Newest Netflix Movie Review & Best Porn Videos

Netflix co-CEO and chief content officer Ted Sarandos tossed cold water on hopes that the streamer’s recent deal with major cinema chains for Glass Onion: A Knives Out Mystery could be the start of something bigger.

Zack Sharf Digital News Director Zack Snyder appeared on “The Joe Rogan Experience” and championed his recent pivot to Netflix. The 58-year-old filmmaker spent the bulk of his career making movies at Warner Bros., but he made the jump to streaming starting with the 2021 release of his zombie action movie “Army of the Dead.” Snyder’s latest Netflix original was “Rebel Moon,” which debuted in December and kicked off a new space saga for the streaming giant. A second “Rebel Moon” film arrives this spring.

Peter Debruge Chief Film Critic“Wish Dragon” is well aware that “Aladdin” got there first. Making his spirited feature debut, dream-big animation director Chris Appelhans pretty much assumes you’ll be thinking of Disney’s blue genie when his humble Hong Kong hero rubs a jade teapot and produces a fluorescent flamingo-pink dragon, ready to grant his wildest dreams — or three of them at least.

Michael Nordine author News of a fresh horror comedy from Christopher Landon, director of the joyously silly “Happy Death Day” and its sequel, should be greeted with cautious optimism at the very least. He’s been working in the space for some time now, having also co-written and directed “Freaky,” “Scouts Guide to the Zombie Apocalypse” and the more straightforward “Paranormal Activity: The Marked Ones,” and understands how to thread that particular needle better than most. His latest feels like both a natural next step and also something of a departure: a family-friendly haunted-house story releasing on Netflix. Unlike his previous efforts, however, “We Have a Ghost” fails to capture what makes this particular genre hybrid so much fun.

Owen Gleiberman Chief Film Critic “Thanksgiving,” a cheerfully debased — or maybe I should say de-basted — slasher film directed by Eli Roth, marks the second time that one of the luscious mock trailers from Quentin Tarantino and Robert Rodriguez’s “Grindhouse” has been spun into a feature film. The first such movie, Rodriguez’s “Machete,” worked better than anyone might have expected; it gave Danny Trejo perhaps the best lead role of his career, and it was tasty enough in its high-zooming vengeful action hyperbole to spawn a sequel. Roth’s trailer for “Thanksgiving,” on the other hand, was a bloody perfect, outrageously transgressive parody of the holiday horror genre that had long gone out of style.

About 20 minutes into new series Sweet Magnolias, I had a revelation: This is just like Mind you, it takes place in a small South Carolina town (the fictional "Serenity"), and there's no sex. There's not so much as a steamy make-out session.

EXCLUSIVE: Jack O’Connell and Matthew Duckett have joined Golden Globe Winner Emma Corrin in Lady Chatterley’s Lover for Sony’s 3000 Pictures and Netflix. This will be the first film to be produced under the new partnership where Sony Pictures will offer Netflix a first look at any films it intends to make for streaming.

Daniel D'Addario Chief TV CriticWe may soon begin to run low on famous cases from the past to reframe into true-crime series. Following on recent series about the Night Stalker and the Ted Bundy murders, Netflix now drops “The Sons of Sam: A Descent Into Darkness,” about the Son of Sam killings in New York City in the late 1970s.

Elsa Keslassy International Correspondent Mélanie Laurent, who broke through in Quentin Tarantino’s “Inglourious Basterds” and has since made a name for herself as a filmmaker, is back in the director’s chair with “Wingwomen,” coming to Netflix Nov. 1. The movie, in which Laurent stars alongside Adèle Exarchopoulos, Manon Bresch and Isabelle Adjani, is a rare breed of action-comedy driven by fearless female characters. Laurent and Exarchopoulos star as high-profile thieves and best friends who decide to retire from their life on the run. They recruit Sam, a young and feisty car racer (Bresch) to assist them with one last job, but quickly clash with their godmother’s will (Adjani).

Daniel D'Addario Chief TV CriticIn the middle of the night, a young woman grabs her daughter and runs, using what little gas is left in her car to flee her abusive partner.That’s the way “Maid,” a new drama on Netflix, starts, as Margaret Qualley’s Alex runs from her daughter’s brutish father (Nick Robinson). What the show does well, in the episodes that follow, is to depict the ways in which, for many people trapped within the lower echelons of the economy, clean breaks are impossible.

Alison Herman TV Critic Before a rushed ending soured the “Game of Thrones” fanbase on showrunners David Benioff and D.B. Weiss, the duo had rightfully earned acclaim for wrangling a seemingly unadaptable series of books into a damn good adaptation. Author and screenwriter George R.R.

After a rather tame show last month, the freewheeling Golden Globes kind of back! Only now they go by the name 30th annual SAG Awards with a whole lot of the Globes and the Emmys in their bloodstream.

Valerie Wu Intern A film adaptation of R.L. Stine’s 1992 “Fear Street” novel “The Prom Queen” is in development at Netflix, the author himself reports.

John Hopewell Chief International Correspondent After dropping on Netflix on Jan. 4 to the U.S. streaming giant’s second-biggest bow ever for a non-English language movie in hours watched, Spaniard J.A.

EXCLUSIVE: Netflix has set a March 29, 2024, global launch for Homeless World Cup movie The Beautiful Game, which stars Oscar nominee Bill Nighy (Living) and BAFTA nominee Micheal Ward (Top Boy).

After parodying his attempts to become an action movie star in the Quibi/Roku short film series Die Hart (later compiled into a Amazon Prime feature), Kevin Hart goes for the gold in the genre and attempts to do the real thing in Lift, an absurdly ridiculous, over the top, but still entertaining heist movie that strains credibility at every turn – but who cares because it’s got Hart.

Michael Nordine author A case study in the downside of timeliness, “Lift” is a caper predicated on a truly ludicrous concept: an NFT increasing in value. That might have seemed plausible two years ago, when Netflix first acquired Daniel Kunka’s spec script, but F. Gary Gray’s followup to “Men in Black: International” has the misfortune of arriving shortly after the vast majority of non-fungible tokens were deemed officially worthless.

Jaden Thompson Perhaps spiders are not a nuisance after all — at least that’s the case for Adam Sandler in “Spaceman,” in which he receives emotional support from an oversized arachnid in outer space. Netflix has released the trailer for Sandler’s upcoming sci-fi film, set to premiere at Berlin Film Festival next month. It will then release in select theaters on Feb.

The long-anticipated Netflix movie Red Notice recently attained the lofty title of the streaming service's biggest opening day for a film - going on to become the most-watched movie ever on Netflix for a movie in its first weekend.

Hello and welcome to International Insider, I’m Jake Kanter. In the week in which the White House changed hands, here’s what you need to know from the world of global film and television. Want to get in touch? I’m on [email protected], or my DMs are open on Twitter. And sign up here to get this delivered to your inbox every Friday.

It’s Halloween season and that means everyone is looking for the best horror movies to watch on Netflix.

The Wonder is Gothic without the architecture. Set in rural central Ireland in the wake of the Great Famine of the mid-1800s, director Sebastian Lelio’s adaptation of Emma Donoghue’s 2016 novel methodically moves the chess pieces around in telling the tale of an 11-year-old girl who has locals mystified as to what God is intending by letting her survive for four months without eating. Atmospheric and intriguing up to a point, it nonetheless feels like much ado about a mildly curious situation that’s been milked for rather more than it’s worth.

and Mr. James Bond himself, , the principal cast of Rian Johnson’s , is already a who’s who of Hollywood. And that’s before you get to the dozen or so cameos that Johnson sprinkled throughout the 140-minute film. Leslie Odom Jr., Kathryn Hahn, Dave Bautista, Janelle Monáe, Edward Norton, as well as Hudson and Craig, are joined by everyone from Ethan Hawke to Serena Williams, the latter two appearing in minor roles throughout the film.

Caroline Framke Chief TV CriticWith every passing episode of “Maya and the Three,” I grew more and more annoyed that there wouldn’t immediately be a “Maya and the Three” video game to play the second it was done. I haven’t played a video game in years, but something about its dense, colorful world of mythic gods and warriors makes it all too easy — and downright fun — to imagine disappearing headlong into it.

whose “Tenet” was, well, “Tenet.”The three-hour runtime will scare off some people (even though that’s breezy these days if you’re James Cameron or Martin Scorsese), but the subject matter and artfulness of Nolan’s approach earn our attention every single second. “Oppenheimer” is a movie that makes you say “Oh, my God” over and over again — in awe and in terror. 

There were pop-up cafes, a Forever 21 clothing collaboration and viral Instagram filters galore. Running time: 114 minutes. Rated PG-13 (suggestive references and brief language).

Idris Elba) and his two young daughters (Leah Sava Jeffries and Iyana Halley)? Evil poachers offed the big cat’s pride, he snapped and went rogue.Running time: 93 minutes. Rated <br>Rated R (violent content, bloody images and some language.) In theaters.I don’t recall ever feeling bad for the deadly creatures in “Jaws” or “Anaconda” or “Lake Placid.” But my heart went out to this poor, murderous, widower lion hellbent on avenging the death of cute cubs and lionesses.Yet, this is a film along the lines of the above trio (in an early scene one of Nate’s daughters even wears a “Jurassic Park” T-shirt) where we need to want man (the good ones, anyway) to win.

Adam Driver is back to barking in an Italian accent after the heinous “House of Gucci,” only this time he sounds a lot less Russian and thankfully did not take Lady Gaga along for the ride.Running time: 124 minutes. Rated R (some violent content/graphic images, sexual content and language). In theaters Dec.

the 2005 Broadway musical and a perfect 2015 revival of that same stage show.Running time: 140 minutes. Rated PG-13 (mature thematic content, sexual content, violence and language).

the execrable 2003 effort starring Eddie Murphy.Running time: 122 minutes. Rated PG-13 (some thematic elements and scary action.) In theaters July 28Twenty years later, the reboot directed by the talented Justin Simien (“Bad Hair”) is at least better than that aughts Hollywood horror show, if somehow 32 minutes longer.

Indiana Jones and the Dial of Destiny” have a lot in common.Both are part of decades-old American franchises that have been led by the same stars from Day 1 — Tom Cruise and Harrison Ford. Both concern a mysterious object that’s been split in two and needs to be recovered before it falls into the wrong hands. And both feature an extended action chase aboard a moving train.Running time: 163 minutes.

Netflix dropped a whopping $200 million ($50 million shy of the budget for “No Time To Die”) on the visually grand adaptation of Mark Greaney’s spy novels in hopes that it kicks off a popular movie series along the lines of James Bond, “The Bourne Identity,” “Mission: Impossible” and “John Wick.” Best of luck! That’s an awfully tall order when your film doesn’t have a strong main character.James Bond is King Lear next to Sierra Six — played by a cold and demure Gosling — an imprisoned murderer who has his sentence commuted in exchange for becoming a trained underground killer for the CIA. He carries out secret unsavory missions for the government.When Six is lured into the gig by his handler Donald Fitzroy (Billy Bob Thornton), he’s told, “You’ll exist in the gray.” Six replies: “Disposable?”Yup. Skip ahead 18 years.

A.J. Finn’s novel, is here, and it sure is dusty.Said glass pane belongs to the cavernous New York home of Anna (Amy Adams), an agoraphobic child psychologist who’s currently separated from her husband.

instead of a subscription to a streaming service that’s turned into an ongoing competition to make the world’s worst movie. Running time: 96 minutes. Not rated.

Jason Statham is the Baryshnikov of badassery. In “Wrath of Man,” the actor’s character, called H, breathtakingly kills 10 people like he’s doing a chassé into a gloriousgrand jeté onstage at Lincoln Center. (Look it up, you rubes.)H is one of many brusque fellows who work for Fortico, an armored-car company that moves millions of dollars in cash and jewels daily for reputable clients.

also the worst. Running time: 146 minutes. Rated PG-13 (intense sequences of action, some violence and language).