for Agent Elvis to come out on March 17th on @netflix and so proud to be a part of this amazing cast!» Priscilla tweeted alongside the trailer.So excited for Agent Elvis to come out on March 17th on @netflix and so proud to be a part of this amazing cast! pic.twitter.com/KZk5e1md1xPriscilla's latest venture comes amid the battle over her late daughter, Lisa Marie Presley's, estate. Following Lisa Marie's death on Jan.

EXCLUSIVE: Krapopolis has scored a third season renewal before a frame of the animated series has been seen by the viewing public.

Daniel D'Addario Chief TV Critic There’s a thrilling moment a little before the halfway point of Amazon’s new limited series “Daisy Jones & the Six” in which two stars collide. The ethereal vocalist Daisy Jones (Riley Keough) has been invited to perform her collaboration with a rising rock band (no points for guessing their moniker), but crashes the stage a bit early and then refuses to leave after her one song has been performed. Daisy and the Six’s lead singer Billy (Sam Claflin) share the microphone for a while, if “share” is the word for what one does in a battle for territory; faces close together, they’re competing for real estate, competing for a claim on the song they sing, competing to be heard.

Wanda Sykes recently had a show in Memphis, Tennessee and nearly killed it. Well, killed him, as in one of her fans.During an appearance on, the 58-year-old comedian — along with fellow guest Joel McHale — were asked what was one of the craziest things that's ever happened at one of their shows.

Britney Spears and Sam Asghari aren’t making any friends in their SoCal neighborhood right now!

Reba McEntire has had a very good week! The singer had not one, but two reasons to celebrate and delighted her fans with both personal and professional news. On Wednesday, the country music star was named as a Mega Mentor on the singing show The Voice when it returns for season 23. Reba will advise Blake Shelton and his fellow coaches, Kelly Clarkson (who is her former daughter-in-law), Chance the Rapper, Niall Horan and their team members ahead of the Knockout Rounds.WATCH: Reba McEntire reveals how she met boyfriend Rex LinnShe starred on the show back in 2011 and was even asked to be a permanent judge, but turned down the opportunity as she didn't want to be tied down to a longtime project. Away from the spotlight, Reba also had reason to celebrate at home as her son, Shelby Blackstock, had a birthday. SEE: Reba McEntire's former $5m Nashville home is now a five-star resort – see insideREAD: Reba McEntire admits she was in a 'tailspin' after heartbreaking death of her momThe professional race car driver turned 33 on February 23, and his famous mom took to Instagram to wish him a happy birthday. A post shared by Reba (@reba)Reba paid tribute to her son Shelby and called him her 'best accomplishment'Alongside several images of Shelby as a child and today, she wrote: "Happy birthday Shelby! Best accomplishment I’ve ever done in my life! Love you so much."Fans loved the look into her private life and commented: "HBD Shel’billy! You’re a keeper…& mom’s right: You’re a pretty cool dude," and, "Happy Birthday Shelby. Great kid.

Karen Idelson The subtleties of war. The struggle with loss and grief. The search for a home and belonging. The terror of puberty. The realization of mortality. This year’s Oscar nominees in the animated feature category never shied away from the big issues. Underneath the bold exteriors of their artistic and technological achievements, each one embraced difficult, rich themes. “I think there’s a way that young and old can both feel the emotion and the meaning of the story,” says “Puss in Boots: The Last Wish” helmer Joel Crawford. “Puss’ story is something we can all relate to in a way. He’s this fearless hero who has this moment where when he comes across the wall, feels fear for the first time because he knows he’s run out of lives and that he’s mortal — like all of us — for the first time. That moment is an impression of fear that I think everybody can feel. But then we are also able to tap into to some brighter kind of themes as well like hope through this impressionistic style we used in the animation. 

Daniel D'Addario Chief TV Critic Give the team behind “The Consultant” this much — they managed to find just the right lead. Christoph Waltz, whose glower and verbosity have won him two Academy Awards, surfaces now on Amazon Prime Video as a malign expert in business and in manipulation. After a tragedy involving the founder of the app gaming outfit CompWare (the name may give a sense of how carefully the script is written), Waltz’s Regus Patoff enters to right the ship. His claim on the company is unclear to its employees, but soon enough, he’s occupying close to all of their mental real estate, calling them at all hours and asking invasive personal questions that some force of charisma or of mind control makes them feel compelled to answer.

For helmer Joel Crawford, the story told in “Puss in Boots: The Last Wish” needed something new and distinct from what had been done in DreamWorks Animation’s “Puss in Boots” film, released in 2011. It had been more than a decade since the first film delighted audiences with the story of a cat who was often too big for his boots. Puss, who was walking onto the screen this time would be humbled, even frightened, by coming down to the last of his precious nine lives. ¶ Crawford and his team decided to lean into the amount of time that had passed between the two films. They embraced the opportunity to create a fresh take on the animation in the second film and let themselves be inspired by favorite films and treasured fairy tales.

It is not often these days that you get a Hollywood studio release born out of the late 60’s and 70’s hippie movement, but in blending a true life faith based story with the uninhibited counter culture of the time you have Jesus Revolution, the latest spiritual exercise from the Erwin Brothers’ Kingdom Story Company virtual factory of inspirational faith-based films that really took hold with their smash hit I Can Only Imagine , and more recently included the Kurt Warner football story, American Underdog.

BreAnna Bell After its Feb. 16 premiere, Fox’s latest comedy “Animal Control” has become the network’s most-streamed scripted debut. Per Fox, “Animal Control” earned 4.5 million total multi-platform viewers in its first three days of availability — an increase of 114% from live + same day figures. On Hulu and Fox Now, the live-action comedy recorded 1.3 million streaming viewers. On linear, the comedy delivered a 0.31 rating in the key adults 18-49 demograhic after it premiered on Feb. 16 to an audience of approximately 2 million total viewers. The feat makes the series Fox’s most-streamed live-action comedy ever, besting the 2015 premiere of “Last Man on Earth” (1.22 million), and pushing it to become Fox’s most watched comedy telecast since the 2021 “Last Man Standing” finale excluding post-NFL telecasts. The telecast scored a 0.5 rating among the adults 18-49 key demographic.

EXCLUSIVE: The premiere of Animal Control has laughed up a streaming record for Fox.

Daniel D'Addario Chief TV Critic After six seasons, Milo Ventimiglia — a star who began his career as Stars Hollow’s resident hellion on “Gilmore Girls” — is freed up from playing the benevolent patriarch on “This Is Us.” And, at least in theory, his new series brings together the two halves of his TV career. On ABC’s “The Company You Keep,” based on the Korean series “My Fellow Citizens,” Ventimiglia plays a con artist, but one who’s utterly committed to his parents (William Fichtner and Polly Draper) and adult sister (Sarah Wayne Callies). The conflict between obligations to loved ones and the desire to get out of the game creates tension and interest in the show’s first two episodes, as does genuine chemistry with co-star Catherine Haena Kim.

Michael Schneider Variety Editor at Large As networks across the industry pull back on the number of series pilots they order, Fox is taking it one step further: They’ve decided to completely get out of the live-action pilot business. The network launches its only new live-action comedy of the season, “Animal Control,” on Thursday, and Fox Entertainment’s scripted president Michael Thorn says that show’s development is a case study in how series will be ordered moving forward at the network. Instead of a pilot, Fox commissioned multiple scripts in order to test the viability of the sitcom. “Script-to-series,” which has been a staple at several cable networks for years, will now be the standard for Fox as well.

Fox wants in on the broadcast comedy renaissance and is hoping that Animal Control, a single-camera comedy starring Joel McHale, will provide that bite.

“The Moodys,” “Wedding Crashers”) and follows the personal and professional lives of group of Animal Control workers in Seattle who deal with all kinds of critters and creepy-crawlies.There’s Frank (McHale), a snarky ex-cop fired for exposing corruption who considers himself a “lone wolf” and is bummed to be paired with his rookie partner Fred (Michael Rowland), a cheerful former snowboarder who isn’t the sharpest knife in the drawer and is determined to bond with Frank. Then there’s quirky Australian Victoria (Grace Palmer); Amit (Ravi Patel), who takes phone calls during work where he sings to his son; their nervous and awkward boss Emily (Vella Lovell, “Crazy Ex-Girlfriend”), who Frank likes because he says she’s easy to manipulate; office manager Dolores (Kelli Ogmundson); and their in-house vet, Dr.

Daniel D'Addario Chief TV Critic Last year, Apple TV+ had a zeitgeist hit with “Severance,” a show that leveraged a high-polish gleam and an eerily out-of-time aesthetic to tell a story of people who were ultimately strangers to themselves. The streamer could be said to be attempting the same feat twice with “Hello Tomorrow!,” set in a 1950s idea of the future and centering an affably empty salesman played by Billy Crudup. Here, though, the ideas are unrewarding enough that the worked-over look of the show grows tiresome, as though it’s covering for a lack in the series’ writing. Created by Amit Bhalla and Lucas Jansen, “Hello Tomorrow!” features Crudup in something like the mode for which he won an Emmy as “The Morning Show’s” devious executive. Here, he plays Jack, a wheel-spinning operator who is selling timeshares on the moon. His customers are people who, as in our collective memory of our nation’s midcentury past, have a fixation on the possibilities space offers but who, unlike ‘50s Americans,— see getting there as feasible. Joey, the young man Jack takes under his wing (Nicholas Podany), is an ungifted salesman at first. But he makes an emotional impression upon Jack, who is concealing that he is Joey’s father.