Rodrigo Sorogoyen Latest Celebrity News & Gossip

Emiliano De Pablos Suggesting an appreciable recovery in the dynamism of international film markets, Madrid-based Latido Films has unveiled a raft of deals on its Cannes line-up, led by standout sales for Rodrigo Sorogoyen’s Cannes Premiere player “The Beasts.” The Spain-set rural thriller was acquired by Movies Inspired in Italy and Imagine in Benelux. Co-produced by Spain’s Arcadia Motion Pictures and Sorogoyen’s Caballo Films with France’s Le Pacte, “The Beasts” has also been taken by Kino Mediteran in former Yugoslavia territories and Transilvania Film in Romania.Meanwhile, fruit of Latido’s strengthening of its remake rights sales strategies, the company has optioned Mexican movie adaptation rights on Nicolás Postiglione’s drama “Immersion” to Paloma Negra Films and Whisky, as a French redo of Gastón Duprat’s Spanish-Argentine drama “Masterpiece” is moving into production.  Also, Latido is in advanced negotiations on further remake rights deals in France, Italy and Mexico, among other territories.“Our sales expectations are beginning to approach pre-pandemic levels,” said Antonio Saura, Latido Films managing director.“We saw a market with multiple signs of dynamism but, at the same time, we feel that less and less risks are being taken,” argued Juan Torres, head of international sales. “Projects with a commercial vocation today attract the attention of many buyers more quickly,” he explained. “On the other hand, films that are more fragile from a commercial point of view but which previously managed to find acceptance in various territories today seem destined more than ever for festivals or minor online exhibition,” he added.Regarding signs of dynamism, Saura points out, “we see that independent distributors,

John Hopewell Chief International CorrespondentFrom the 100-second tracking shot to building pulse music that opens “The Realm” to the slug-fest finale of “May God Save Us,” Oscar-nominated Rodrigo Sorogoyen (“Mother”) has filmed some of the most exhilarating shots in recent Spanish cinema.His status as a filmmaker consolidated by a series, Movistar Plus’ “Riot Police,” “The Beasts” (“As Bestas”), which plays in Cannes Premiere, rates as one of, if not the most awaited Spanish movie of 2022.From a brief synopsis, it might look like a return to one of Sorogoyen’s central obsessions: Violence. But that is most likely a half truth.

John Hopewell Chief International CorrespondentIn February, Carla Simon’s “Alcarràs” walked off with Spain’s first Berlin Golden Bear in nearly 40 years as Spain notched up its biggest main competition presence at the Berlinale since 1997.This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.

Emiliano De Pablos Spain’s Cannes presence this year offers testimony to its developing co-production scene, as well as economic concerns driving the search for international partners and the ambitions of a highly cosmopolitan generation of cineastes that is driving art cinema production in Spain.Four Spanish features have made this year’s Cannes cut: Albert Serra’s competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; José Luis López Linares’ Cannes Classics title “Goya, Carriere and the Ghost of Buñuel”; and Directors’ Fortnight contender “El Agua,” by Elena López Riera.All four are international co-productions. Also at Cannes, a Spanish Producers Network showcase, backed by ICEX Trade and Investment and ICAA Film Institute, will highlight eight potential overseas co-production projects.

Emilio Mayorga “Alcarràs,” from Catalonia’s Carla Simón, won Berlin’s top Golden Bear in February. “One Year, One Night,” from Catalan Isaki Lacuesta, also played in main competition.

Emilio Mayorga From Berlin Golden Bear winner ‘Alcarrás’ to Cannes Competition title ‘Pacifiction,’ these projects will represent Catalonia at Cannes.Alcarràs Director: Carla Simón The 2022 Berlin Golden Bear winner, a family farm drama marking the flagship title for Catalonia’s newest generation of cineastes. Sales: MK2 FilmsAmazing Elisa Director: Sadrac González-Perellón The next from 2017 BiFan Grand Jury Prize winner González- Perellón (“Black Hollow Cage”), once more mixing fantasy and family dynamics as Elisa, 12, seeks revenge after her mother’s tragic death. La Charito Films produces.

Holly Jones World premiering in Cannes’ Premiere section, Rodrigo Sorogoyen’s thriller “The Beasts”(“As Bestas”) has shared with Variety its poster, crafted by James Verdesoto at New York’s Indika Entertainment Advertising, who as creative director at Miramax was responsible for the original award-winning film poster of “Pulp Fiction,” as well as those for “The Piano” and “The Crying Game,” among 200 posters.In advance of its Cannes bow, “The Beasts’” sales agent Latido Films has granted Variety an exclusive first look at its key art campaign, which may well drive to the heart of the film.The poster depicts three men entangled, close up. Two men grasp a third whose mouth opens in agony, consumed by a raw, animalistic rage, in a vertical tangle.

The Cannes Film Festival has added two more titles to its lineup ahead of next month’s 75th edition, it was announced on Friday.

Elsa Keslassy International CorrespondentThe Cannes Film Festival has added two more films to the Official Selection of the 75th edition, which will kick off on May 17. Rodrigo Sorogoyen’s “As Bestas,” a French-Spanish movie, has been added to Cannes Première, the new section dedicated to world premieres for movies that are slightly more mainstream, similarly to the out-of-competition strand.

EXCLUSIVE: Filmmaker Walter Hill was honored with a Tribute Ceremony in France on Tuesday evening, which marked the opening night of the International Thriller Film Festival – Reims Polar.

Emilio Mayorga “Son,” “Cosas de chicos,” “Votamos” and “36” are among eight shorts at this year’s Madrid en Corto, an increasingly key Spanish platform for new talent now in huge demand in a platform age.Recent past editions have included Carlota Pereda’s original “Cerdita,” whose feature version dazzled at January’s Sundance, and shorts from Alauda Ruiz de Azúa, director of Berlin Panorama player “Lullaby,” which swept the Málaga Film Festival on Saturday night, and Javier Marco whose “Josephine” proved a prominent feature debut at September’s San Sebastián. In all, over its 18 editions, titles in Madrid en Corto’s distribution catalog have earned 32 nominations for Spanish Academy Goya Awards. This year, the Goya fiction short winner (Verónica Echegui’s “Totem Loba”) doc short laureate (“Mama”) and “The Monkey,” which snagged best animated short, all feature in Madrid en Corto’s catalog.  Women look likely to make much of the running at this year’s edition, organised by ECAM Distribución, the distribution arm of the enterprising Madrid Film School (ECAM), whose Screen-Incubator has fast become one of the key industry development labs in Spain.

Jamie Lang On Jan. 28 Netflix will drop its next big Spanish drama series, “Feria: The Darkest Light,” a new ‘90s-set fantastic thriller from “Elíte” co-creator Carlos Montero and thriller expert Agustín Martínez (“La caza: Monteperdido”).Produced by Filmax, one of Spain’s leading production, distribution and sales outfits, the show is a clear demonstration of Netflix’s ever-increasing ingratiation into the local industry and the company’s desire to work with the best local talent.

Jamie Lang Spanish director Juanjo Gimenez’s “Out of Sync” (“Tres”) – his first outing since the Oscar-nominated short “Timecode,” winner of Cannes’ Palme d’Or for best short film – came into this year’s Official Selection at the Venice Film Festival buzzing ahead of its world premiere.In the film, sound designer C – played by Marta Nieto, the lead in Rodrigo Sorogoyen’s Oscar-nominated short “Madre” and its eponymous feature follow-up – spends countless hours alone recording sound effects,

John Hopewell Chief International CorrespondentOscar-nominated Rodrigo Sorogoyen (“Madre,” “Riot Police”) is set to direct rural thriller “As Bestas,” backed by a powerful alliance of of European companies.Introduced to buyers at this week’s Cannes Marché du Film by its sales agent, Latido Films, “As Bestas” is produced by Jean Labadie’s Le Pacte in France, and in Spain Ibon Cormenzana’s Arcadia Motion Pictures and Caballo Films, Sorogoyen’s own label with Eduardo Villanueva.Adolfo Blanco’s A

John Hopewell Chief International CorrespondentSpanish director and screenwriter Rodrigo Sorogoyen, fresh off large acclaim, prizes and recording-breaking viewership on Movistar Plus for “Riot Police,” is preparing a follow-up series for the Telefonica Spanish pay TV/SVOD service in Spain, which will deliver Sorogoyen’s personal take on the Spanish Civil War.The untitled series will be co-written by Isabel Peña and Eduardo Villanueva, Sorogoyen’s regular co-scribes.

Jamie Lang ViacomCBS International Studios (VIS) has boarded Amazon Prime Video and RTVE’s resurrection of Chicho Ibáñez Serrador’s legendary Spanish horror series “Historias Para No Dormir,” (“Stories to Stay Awake”), which started filming this week in Madrid.Set as a four-part anthology miniseries, “Historias Para No Dormir” boasts a superstar cast and crew on either side of the camera, with episodes to be directed by Oscar-nominated filmmaker Rodrigo Sorogoyen (“Mother”), Spanish Academy

John Hopewell Chief International CorrespondentIt is fitting in many ways that Movistar Plus’ “Riot Police” (“Antidisturbios”) saw its world premiere in a theater at one of Europe’s biggest film festivals: September’s San Sebastian in Spain.Feted by the domestic press — “the best Spanish series of the year,” trumpeted newspaper El Mundo — the Movistar Plus original series has closed sales to France and Latin America with “partners of the highest caliber,” “Riot Police” producer Domingo Corral,

Rodrigo Sorogoyen (“Mother”) cut his teeth in TV a decade ago before migrating to cinema, co-directing 2013’s “Stockholm” and his own breakout solo feature “May God Save Us,” which marked him as one of Spain’s foremost young crossover talents.Now, he and long-time writing partner Isabel Peña have returned to the small screen with their upcoming Movistar Plus original series “Riot Police” (“Antidisturbios”).

John Hopewell Chief International CorrespondentIn a sign of the times, Spain’s San Sebastian Festival, the biggest movie event in the Spanish-speaking world, announced Thursday two of its biggest Spanish premieres, both of which are TV series: Rodrigo Sorogoyen’s “Riot Police,” a Movistar Plus original, and Aitor Gabilondo’s “Patria,” a banner title at HBO Europe.They will be joined in San Sebastian’s official selection by two in-competition movies from directors who underscore other trends now

By Jake Kanter