Pio Marmaï Latest Celebrity News & Gossip

Elsa Keslassy International CorrespondentPathé and Dimitri Rassam’s Chapter 2, a Mediawan Company, have unveiled the first stills of their sprawling $75 million two-part European film based on Alexandre Dumas’s masterpiece “The Three Musketeers” – D’Artagnan” and “The Three Musketeers – Milady.”The companies will present a 15-minute promo reel at Cannes. Directed by Martin Bourboulon (“Eiffel”), the two ‘Musketeers’ films are currently completing principal photography after more than 140 days of shooting at prestigious French landmarks, including the Louvre Palace, the Hôtel des Invalides, the Castles of Fontainebleau and Saint-Germain-en-Laye, Fort la Latte and Chantilly, as well as the citadel of Saint-Malo and the historic city center of Troyes.

Elsa Keslassy International Correspondent Music Box Films has acquired U.S. distribution rights to “Daaaaaalí!,” the latest film by Quentin Dupieux whose upcoming movie “The Second Act” will world premiere on opening night at this year’s Cannes Film Festival.

Peter Debruge Chief Film Critic For readers of Alexandre Dumas’ novel, extravagant French adaptation “The Three Musketeers – Part II: Milady” packs its share of surprises: killing off important characters, sparing others and reimagining allegiances that have stood for nearly two centuries. For viewers of “Part I: D’Artagnan,” however, this swashbuckling sequel feels totally in keeping with what has come before.

French director Quentin Dupieux may be in the busiest period of his career. After two films in 2022 (“Smoking Causes Coughing” and “Incredible But True“), he released two more last year.

Naman Ramachandran Warner Bros.’ “Wonka,” starring Timothee Chalamet, has debuted atop the U.K. and Ireland box office with £8.9 million ($11.2 million), according to numbers from Comscore. In its third weekend, Disney’s “Wish” climbed up to £1.9 million in second place for a total of £5.8 million.

L.A. French cinema lovers were deprived of their annual fall fix of Gallic film culture this year with the cancellation of the American French Film Festival due to the Hollywood strikes.

Jessica Kiang Salvador Dalí is walking down a hotel corridor. A hotel corridor is being walked down by Salvador Dalí.

Jessica Kiang Salvador Dalí is walking down a hotel corridor. A hotel corridor is being walked down by Salvador Dalí.

Todd Haynes’ biopic “I’m Not There” famously featured several actors in the role of Bob Dylan, each embodying the artist in one era of his varied musical career. The idea, of course, was to acknowledge Dylan’s shapeshifting nature as well as the fact that his work can mean different things to different people — some may find one actor’s interpretation more convincing and accurate than that of another.

Elsa Keslassy International Correspondent Kinology has boarded Quentin Dupieux’s (“Rubber”) ferocious comedy “Yannick” which will world premiere in competition at the Locarno Film Festival. The anticipated film is produced by Thomas et Mathieu Verhaeghe at Atelier de production, and Hugo Selignac at Chi-Fou-Mi Productions. “Yannick” stars Raphaël Quenard, Pio Marmaï, Blanche Gardin and Sébastien Chassagne. Yannick” unfolds during a mediocre stage performance of “Le Cocu” during which an audience member revolts and takes the full reins of the room. “‘Yannick’ is Quentin Dupieux’s most mature film; it’s both melancholic and thoughtful,” said Gregoire Melin, Kinology’s founder and president. “We’re so excited to be reteaming with him after ‘Daaaaaali!’ and ‘Wrong’ on this new film which could become even more cult than his previous movies,” Melin continued. 

Brent Lang Executive Editor Samuel Goldwyn Films announced today that the company has acquired U.S. rights to the “The Three Musketeers,” a two-part adaptation of the swashbuckling French adventure story by Alexandre Dumas. The two films were shot back-to-back, with the first film “The Three Musketeers: D’Artagnan” released in France this past April, earning $35 million at the international box office. The sequel “The Three Musketeers: Milady” will open in the country on Dec. 13. The period epic boasts a top-shelf ensemble of European stars such as Francois Civil (“Call My Agent!”), Vincent Cassel (“Black Swan”), Romain Duris (“Eiffel”), Pio Marmaï ((“Happening”), Eva Green (“Casino Royale”), Vicky Krieps (“Phantom Thread”) and Louis Garrel (“The Dreamers”). Both films were directed by Martin Bourboulon, with screenplay by Matthieu Delaporte and Alexandre de La Patellière.

A24 follows You Hurt My Feelings last weekend with dual-language romance Past Lives, starting a platform release on four screens in New York and LA including Q&As led by talent who have been champions of the film, including Steve Buscemi, Jodie Turner-Smith and Lulu Wang. Expanding this month.

Elsa Keslassy International Correspondent Blue Fox Entertainment has acquired U.S. rights to Cédric Klapisch’s (“The Spanish Apartment”) hit dance film “Rise” (“En corps”) from Studiocanal. One of 2022’s highest grossing French films, “Rise” sold nearly 1.3 million tickets in local theaters and was sold around the world. The movie tells the story of a young ballet dancer whose life is upended when she suffers a career-threatening injury and catches her  boyfriend cheating on her. As she begins her physical and emotional rehabilitation, she finds solace in friends, a new love, and a new contemporary dance troupe. Marion Barbeau, a dancer-turned-actor, delivers a breakthrough performance in the lead role, and stars opposite French stars, including François Civil (“Three Musketeers”), Pio Marmaï (“How I Became a Super Hero”), Denis Podalydès (“Anaïs in Love”), as well as Hofesh Shechter (“Send Me an Angel”).

French director Quentin Dupieux has begun shooting his 12th feature film DAAAAAALI ! with a star ensemble French cast including Alain Chabat (Smoking Causes Coughing), Anaïs Demoustier (Alice And The Mayor), Pierre Niney (Frantz) and Gilles Lellouche (Little White Lies).

EXCLUSIVE: Newen Connect has unveiled a raft of deals on Canadian director Christian Duguay’s new feature Ride Above, starring Carmen Kassovitz as a teenager raised in a horse racing milieu who rises above the challenges of a tragic, life-changing accident.

French film and TV trade Le Film Français has posted a public apology after the cover photo for its latest weekly publication featuring seven men prompted anger from top female cinema professionals in France, including Venice Golden Lion winner Audrey Diwan and actress Alexandra Lamy.

Elsa Keslassy International Correspondent“The Three Musketeers,” Pathé Films’s $75-million two-part adventure epic saga based on Alexandre Dumas’s masterpiece, has been bought in major international territories rolling off a busy Cannes market. Pathé unveiled a sprawling 15-minute promoreel for both “The Three Musketeers” – D’Artagnan” and “The Three Musketeers – Milady” at Cannes Marché du Film. Both movies are directed by Martin Bourboulon and boast a star-studded cast, including Vincent Cassel, Eva Green, Vicky Krieps, Romain Duris, Pio Marmaï, François Civil, Lyna Khoudri and Louis Garrel.

Palme d’Or winning actress Léa Seydoux will star in Happening filmmaker Audrey Diwan’s English-language directorial debut, Emmanuelle, inspired by Emmanuelle Arsan’s novel and based on a script co-developed by Diwan and Rebecca Zlotowski.

Naman Ramachandran Studiocanal has begun worldwide sales on writer-director Cédric Klapisch’s “Rise” (En corps) at the virtual American Film Market this week.A story of resilience set in Paris and Brittany, “Rise” traverses the the worlds of classical and contemporary dance with a young woman’s journey from success to rock bottom, and back again.The cast includes emerging actor and dancer Marion Barbeau, Pio Marmaï (“How I Became a Super Hero”), Denis Podalydès (“Anaïs in Love”), François Civil

A sweeping social protest met with utter chaos in an emergency room—especially to the American festival-goer at Cannes, this brief sounds like an unpleasant evocation of 2020. And indeed, filmed in the immediate aftermath of the gilets jaunes protests in France, Catherine Corsini’s “The Divide” (“La fracture”) both reflects the past year and eerily foreshadows the true disaster in emergency rooms that followed the events of the film.