‘All Quiet On The Western Front’s Edward Berger Thanks Star Felix Kammerer: “Without You, None Of Us Would Be Here”

Game of Thrones alumna Lena Headey has been tapped to headline Kurt Sutter’s Western action drama series The Abandons at Netflix.

EXCLUSIVE: Christopher Reich’s Simon Riske book series is headed to the screen as Netflix has re-teamed with Edward Berger, the Oscar-winning director, co-writer and producer of the streamer’s All Quiet on the Western Front, on a drama series adaptation, sources tell Deadline. Berger is set to direct the international spy thriller, in early development at Netflix UK, which is being written by Rowan Joffe (Tin Star, The Informer). The first season will focus on the first book in the series, The Take, I hear. Netflix declined comment.

Last night, director Edward Berger officially became an Oscar-winning filmmaker thanks to the Best International Film win for “All Quiet on the Western Front.” And it doesn’t appear that Berger is going to even stop to take a breath as the filmmaker’s next project has just been announced. According to Deadline, Edward Berger is signed on to direct and produce a new Amazon series, “Helltown,” which will be produced by Robert Downey Jr.

Todd Spangler NY Digital Editor Netflix picked up big wins at the 95th Academy Awards, including the international feature film Oscar for “All Quiet on the Western Front” and its first animated feature film Oscar for “Guillermo del Toro’s Pinocchio.” Overall, Netflix won six Oscars on Sunday, after receiving 16 total nominations this year. “All Quiet on the Western Front,” directed by Edward Berger, won four Oscars (on nine nominations), picking up the trophies for international feature, cinematography (James Friend), original score (Volker Bertelmann) and production design (Christian M. Goldbeck, Ernestine Hipper). The film — a grim, disquieting adaptation of the famous World War I novel — had dominated the U.K.’s BAFTA Awards with a record-breaking seven wins, including best film, director (Berger), adapted screenplay, cinematography, sound, original score and non-English language film.

Variety is still celebrating the winners who have graced our covers, spoke on our podcasts and participated in Actors on Actors this season. Revisit our best coverage and interviews with the big winners below. Variety covers: Brendan Fraser (“The Whale”), best actor: Brendan Fraser’s Triumphant Comeback: How Playing a 600-Pound Gay Man in ‘The Whale’ Resurrected His Career Michelle Yeoh (“Everything Everywhere All at Once”), best actress: Women Do It Better: Cate Blanchett and Michelle Yeoh on Creating Iconic Characters From Roles Written for Men

Production designer Christian M. Goldbeck gave a shout-out to All Quiet on the Western Front‘s director Edward Berger and his team of APDs following the film’s Oscar win for Best Production Design.

German musician Volker Bertelmann nudged out the competition to pick up his first Academy Award Sunday for Netflix’s war epic All Quiet on the Western Front.

James Friend won the Oscar tonight in the Best Cinematography category for his work on Edward Berger’s All Quiet on the Western Front, beating out fellow cinematographers Darius Khondji, Mandy Walker, Roger Deakins and Florian Hoffmeister.

Jon Burlingame editor German composer Volker Bertelmann won the original score Oscar Sunday night for his music for the World War I epic “All Quiet on the Western Front.” “By working on a film like that, you are always touched,” Bertelmann said in accepting the honor, referring to the harrowing nature of the film. “Sometimes you have to make the screen very small because there are so many explosions happening.” It is Bertelmann’s first Academy Award. He was previously nominated, under his stage name Hauschka, for his music for the 2016 film “Lion” (co-composed with Dustin O’Halloran). He won the BAFTA for “All Quiet” on Feb. 19.

King Charles has bestowed an unforgettable birthday honor on his younger brother, Prince Edward. On Friday, Queen Elizabeth's youngest child rang in his 59th birthday and, in celebration of the occasion, the new monarch granted him their late father, Prince Philip's, former title, the Duke of Edinburgh. «His Majesty The King has been pleased to confer the Dukedom of Edinburgh upon The Prince Edward, Earl of Wessex and Forfar, on the occasion of His Royal Highness’s 59th birthday.  The title will be held by Prince Edward for His Royal Highness’s lifetime,» a Buckingham Palace press release read. «The Dukedom was last created for Prince Philip in 1947, upon his marriage to Princess Elizabeth, who held the title of Duchess of Edinburgh before acceding to the throne in 1952.»Prince Philip died in April 2021 at the age of 99.

A new title. King Charles III has formally announced that his youngest brother, Prince Edward, will inherit their late father Prince Philip’s Duke of Edinburgh honor.

Prince Edward designed the necklace and earrings that wife Sophie wore on her wedding day. Edward, who had been the Earl of Wessex for more than 20 years until he was made Duke of Edinburgh on Friday, met Sophie Rhys-Jones in 1987 when she was working at Capital Radio. The pair did not start dating until 1993, however, and they eventually tied the knot six years later at St George’s Chapel in Windsor Castle on 19 June, 1999.

Naman Ramachandran After the triumph of Edward Berger’s “All Quiet on the Western Front” at the BAFTAs, Netflix has revealed a surge in viewership for non-English language titles. New Netflix data shows that in the U.K., viewing for non-English language stories has increased by 90% over the last three years. “All Quiet on the Western Front” is now Netflix’s fourth most popular non-English language film ever, with over 150 million hours viewed since its release on Oct. 14, 2022. It has been on Netflix’s global Top 10 Non-English Film list for 14 weeks and has reached the Top 10 Films in 91 countries, including Germany, the U.K., U.S., Australia, France, Mexico and South Korea.

It’s transfer time for Phil Dunster, who has played AFC Richmond’s star striker Jamie Tartt on the Emmy-winning comedy drama Ted Lasso for three seasons. The actor is joining Gugu Mbatha-Raw on Season 2 of her psychological thriller Surface, Breaking Baz can reveal.

Elsa Keslassy International Correspondent Daniel Brühl (“All Quiet on the Western Front,” “Captain America: Civil War”) is set to star as late fashion designer Karl Lagerfeld in “Kaiser Karl,” the anticipated Disney+ original series which Gaumont (“Lupin”) is currently producing. The show is currently shooting in France, Monaco and Italy. The six-part series will chronicle the rise of Karl Lagerfeld through the world of 1970s Parisian high fashion. In 1972, a 38-year-old Karl Lagerfeld aspired to become the most famous French fashion designer, at a time when Yves Saint Laurent reigned supreme. Lagerfeld went on to become the head designer and creative director of Chanel, Fendi and his own label.

For the first time since2020, just before Covid dealt a devastating blow to the industry, exhibitors and awards season, it feels like this year’s Oscar show may return to some sense of normalcy. And with box office hits mixed with acclaimed indies among the 10 Best Picture nominees, this could be the turning point in the recovery of the Academy Awards. At the nominees’ luncheon, in fact, Steven Spielberg was overheard telling Tom Cruise that he may have saved the movie business with Top Gun: Maverick, 2022’s No. 1 movie and a billion-dollar rescue for the industry. On Maverick’s tail came Avatar: The Way of Water, which became the third biggest global-grossing film of all time. And shock of shocks, both of those long-gestating sequels are Best Picture contenders with 10 nominations between them.

.“These are big shoes for us to fill with our film. I don’t mean to compare our film to what some of our predecessors went through, but it is very moving to be even remotely connected to this history that “All Quiet” has,” Grunert told TheWrap. “We’ve managed to capture something that is obviously horrific, and we tried to come to what we can only imagine is an emotional truth of our main character, and how it could possibly feel to him,” Grunert said.

While doing research for his work on All Quiet on the Western Front, production designer Christian M. Goldbeck was excited to find rare non-propaganda photographs of the battlefields and trenches. These images were pivotal in the design process to show the reality of the war. “We decided in a very early stage to make it visceral and physical, to show what we can lose in war,” he says. “To beautify war would be propaganda.”

Jazz Tangcay Artisans Editor Netflix’s “All Quiet on the Western Front” has surpassed over 150 million hours viewed since its release on Oct. 14, 2022. The film, which dominated the BAFTA Awards in London with a record-breaking seven wins, including best film, director (Edward Berger), adapted screenplay, cinematography, sound, original score and non-English language film, climbed up to No. 2 on the global list, according to numbers released by Netflix. Berger’s World War I epic tells Paul’s (Felix Kammerer ) journey from being a young, enthusiastic school boy wanting to join the army to a tired, worn soldier. It has been on the global Top 10 Non-English Film list for 14 weeks and has reached the Top 10 Films in 91 countries, including Germany, the U.K., U.S., Australia, France, Mexico and South Korea.

Tim Gray Senior Vice President Oscar voters rewarded “All Quiet on the Western Front” with nine nominations, including best picture and international film. But aside from the great work seen onscreen, the film is notable for what it doesn’t do. There are no heroic acts, no sense of adventure, no cheering when the enemy dies. It’s a true anti-war film. Producer Malte Grunert says: “There are a lot of things that do not follow the normal dramatic structure that you would expect in a war movie.”  He and director Edward Berger discussed the depiction of violence, since Erich Maria Remarque’s 1927 novel about World War I vividly describes atrocities. “We wanted to keep it violent because a war film has to be. It’s about young boys, just out of school, going to the Western Front and being thrown into violence and pain,” says Grunert. “But we never wanted it to be exploitative. The violence was always to have a purpose, to show the horror through the eyes of our protagonists.”