Pilar Palomero Latest Celebrity News & Gossip

John Hopewell Chief International Correspondent High-flying Madrid-based Caballo Films, behind Rodrigo Sorogoyen’s “The Beasts” and “Riot Police” and Borja Soler’s “The Route,” has put into development a fiction series adaptation of Mabel Lozano’s prized same-titled non-fiction work. Shaping up as a deep drill-down into the growth of prostitution in Spain into large-scale organized crime, “El Proxeneta” packs a powerful talent package of creator-writers Isabel Peña, co-writer of Rodrigo Sorogoyen’s “As Bestas” and “Riot Police,” and Eduardo Villanueva, a co-scribe on “Riot Police” and producer on “Stockholm.”  Pilar Palomero, a Spanish Academy Goya best picture winner for “Schoolgirls,” will direct the series, her first TV work beyond one episode of “Venga Juan.”

Pablo Sandoval “Los pequeños amores,” the latest film from Celia Rico who made a splash at the 2018 San Sebastian Festival with “Journey to a Mother’s Room,” has been acquired for international sales by Spain-based Latido Films. Produced by Barcelona-based Arcadia Motion Pictures, which co-produced Rodrigo Sorogoyen’s 2023 Goya winner and box office breakout “The Beasts, and France’s Noodles Production (“One Year, One Night”), Rico’s second feature is set in a bucolic countryside. It weighs in as a mother-daughter two-hander sparked after strongly independent mother Ani falls over walking the dog and is forced to use a wheelchair to get around. 

Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).

Guy Lodge Film Critic It takes a village to raise a child, goes the old saying, and at least in the figurative sense, Spanish director Pilar Palomero’s tremendous sophomore feature “La Maternal” shows that to be true. Before that can happen, however, pregnant 14-year-old Carla needs to get out of the village and into the city — specifically, to a Barcelona shelter for teenage mothers where the troubled adolescent finds the community and empathy her life has been missing all along. Female solidarity drives Palomero’s follow-up to the celebrated, similarly sisterhood-themed “Schoolgirls,” but without any glib girl-power sloganeering: A tough, unsweetened work of social realism built around an astonishing screen debut by Carla Quílez, “La Maternal” sentimentalizes not one detail of juvenile motherhood, truly earning its flashes of hope and grace.

Caitlin Quinlan Pilar Palomero’s second feature film “La Maternal” had its world premiere in main competition at Spain’s San Sebastián Film Festival on Tuesday. The Spanish filmmaker, who won Goyas for best picture, best new director and best original screenplay with her debut film “Las Niñas,” produced like “La Maternal” by Valérie Delpierre at Inicia Films, returns to the Basque Country festival with another invigorating work that explores the challenges and joys of girlhood.  “I never made a decision to explicitly focus on girlhood,” Palomero says. “I think it’s a coincidence that both are about young women, but I guess there’s something inside me that I’m not aware of that’s leading me to this subject.” 

John Hopewell Chief International CorrespondentFernando Franco’s coming of age drama “The Rite of Spring” and Mikel Gurrea’s rural drama “Suro” will vie for the top Golden Seashell at September’s 70th San Sebastian Festival, the highest-profile film event in the Spanish-speaking world. Also making the cut are Jaime Rosales’s female emancipation tale “Wild Flowers” and Pilar Palomero’s teen motherhood story “La Maternal.”The four titles form part of a Spanish film line-up which looks to be “the strongest Spanish movie presence at San Sebastian in the 11 years I’ve been directing the festival,” San Sebastian director José Luis Rebordinos said on Friday.One or two more Spanish films could still be added to the selection, including one more in New Directors, he went on. Galvanizing the selection is new talent.

Emilio Mayorga Pedro Almodóvar has put his considerable weight behind Spaniard Alauda Ruiz de Azúa’s first feature,”Lullaby” (“Cinco Lobitos”) as it has initiated a spirited run at Spain’s box office.“It is undoubtedly the best debut in Spanish cinema for years,” Almodóvar announced in a statement, describing the mother-daughter relationship drama as “a portrait of the role of women within the family, which is truthful, devoid of sentimentality and that does not exclude humor.”“Life could offer another destiny for women other than caring for the whole family. [The film offers] very accurate interpretations, where Laia Costa stands out and I suppose will sweep all this year’s awards.

Emilio Mayorga “Alcarràs,” from Catalonia’s Carla Simón, won Berlin’s top Golden Bear in February. “One Year, One Night,” from Catalan Isaki Lacuesta, also played in main competition.

Elle Driver has acquired world sales rights outside Spain and France to “La Maternal,” the second film from Pilar Palomero.Palomero’s 2019 film “Schoolgirls” (“Las niñas”) made her only the fifth first-feature director to win a Spanish Academy best picture Goya.BTeam Pictures is handling distribution in Spain.“Schoolgirls” also won Goyas for director, original screenplay and cinematography (Daniela Maciela), establishing Palomero as a leading light of Catalonia’s newest — and often female — generation of cineastes, making movies that are grounded in authentic local realities, but alert to broader social trends.Produced by Spain’s Inicia Films (“Schoolgirls,” Carla Simon’s “Summer 1993”) and BTeam Prods., “La Maternal” sees Palomero once more explore the borders between child and adulthood. Billed as a “sensitive and heartbreaking journey into teenage parenthood,” the film follows a pregnant Carla, fleeing social ostracism, eventually arriving at La Maternal shelter.There, she’ll learn to live with her teen classmates and prepare to be a mother.

John Hopewell Chief International CorrespondentFew phenomena in Spanish film have proved so striking in recent years as the emergence last decade of a new generation of Catalan filmmakers, very often women, making resonant movies grounded in highly specific local realities.Think Clara Simon’s “Summer 1993,” a Berlin First Feature Award winner, or Pilar Palomero’s “Schoolgirls,” which walked off with best picture at this year’s Spanish Academy Goyas.For years, prominent Catalan auteurs – José

Pilar Palomero's coming of age drama The Girls has won the 2021 Goya Award for best film, Spain's top film honor. Palomero, who is a first-time feature director, was also awarded Goyas for best new director and best screenplay for her drama set in a convent school.

Pilar Palomero’s coming-of-age story The Girls took home the top prizes, including best picture, at the 35th annual Goya Awards on Saturday. The annual Spain awards show, hosted by Antonio Banderas, also saw Palomero’s drama win the prizes for new director, original screenplay and cinematography.

Pilar Palomero’s “The Girls,” a coming-of-age story and generational portrait of Spanish women who would now be in their 40s, swept an extraordinary 35th edition of Spain’s Goya Awards, scooping best picture, new director, original screenplay and cinematography.Salvador Calvo scooped best director for the three-part Africa-set drama “Adú,” a Netflix pick-up produced by Telecinco Cinema, Ikiru Films and La Terraza Films which proved one of Spain’s biggest box office hits of the year, earning €6.3

Naman Ramachandran Salvador Calvo’s “Adú” leads the way at Spain’s annual Goya Awards nominations with 14 nods, including for best film and best director.“Las niñas” and “Akelarre” followed with nine nominations each, while “Rosa’s Wedding” has eight.In the running for the best film Goya are “Adú,” a Netflix acquisition; “Ane” by David Perez Sanudo; “La boda de Rosa” by Iciar Bollain; “Las niñas” by Pilar Palomero; and “Sentimental” by Cesc Gay.Competing for the best direction Goya will be

Emilio Mayorga Valérie Delpierre and Pilar Palomero, producer and director of “Las Niñas,” one of the banner titles of a new – and often women-driven – Catalan cinema, are re-teaming with Madrid-based BTeam Pictures to produce Palomero’s second feature, “La Maternal.”Delpierre, who serves as a member of this year’s San Sebastian Horizontes Latinos, will produce once more out of Inicia Films, her Barcelona-based label which backed Carla Simon’s “Summer 1993,” a 2017 Berlin’s Generation Kplus