Actors, Producers Talk Strategies for ‘Authentic’ Representations of the Disabled at TV Academy Event: ‘Inclusion is a Choice’

EXCLUSIVE: Warner Bros is finalizing a deal to preemptively acquire The Bet, a hot spec from Spanish screenwriter Javier Gullón (Enemy), according to multiple sources.

Hearing “Come on down!” on “The Price is Right” would make anyone excited, and there’s apparently plan in place if someone gets a little too excited.Former “Price is Right” and “Jeopardy!” producer Mike Richards told People recently that if someone accidentally wets their pants on set, production is prepared.“When I got there, they had a system in place in case someone peed their pants,” Richards told the outlet.He added, “I never saw it happen, but there were curtains and a blow dryer and [a] pair of sweats just in case, since we’d have to get on with the show.”Other kinds of accidents have happened on the set of “The Price is Right.”Last year, a contestant named Henry was celebrating his winning one of the games when he dislocated his shoulder. His wife, Alice, finished off the show by spinning the wheel for him.Henry ended up winning a Hawaiian vacation in the showcase showdown, and the show’s social media post of the clip joked, “He won a trip to Hawaii and the ER #PriceIsRight.”In 2014, a contestant named Judy hurt her ankle while spinning the wheel and played the Showcase Showdown on crutches.Richards worked on “The Price is Right” during its transition from Bob Barker as host to Drew Carey’s takeover and has also worked on “Wheel of Fortune” and “Let’s Make a Deal” throughout his career.The producer recently addressed his brief time as replacement host of “Jeopardy!” following the death of Alex Trebek.Richards told People, “No one was more surprised than me.

EXCLUSIVE: My Chemical Romance’s Gerard Way, creator of comic The Umbrella Academy, is teaming with Dark Horse Comics to launch horror comic Paranoid Gardens in July.

First Lady Jill Biden will make a fundraising swing through Southern California later this week, as she headlines events in Los Angeles and the Palm Springs area. She also will speak at the Human Rights Campaign Los Angeles dinner on Saturday.

Elsa Keslassy International Correspondent Banijay Nordic’s banner Yellow Bird is set to produce “A Life’s Worth,” a drama series inspired by real events within the Bosnian conflict in the 1990s. The show is being produced by Arte France and Viaplay Content Distribution which will also handle global sales. “A Life’s Worth” is set in the fall of 1993, amid the devastating turmoil unfurling in Bosnia.

Nick Vivarelli International Correspondent In the early 1970s, Scottish singer-songwriter Donovan wrote and recorded songs for the English version of Italian director Franco Zeffirelli’s film “Brother Sun, Sister Moon,” about the early years of St. Francis of Assisi, that evoked the “flower power” hippie movement and developed a cult following. Half a century later, Donovan traveled to Italy last week to watch a freshly restored version of the film in two celebratory events.

Manchester United will have a new-found optimism for the season after their dramatic FA Cup victory over Liverpool.

Shakira’s new album is set to release on March 22, and in a recent interview, the singer shared some of the personal struggles she faced in recent years. She talked about her separation from Gerard Piqué and how she coped. Shakira also mentioned the sacrifices she made to support the father of her two children in his career.

BAFTA-nominated Irish actor Robert Sheehan (The Umbrella Academy) has signed on to lead a stage adaptation of Bruce Robinson’s 1987 cult tragi-comedy Withnail and I at the Birmingham Repertory Theatre alongside actors Adonis Siddique and Malcolm Sinclair. 

Christopher Vourlias Palestinian director Hana Elias’ “If These Stones Could Talk,” which follows a Palestinian man’s return to his homeland to restore his family’s ancestral garden, and Argentine filmmaker María Silvia Esteve’s “Mailin,” about a woman’s painful struggle to overcome her childhood trauma, took the top prizes at the Thessaloniki Documentary Festival’s industry award ceremony Wednesday night. During an emotionally charged conclusion to the festival’s Agora strand, in which several filmmakers voiced their strident support for Palestine and called for a ceasefire to the more than five-month-old Israel-Hamas war in Gaza, a tearful Elias took the stage alongside producer Asmahan Bkerat to receive the top prize in the Agora’s pitching forum, a €10,000 ($10,900) cash prize from the International Emerging Film Talents Assn. (IEFTA).

When Joe Biden and Donald Trump clinched their party nominations this week, it marked the end of primary season and the start of the general election campaign.

The fact that both Asia and Europe are finding it more difficult to finance movies following the pandemic may drive the two regions to start working together more closely, despite the huge differences in their funding systems, said a group of leading producers on a two-session Filmart panel.

Oppenheimer ended the evening as the top-winning movie. The biopic about the man who created the atomic bomb earned seven Oscars, including Best Picture, Best Director, Best Actor, and Best Supporting Actor.Poor Things came next, with four trophies. The biggest honor that the film snagged was Best Actress, with Emma Stone beating out fellow favorite Lily Gladstone, nominated for Killers of the Flower Moon.The only other movie to collect more than one Oscar was Jonathan Glazer’s harrowing Holocaust drama The Zone of Interest, which won Best International Feature and an extremely well-deserved Sound Design win.Three of the four acting categories went to first-time winners.

Thania Garcia Before Charli XCX took the stage at Billboard’s Women in Music Awards on March 6, the Grammy-nominated singer prefaced that her heart was beating “really, really fast.” Performing an unreleased song called “So I,” presumably a track for her new album “Brat,” Charli said: “This song is about someone really, really special to me who is no longer with us,” and launched into singing a song that references her late collaborator Sophie’s 2017 track “It’s Okay To Cry,” with the lyrics revealing Charli’s grief: “You would say ‘C’mon stay for dinner’ / I’d say ‘No, I’m fine (Now I really wish I stayed).'” Sophie died at the age of 34 in 2021 after she accidentally slipped and fell. Charli and Sophie worked together on various songs, including Charli’s “Vroom Vroom.” Sophie was best known for her solo work, specifically her 2018 album, “Oil of Every Pearl’s Un-Insides.” After completing her performance, Charli accepted the award for Powerhouse of the Year, and told the audience — which ranged from industry champions, including Executive of the Year Michelle Jubelirer, to stars including Katy Perry, Ice Spice and more — that she was incredibly nervous to perform since she proudly and openly uses autotune.

The National, Jorja Smith and Róisín Murphy set to headline.The three-day event is due to take place at the Curraghmore estate in County Waterford, Ireland between August 1-4. Tickets go on sale at 9am next Monday (March 11) – you’ll be able to buy yours here.“We welcome music lovers, mavericks, creators, families and curious minds alike for a weekend of exploration, escapism, and togetherness,” reads an official description of the festival.Today (March 7) organisers have shared the first 50 names for All Together Now 2024.

Popular sportswear brand The North Face is offering shoppers a huge discount to spend online - but there’s a catch. The American outdoors company is giving a 20% off promotional code to those who take a course on “racial inclusion.”

Jazz Tangcay Artisans Editor Oscar producers Raj Kapoor, Katy Mullan, Molly McNearney and Rob Paine, as well as music director Rickey Minor are days away from the 96th Academy Awards. But they took time out on Wednesday afternoon to share insight into what to expect from Sunday’s ceremony. In a conversation moderated by Jacqueline Coley, Awards Editor at Rotten Tomatoes, Kapoor said this year’s theme is “human connection, emotion, inspiration and creativity.” A major highlight that has both fans and producers excited is the news of five former winners presenting to the five nominees.

It is crunch time for Raj Kapoor, Katy Mullan, and Molly McNearney, the three Executive Producers of the 96th Annual Academy Awards as they are putting final touches in place for what they hope will be a show that honors not just this year’s crop of movies, but also Hollywood’s and Oscar’s rich past history, and a ceremony that excites viewers to the point of keeping the recent post-pandemic ratings rise rising, (ie not going in the wrong direction). All indicators are, particularly with the potency and popularity of this year’s Best Picture contenders, and most notably the dual phenomenon of summer blockbusters Barbie and front-runner Oppenheimer (aka Barbenheimer) which have 21 nominations between them, that this could be a banner year for the Oscars as there is nothing more encouraging ratings-wise, as host Jimmy Kimmel told me earlier this week, than doing a show where viewers have actually seen the movies and have a rooting interest in the outcome. Ratings for other awards shows (save for the dreary numbers the strike-delayed Emmys got) have been upbeat including the revitalized Golden Globes on CBS, Critics Choice Awards on The CW, and the Grammys which also had a Barbie factor with its Song Of The Year winner from Billie Eilish, “What Was I Made For”.

Kid Kapichi and Suggs have spoken to NME about their collaboration on the politically-motivated new single ‘Zombie Nation’, memories of late Specials frontman Terry Hall, and the struggles faced by new artists. Watch the music video first on NME below.The track is the latest taster of Kid Kapichi’s new album ‘There Goes The Neighbourhood’ – following on from the previously shared singles ‘Let’s Get To Work’, ‘Tamagotchi’ and ‘999’.

The good news: the demographic diversity of the Television Academy’s membership has increased and women with historically marginalized racial/ethnic identities reported a 10% increase in “belonging.”