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IFC Films’ Late Night With The Devil topped the specialty market in its second week, as a Tollywood and a Bollywood film both made the top ten in a rare occurrence. Strong horror and Indian fare have helped buoy the box office since Covid. They continue to fill in the top ten, including this week, which boasts a monstrous hit in Godzilla x Kong: The New Empire — but is a neighborhood with fewer overall wide release due to Hollywood strikes.

Horror film Late Night With The Devil has made an apt figure of $666,666 in just one day over the weekend.The new film – which comes from directors Colin and Cameron Cairnes – stars David Dastmalchian as a late night talk show host who invites an apparently possessed girl onto his TV show.The film debuted in US cinemas over the weekend, and according to Variety made the coincidentally devilish number of $666,666 (£527,452) on Sunday (March 24), with an overall haul of $2.8million (£2.22million).“This weekend’s release of Late Night With the Devil set fire to our old opening record,” said Scott Shooman, head of AMC Networks Films, which includes the film’s distributor IFC Films.

IFC’s Late Night With The Devil has scared up the distributor’s largest opening weekend ever with an estimated $2.8+ million on 1.043 screens, coming in at no. 6 at the domestic box office.

Chinese comedy drama YOLO from Sony Pictures International had a yodeling good domestic debut, grossing $840k on 200 screens, making no. 9 on the weekend top 10. Directed and produced by and starring China’s top grossing female helmer, Jia Ling, it’s earned close to $482 million in China since opening Feb. 10 — and was the highest-grossing film over the Lunar New Year holiday.

William Earl administrator Artist and photographer Caitlin Cronenberg‘s feature directorial debut “Humane” has found a home fitting its dark vision. IFC Films and horror streamer Shudder have acquired the U.S.

Elsa Keslassy International Correspondent As the European Film Market starts to unwind, the verdict is already in: Even if global economics are rocky, buyers are back and on the lookout. This week, dealmaking has been happening on both star-driven packages as well as arthouse and foreign-language movies.

The Taste Of Things, a meditation on turn-of-the-century French cooking — no chicken wings or nachos in sight — is stirring up a nice weekend for IFC Films with $126k and the best per-theater opening of the year so far on Super Bowl weekend.

Alex Ritman Paris-based sales house Charades has acquired international sales rights to “In a Violent Nature,” the debut feature film from writer and director Chris Nash that is set to premiere in Sundance‘s Midnight Section on Jan. 22.

Trace Lysette in the title role and Patricia Clarkson, who portrays her mother, Eugenia. Still, it wasn’t until November when IFC Films, whose parent company is AMC Networks, picked up North American distribution rights. “‘Monica’ is a terrifically textured film anchored by multiple riveting performances,” says Scott Shooman, head of AMC Networks Film Group.

Elsa Keslassy International Correspondent A few days after AFM wrapped in Santa Monica, the dearth of substantial deals trickling in is pointing to a weakened film sales market which is grappling with structural changes and the reverberations of the SAG-AFTRA strike. Global industry players came into the AFM with reasonable hopes of dealmaking after a quiet Toronto festival, even if many packages were held back due to the strike.

Brent Lang Executive Editor IFC Films has acquired North American and select International rights to “Stopmotion,” a psychological horror film that will have its world premiere at Fantastic Fest this September. The indie distributor will release the movie in theaters in 2024, followed by a streaming debut on Shudder, AMC Networks’ streaming service for horror, thrillers and other films about the supernatural.

Lee” to the Michael Keaton-directed thriller “Knox Goes Away”) given the uncertainty about what has been agreed to. Still, buyers seem impressed with what’s available to purchase.

EXCLUSIVE: AMC Networks‘ genre streamer Shudder and indie distributor IFC Films have firmed up release plans for the Argentinian horror When Evil Lurks, ahead of its world premiere in the Midnight Madness section of the 2023 Toronto Film Festival. The second feature from Demián Rugna, on the heels of his Fantastic Fest prize winner Terrified, will hit theaters via IFC Films on October 6th and debut on Shudder on Oct. 27th.

IFC Films is beefing up its depleted leadership ranks, naming Nicole Weis VP of Distribution. Judy Woloshen also joins as VP of Public Relations, managing national publicity efforts across IFC’s three film brands (IFC, RJLE Films, Shudder).

Rebecca Rubin Film and Media Reporter IFC Films is bolstering its team with new executive hires and several internal promotions. As part of the expansion, Nicole Weis is joining the company as VP of distribution, where she will manage the theatrical rollout for IFC’s film slate.

Marta Balaga IFC Films has acquired Xavier Gens’ action spectacle “Mayhem!” (“Farang”) from Studiocanal ahead of its premiere at Montreal’s Fantasia Film Festival. Produced by Vincent Roget (Same Player) and Dimitri Stephanides (WTFilms), “Mayhem!” will be released in 2024. “Xavier Gens has crafted an energetic and propulsive film, showcasing some of the most impressive fight choreography we have ever seen,” said Scott Shooman, head of AMC Networks’ Film Group.

IFC Films on Tuesday announced their promotion of longtime company executive Harris Dew to the role of Senior Vice President and General Manager of IFC Center.

Brent Lang Executive Editor Arianna Bocco has stepped down as president of IFC Films. She will be replaced on an interim basis by Scott Shooman, who currently serves as head of acquisitions. Bocco left the company on Thursday. IFC, which is owned by AMC Networks, will conduct a search for a permanent replacement for Bocco, a longtime executive at the company and a major force in the world of independent film, respected for her keen taste and strong relationships with top talent. Bocco took the reins at IFC in 2020 after her predecessor Lisa Schwartz stepped down. But she had been at the company for more than a decade before making that leap. “IFC Films is a vibrant and vital part of our business and we will continue to acquire, produce and distribute films across our IFC Films, Shudder and RLJE Films ecosystems,” AMC Networks said in a statement. “We have full and total confidence in Scott’s ability to run the business as interim head and know that our film team will not miss a beat as it proceeds forward with a robust slate of releases and acquisitions.”

The European Film Market kicking off this week in Berlin could mark a return to a familiar, old-fashioned balance of power between buyers and sellers. And as the impact of the pandemic retreats, there is cautious optimism that activity levels may now be more sustainable and fairer. Certainly, leading film sales companies and local distributors have over the past week once again been engaging in a long-established pre-market routine. The former sent out a volley of scripts for new film projects, while the latter fielded the incoming pitches, attempted to read them quickly at home or on airplanes, and positioned themselves to take on-site meetings.

The Independent Film & Television Alliance today unveiled new details, as to the programming and speakers to be featured at this year’s American Film Market.