‘Against All Enemies’ Shines a Light on the Terrifying Veteran-To-Domestic Terrorist Pipeline [Tribeca]

off-its-rocker “Kingdom of the Crystal Skull”, which had Indy survive a nuclear explosion by hiding inside a refrigerator — and ended with a Spielbergian alien encounter.Running time: 154 minutes. Rated PG-13 (sequences of violence and action, language and smoking.) In theaters June 30.Of course, we always feel happy seeing Harrison Ford — the greatest American action star ever — back in the iconic fedora, even at 80 years old.And Phoebe Waller-Bridge of “Fleabag” adds a welcome dose of spit and vinegar as Helena Shaw, Jones’ goddaughter and latest co-adventurer. But I still left asking “Why?” Everybody knows the Indy series should’ve called it quits with 1989’s “The Last Crusade,” after Indiana Jones and his dad, Dr.

Netta is back, and it’s “Everything”!

Cardi B and Megan Thee Stallion gave their blessing for the use of “WAP” in the new comedy “Joy Ride”.

At the start of the writers strike, The Animation Guild, an entirely separate union to the WGA, came out in support of the labor action, pledging to “stand in solidarity” with WGA members.

Kendall and Kylie Jenner will soon have another sister-in-law. The daughters of Caitlyn Jenner have four half-siblings: Brody, Brandon, Burt, and Cassandra. Over the weekend, Brody, who appeared on 11 episodes of Keeping Up with the Kardashians, got down on one knee to propose to his pregnant girlfriend, Tiarah “Tia” Blanco.A post shared by Brody Jenner (@brodyjenner)From the photos, it does not appear any of the Kardashians were in attendance. Caitlyn and Brody’s brother Brandon Jenner were spotted in the photos, but Kendall and Kylie were noticeably missing.

A new drama about a beauty brand and its workers has dropped on Netflix. Glamorous stars YouTuber Miss Benny and Sex and the City's Kim Cattrall, putting queer people and their stories front and centre.

Chris Willman Senior Music Writer and Chief Music Critic Musical tag-teaming doesn’t have results much more fruitful than what came about when the showrunners of “A Small Light” picked Ariel Marx to compose the score for the limited series and Este Haim to serve as executive music producer. Neither Haim nor Marx was in a position to take anything about the job lightly, given that the eight-episode series for National Geographic and Disney+ tells the story of a Dutch woman, Miep Gies, who helped hide Anne Frank and her family from the Nazis. Yet, in their very separate roles, both found ways to bring musical light or even levity into a drama that inevitably skews toward tension. Este Haim took on the EMP job for the first time with “A Small Light” after previously scoring or co-composing “Maid” and “Cha Cha Smooth” — on top of her day job as one-third of the rocking sister trio Haim. For “A Small Light,” she produced episode-ending covers of songs from the first half of the 20th century, performed by Angel Olsen, Moses Sumney, Kamasi Washington, Sharon Van Etten with Michael Imperioli, Remi Wolf, Weyes Blood, duet partners Orville Peck and King Princess, and her sister Danielle.

William Earl Wednesday’s genre-bashing fifth album, “Rat Saw God,” demands immediate attention. The Asheville-based quintet is fronted by powerhouse singer and guitarist Karly Hartzman, who spins vivid portraits of mundane American life (one gorgeous example, from “Quarry”: “Old bitter lady sits catty-corner to the aftershock from the quarry / She says, ‘America’s a spoiled child that’s ignorant of grief’ / But then she gives out full-size candy bars on Halloween”). Meanwhile, guitarist MJ “Jake” Lenderman and lap steel player Xandy Chelmis create a lush, shoegazey bed for the group’s songs, which thrum along with bassist Margo Schultz and drummer Alan Miller’s precise playing. Ahead of the band’s sold-out show at the Music Hall of Williamsburg on June 20, Variety spoke with Hartzman about how her unconventional upbringing brings a specificity to her lyrics, writing with Lenderman, her bandmate and boyfriend, and early plans for their next album.

Beyoncé's Renaissance world tour is currently making its way across Europe, with a date in Amsterdam taking place on Monday night (June 19). The Dutch leg of the live extravaganza coincided with Juneteenth, the United States' holiday commemorating the emancipation of enslaved people in the United States.

wrote on Twitter Friday shortly after news circulated that the series would not be returning for a third installment. The cancellation comes week’s after NBC’s last batch of decisions for on-the-bubble shows, which involved canceling “Grand Crew” after two seasons and “Young Rock” after three seasons.“I’m so sorry we didn’t get to make those episodes, but I’m immensely proud of the 23 episodes of the show we did put out there,” Spitzer continued.

The Horror of Dolores Roach.” The screening was followed by a panel with Latin icon Justina Machado, various members of the cast, and producer Gloria Calderón Kellet.Tribeca Festival showcases a varied selection of Latine movies and shortsTribeca Festival 2023: Hugo Ruiz discusses his debut film ‘One Night with Adela’“The Horror of Dolores Roach” is based on the podcast of the same name, which became a viral sensation upon its release. Years later, Aaron Mark, the podcast creator, adapted the story to the small screen.Starring Machado and Alejandro Hernández, the series was inspired by “Sweeney Todd,” the story of an ex-con who returns to the outside world with murderous intent.

Indiana Jones And The Dial Of Destiny director James Mangold has explained why Shia LaBeouf will not be returning to the franchise.LaBeouf played the titular archaeologist and adventurer’s son, Mutt Williams, in 2008’s Indiana Jones and the Kingdom of the Crystal Skull, directed by Steven Spielberg.Explaining LaBeuof’s absence at the Dial of Destiny Los Angeles premiere on Wednesday (June 14), Mangold told Variety: “I think the point I had was that when I came on, I wanted to capture that wonderful energy between Indy and an intrepid female character.”“So that was my first goal, and there’s only so many people you can edge into a picture,” he added.The fifth instalment in the Indiana Jones franchise stars Phoebe Waller-Bridge as Indy’s goddaughter, Helena.Back in 2017, screenwriter David Koepp revealed that LaBeouf would not be returning. “Harrison plays Indiana Jones, that I can certainly say,” he told Entertainment Weekly, “And the Shia LaBeouf character is not in the film.”The latest offering marks the final instalment of the Indiana Jones franchise, and sees Harrison Ford reprise his iconic role at the age of 80.So far, Indiana Jones And The Dial Of Destiny has received mixed reviews from critics, with some hailing it as delivering a “sweet blast of pure nostalgia”, while others have declared it to be a “complete waste of time”.It’s also predicted to earn a disappointing $60million at the US box office in its opening weekend.In a four-star review of The Dial Of Destiny, NME wrote: “The biggest question – could another director succeed Steven Spielberg after four Indy films in a row – is well-answered.

The adventures of “Queen of the Universe” season 2 are about to get bigger and better than ever before.

Chris Stapleton isn’t letting hecklers ruin his fans’ good time.

The Flash showrunner Eric Wallace will be telling fellow American writers “we are not in this alone” when he returns home from London later.

sit with CNN for a televised town hall discussion on Monday, this time moderated by Anderson Cooper. From the top, he was grilled about the second criminal indictment and 37 counts former president Donald Trump faces for taking hundreds of classified documents to his Mar-a-Lago estate after losing the 2020 election to Joe Biden.

Marinette, which came out in theatres in France on 7 June and recently premiered at the Tribeca Film Festival in the US. The release was set at a timely moment, about a month before the start of the Women’s World Cup in July.  Garance Marillier (Raw, Titane) plays the football star, who has dedicated much of her life to protesting against the fact that women athletes notoriously receive less media coverage and lower salaries than their male counterparts.

For his sophomore feature, the follow-up to 2004’s little-seen indie House of D, David Duchovny serves up a similarly niche confection, a sometimes-zany black comedy based on his 2016 novel of the same name. The elevator pitch is a tough one; though it’s funny in places, the tone is all over the place, one minute aspiring for the arch, stoner laughs of PTA’s Inherent Vice, the next veering into straightforward sentiment with a rambling final section that hits a similar highway to the 2006 Sundance hit Little Miss Sunshine. There’s also the f-word: the looming curse of American baseball movies that don’t have the word Field in the title, which could hamper its commercial prospects in the wider world.

Dennis Harvey Film Critic The unimaginable — a modern U.S. civil war — gains considerable clarity and alarming proximity in the documentary “Against All Enemies,” about the continuing rise of far-right extremist groups. Various talking heads here stress that the January 6 insurrection was no aberration but part of a fast-evolving pattern that poses a serious threat to our democracy. Charlie Sadoff’s film focuses largely on the role of military veterans in groups that one way or another seem to be agitating for violent government overthrow, though it also casts a wider net. This densely packed, sobering overview of hitherto subterranean political trends feels tooled for broadcast, where in any case it would have the most impact. 

Selome Hailu The Native American and Indigenous Writers committee is “one of the smallest committees in the Writers Guild, but [with] one of the loudest voices ever” according to its vice chair Aiko Little — which was evidenced by the turnout of some 100 picketers who joined the NAIWC for a strike event in front of Walt Disney Studios on Wednesday. The NAIWC’s Disney picket was the most recent of a string of of WGA strike events over the past several weeks that have gathered writers from specific marginalized backgrounds — Trans Takeover Thursday, for example — to highlight how current working conditions are affecting them while celebrating storytellers from their communities.