The Sandra Bullock and Channing Tatum-led comedy The Lost City is set to premiere on May 10 via Paramount+ in the United States and Canada. It’ll be available in Australia, the UK, Germany, Switzerland, Austria, and Italy later this year.
19.04.2022 - 19:09 / etonline.com
, which chronicles the rise and fall of the brand and exposes the racist and toxic culture that flowed onto the pages of its infamous catalog and the policies of its club-like stores. Initially established in 1892, it wasn’t until under the leadership of CEO Mike Jeffries, that the retailer went on to define a generation with its “potent mix of sex and wholesomeness” and elitist take on the “all-American” image. During its reign, everyone from Channing Tatum to January Jones modeled for the brand’s racy, homoerotic marketing campaigns led by photographer Bruce Webber while consumers spent billions in sales across thousands of stores in the U.S.Even Chris Evans modeled for the brand at one point, taking to Instagram to share his photo shoot “for Abercrombie, which during the late 90’s was the holy grail of overpriced clothing.” A post shared by Chris Evans (@chrisevans)“This was a shared experience for a generation of people,” director Alison Klayman tells ET about the brand’s reach and monolithic place in the zeitgeist.
The Sandra Bullock and Channing Tatum-led comedy The Lost City is set to premiere on May 10 via Paramount+ in the United States and Canada. It’ll be available in Australia, the UK, Germany, Switzerland, Austria, and Italy later this year.
The drama continues. Things can get complicated with multiple exes in the mix — and Christina Hall (née Haack) has experienced the mess firsthand.
Leena Tailor Every night, after LFO’s Brad Fischetti walks off stage on the “Pop2000 Tour,” he weeps. The ecstatic cheers of fans are drowned out by the haunting absence of his late bandmates, Rich Cronin and Devin Lima, and as he watches O-Town share hugs and handshakes, he misses similar rituals with his own band.“I leave that stage and lose it — it’s like reliving losing them all over again,” Fischetti, 46, tells Variety.
As studios meet in Las Vegas to present footage of there upcoming slates to exhibitors, Netflix is showcasing there own slate of future feature films as it has unveiled its upcoming summer slate of original movies. Some of the films receiving new release dates include the Vampire thriller Day Shift starring Jamie Foxx, which is set to bow on August 12, the Kevin Hart-Mark Wahlberg comedy Me Time, bowing on Aug. 26 and the Dakota Johnson drama Persuasion, bowing July 15. The streamer also confirmed dates of some highly-anticipated films that had previously been announced like the Adam Sandler sports pic Hustle, which bows on June 8, the Chris Hemsworth-Miles Teller Thriller Spiderhead, which bows on June 17 and most recently the The Russo Brothers next film The Gray Man, starring Ryan Gosling and Chris Evans, which will premiere on July 22.
As Netflix continues its push into potential franchise fare, we’re getting our first look at the Russo Brothers’ big-budget espionage thriller The Gray Man, starring Ryan Gosling, Chris Evans and Ana de Armas. The film based on Mark Greaney’s 10-book series will hit theaters on July 15 and start streaming on Netflix a week later. Check out the first-look photos above and below.
Salma Hayek has already begun filming her scenes for Magic Mike’s Last Dance. The Mexican actress was photographed while leaving filming at a London theatre. In the recent images, the 55-year-old star can enter her vehicle while holding what appears to be a script.This is the first time we have seen the Oscar-winning actress leaving the set of the upcoming movie since production announced that she would take over the role of Thandiwe Newton.
Channing Tatum over Will Smith's Oscars slap - she has denied the incident. And the actress, 49, proved their was no hard feelings towards Salma, 55, as she took to Instagram stories on Saturday to share an image of the Mexican-American beauty's previous film.
Elsa Keslassy International CorrespondentGerman actor Oliver Masucci and French star Fanny Ardant have joined the cast of Roman Polanski’s new movie “The Palace,” which will surely be a subject of controversy at the Cannes Film Festival where distribution rights are being sold.The ensemble drama, which had already cast Mickey Rourke, will be headlined by Masucci, the German actor who appeared in “Fantastic Beasts: The Secrets of Dumbledore” and the Netflix series “Dark,” and Ardant, the esteemed French star of “La Belle Epoque” and “8 Women.” Budgeted at €13 million ($13.9 million), the movie is currently shooting on location in Gstaad, Switzerland, and is being sold by Wild Bunch International, the powerhouse behind several movies competing at Cannes, notably Arnaud Desplechin’s “Brother and Sister,” Claire Denis’s “Stars at Noon” and the opening night film “Final Cut” from Michel Hazanavicius. The key crew includes Oscar-winning music composer Alexandre Desplat, along with Polanski’s regular cinematographer Pawel Edelman, who previously worked with Polanski on “An Officer and a Spy,” “The Pianist,” “Oliver Twist” and “The Ghost Writer,” as well as set designer Monica Sironi (“Volare”).“The Palace” is produced by Luca Barbareschi at Eliseo Entertainment company, and co-produced by CAB Productions in Switzerland and Lucky Bob in Poland.Penned by Polanski and Jerzy Skolimowski, the movie takes place at a palace in Gstaad on New Year’s Eve in 1999.
Run The Jewels‘ Killer Mike has opened up about a new pro-marijuana documentary he’s been working on.Tumbleweeds with Killer Mike is a new docu-series where Mike discusses the “impact and evolution” of cannabis culture, the history of marijuana and its legalisation in states such as Las Vegas, San Francisco, Chicago, and New York.Speaking to Consequence about what viewers can expect from the series, Mike said: “They’re going to further expand what they know in terms of seeing what’s out there on the horizon in terms of advocacy and creating equity and fairness around marijuana. In terms of people that have been sentenced and charged for things, what will happen next in terms of opportunities for them as the world blossoms.“There’s something to learn about how veterans that are coping with PTSD have dealings with marijuana advocacy.
The early days! Plenty of celebrities dabbled in modeling before making it big — and a shocking number of them worked for Abercrombie & Fitch.
White Hot: The Rise & Fall of Abercrombie & Fitch, he was just the visionary micromanager to heat up the retailer’s image and sales.Jeffries sought to encapsulate the brand’s lusty, youthful mystique in their stores — dimly-lit, permeated by cologne and thumping club beats, guarded by statuesque, shirtless “brand representatives.” Abercrombie became a pop culture phenomenon.“That smell. That music.
Recently, Netflix has put out several popular documentaries, from fraud stories like Bad Vegan to dark serial killer tales like Conversations with a Killer: The John Wayne Gacy Tapes. Their latest documentary film is about an altogether different subject – a fashion scandal.
were, right? It's a big building with stores and a food court, sometimes an arcade or a movie theater. It's a place where teens could hang freely without actually wandering the streets, a midway between public and private property.
Camila Cabello is promoting her new album Familia and appearing on James Corden’s “Carpool Karaoke” to do more than sing along. During the segment, The Late Late Show host asked the 25-year-old singer about her life, including when she crossed the Mexican border to the United States with her family.After singing a few classic hits, including “Havana” and “Bam Bam,” James asked Camila if she was willing to get strapped into a lie detector machine.
Matching the surface-depth of an Abercrombie advertisement circa 1998, Alison Klayman’s “White Hot: The Rise & Fall of Abercrombie & Fitch” is a standardized and, unfortunately, scattered look at the titular company at the height of its cultural dominance in the 1990s and 2000s. What could’ve been an interestingly short segment on, say, CNN”s “The Nineties” is stretched to the breaking point as Klayman unpacks the moment that A&F went mainstream and the social backlash that ensued from their terrible — and often illegal — work practices.