Peter Jackson Latest Celebrity News & Gossip

Forbes just made it official-official by putting the singer-entrepreneur on its annual list of the wealthiest people on Earth.With a net worth of 1.7 billion dollars, thanks largely to her stakes in Fenty Beauty and her Fenty X Savage line, Rihanna joins Peter Jackson, Melinda French Gates, and 233 others on the . She is the first person from her native Barbados to make the list. reports that her Fenty Beauty line “generated more than $550 million in revenue in 2020." She's number 1,729 on the list of richest people, which is above Jay-Z but under Kanye West.

Rihanna says she has “new levels of love and her respect” for her mother due to her own pregnancy experience as she wished her a happy birthday. The singer, 34, who is preparing to welcome her first child with rapper ASAP Rocky, described her mother as “the true MVP (most valuable player)” and promised the pair would celebrate. Sharing a picture of the two on Instagram, she wrote: “Today is my Queen’s birthday!!!“Being on the verge of motherhood, unlocked new levels of love and respect I have for my mommy in a way that I could never explain!“She’s the true MVP and I wanna give her her flowers every second I can! Love you mumzzzz!!!“Happy Birthday! We gon celebrate on da link up!”View this post on InstagramIt comes as the singer has featured on the annual Forbes billionaires list, and was valued at US $1.

The filmmakers and corporations behind Sony’s Marvel Comics adaptation Morbius (★☆☆☆☆) have had ample time to consider what they’re aiming for with this big-budget film intro for living vampire, and vintage Spider-Man nemesis, Dr. Michael Morbius.Namely they should have figured out by now whether their version of the character — portrayed in astonishingly muted fashion by Oscar-winner and accent devourer Jared Leto — exists in any known Spider-Man film universe, or maybe one that’s merely Spidey-adjacent, à la Venom.After half a decade and at least seven release date delays, moviegoers and Marvel fans (not mutually exclusive) also have had ample time to try to make sense of every hint in the marketing, and every detail of speculation.But the murky, mundane origin story that director Daniel Espinosa and credited writing team Matt Sazama and Burk Sharpless have come up with treats making sense more as a perk than a prerequisite, so dial down expectations accordingly.Ultimately, Morbius is a setup — a long-winded prologue to some prospective later franchise entry, teased in the two underwhelming mid-credits sequences that will prolong this experience for many who would otherwise be ready to bolt by then. Strangely enough, the movie checks out first, practically stopping on a dime following a listless showdown between super-vampire-powered Morbius and friend-turned-foe Milo, played by past and perennial Dr.

Joe Otterson TV ReporterNaomi Watts has signed on to star in the long-gestating second season of “Feud” at FX, Variety has confirmed with sources.The second season of the Ryan Murphy anthology series will be based on the book “Capote’s Women: A True Story of Love, Betrayal, and a Swan Song for an Era” by Laurence Leamer. Watts will play famed socialite Barbara “Babe” Paley.

Warner Bros. Pictures is teaming with Fathom Events for a special theatrical event of the Daniel Roher-directed documentary, Navalny, which had its surprise screening at the Sundance Film Festival and won the Audience Award in the U.S. Documentary Competition section as well as the Festival Favorite Award.

Russell T Davies’ Channel 4/HBO Max drama It’s a Sin scooped the coveted Best Drama and Best Writer prizes at this year’s Broadcasting Press Guild (BPG) Awards, while the BBC/Amazon’s A Very British Scandal took home Best Drama Mini-Series and Best Actress for Claire Foy.

Naman Ramachandran Channel 4’s “It’s A Sin” and the BBC’s “A Very British Scandal” have won the top honors at the annual Broadcasting Press Guild (BPG) Awards.“It’s a Sin” won best drama series and its creator, Russell T. Davies won best writer. “A Very British Scandal” was voted best drama mini-series and its star Claire Foy won best actress.Stephen Graham won best actor for his performances in Channel 4’s “Help” and BBC’s “Time.” Peter Jackson’s Disney Plus series “The Beatles: Get Back” was voted best documentary mini-series.

Dennis Harvey Film CriticNaomi Watts has had a penchant for highly physical roles unusual among female stars not particularly associated with action movies. It made her acrobatics the most special effect amidst so many CG wonders in Peter Jackson’s “King Kong,” and a vividly plausible victim of grueling crises in films like “Funny Games” and “The Impossible.” Of course, one can always get too much of a good thing, as when recent, regrettable “The Desperate Hour” seemed to reduce the hot-button topic of school shootings to a gimmicky “Watch this fearless actress run the gamut of emotions while JOGGING!”Fortunately, there is nothing gratuitous about the physicality demanded of Watts by “Infinite Storm,” which is based on a real-life incident that took place in New Hampshire’s White Mountains a dozen years ago.

Annie Zaleski On a sunny St. Patrick’s Day visit to the Rock & Roll Hall of Fame in Cleveland, more than a few people dressed in green milled around outside the museum.

Naman Ramachandran BBC head of factual Tom McDonald is joining National Geographic in the newly created role of executive VP, global factual and unscripted content, reporting into Courteney Monroe, president of National Geographic Content.In the New York-based position, which he will take up in June, McDonald will work alongside Carolyn Bernstein, executive VP, scripted and feature documentaries. Reporting into McDonald will be Alan Eyres, senior VP, development and production, unscripted; Janet Vissering, senior VP, development and production, wildlife/natural history; and Michelle “Meesh” Upton, senior VP, production management.McDonald will be responsible for leading the development and production of all global unscripted series and specials across all programming categories and formats, which feed Disney Plus and National Geographic’s linear channels.

Pablo Schreiber didn’t have a TV, let alone a video game system. So it wasn’t really until the 43-year-old actor was hired to star in “Halo” — Paramount Plus’ upcoming adaptation of Microsoft’s crown jewel Xbox franchise — that Schreiber sat down to play as the genetically engineered super soldier he’d been hired to embody: Petty Officer John-117, aka Master Chief.“I quickly realized just how new I was to this medium,” Schreiber tells Variety.

Tim Gray Senior Vice PresidentEverybody has to start somewhere. Cate Blanchett — long before her two Oscars and starring roles in film, TV and on stage — had an oddball beginning in showbiz.On March 28, 1994, Variety mentioned “Police Rescue,” a big-screen version of the hit Aussie TV series, in which she appeared.

Ringo Starr must spend more time at the gym than on the yellow submarine! The 81-year-old rock legend looked magnificent as he walked to a business meeting on Friday March 4. The Beatle was dressed in a fashionable, yet comfortable-looking, outfit while he headed out for the meeting in the new photos, which you can see here, via DailyMail. Ringo lived up to his reputation as a member of the Fab Four with the groovy outfit.

The Advanced Imaging Society on Friday revealed winners of its 12th annual Lumiere Awards, given to honor distinguished creative and technical achievement in film and TV. The ceremony took place during a gala luncheon at the Beverly Hills Hotel.

Brent Lang Executive Editor of Film and MediaImax has continued to dig out from a global pandemic that devastated the theatrical movie business, posting its best quarterly results since COVID-19 became a facet of daily life. At the same time, the big screen company made it clear that it is setting its horizons behind the latest new releases, talking up the opportunities it sees in launching special events with filmmakers and musical artists.Revenue at the company topped out at $108.6 million, a 94% year-over-year improvement, while the company reported earnings of 17 cents a share compared with a year-ago loss of 36 cents.

Chris Willman Music WriterTaking an obvious cue from the popularity of Peter Jackson’s recent “The Beatles: Get Back” documentary, Paul McCartney has announced what he’s calling his “Got Back” tour, a 13-city, 14-gig outing through the U.S. that begins just a little more than two months from now.“I said at the end of the last tour that I’d see you next time.

Cynthia Littleton Business EditorWarner Bros. has asserted that it still rules Middle-earth when it comes to film rights to “The Lord of the Rings.”The studio has publicly stated its control over film adaptations of J.R.R. Tolkien’s classic fantasy trilogy amid rumblings in the industry that a clutch of “Lord of the Rings” and “The Hobbit” rights are being shopped by longtime owner, the Saul Zaentz Co.The Zaentz Co.

Cynthia Littleton Business EditorIn the entertainment industry, the name WetaFX is synonymous with high-end visual effects. CEO Prem Akkaraju wants to make the firm, founded by filmmakers Peter Jackson and Fran Walsh, a marquee name for original content as well.As he explains on the latest episode of Variety podcast “Strictly Business,” Akkaraju has helped reorganize the company’s operations to facilitate growth in content production, marking the next evolution of the New Zealand-based VFX company that at present employs about 2,000 people.“We’re a household name in the households that make movies,” Akkaraju said.

When it was announced that Amazon was developing a live-action TV series based on “The Lord of the Rings,” fans were elated. But there were a ton of questions.

Adam B. Vary Senior Entertainment Writer“The Lord of the Rings: The War of the Rohirrim” — the original anime feature from New Line Cinema and Warner Bros.

In what could be some of the most exciting news of 2022 for fantasy fans, the world has been given its first look at the new Amazon Lord of the Rings TV series - Lord of the Rings: The Rings of Power.

Adam B. Vary Senior Entertainment WriterAmazon now runs through Middle Earth.The trailer for “The Lord of the Rings: The Rings of Power” debuted on Sunday during the Super Bowl, revealing for the first time how the wildly ambitious new series for Amazon Prime Video is bringing the world of J.R.R.

Two decades ago, Peter Jackson‘s “The Lord Of The Rings” trilogy ushered in a new age of big-budget filmmaking. On a $286 million budget, Jackon’s films brought in nearly $3 billion in the worldwide box office and won 17 Academy Awards.

Middle-earth has never looked so good. Amazon has given a sneak peek at its highly anticipated, highly expensive “Lord of the Rings” prequel series “The Rings of Power” — and its very attractive cast look more at home in Hollywood than they do in Hobbiton. After debuting a teaser trailer last month, the studio has now shared snaps of the show’s sexy stars with Vanity Fair, including an alluring portrait of Welsh beauty Morfydd Clark, 32.

“Lord of the Rings” fans are getting a brand new look at the hotly anticipated TV series.

Zack Sharf The curtain has finally been pulled back on Amazon’s “Lord of the Rings” series, officially titled “The Lord of the Rings: The Rings of Power.” Vanity Fair has debuted first-look images and story details from the series, the first season of which cost a whopping $462 million to produce. While fans knew “The Rings of Power” was set during the Second Age of Middle Earth, now comes confirmation that original “Lord of the Rings” trilogy characters Galadriel and Elrond will appear.“Saint Maud” actress Morfydd Clark is taking on the role of young Galadriel, played in Peter Jackson’s film trilogy by Cate Blanchett.

Cynthia Littleton Business EditorHollywood is about to stampede into Middle Earth. An array of movie, merchandising, gaming and live event rights to “Lord of the Rings,” “The Hobbit” and other titles from author J.R.R. Tolkien are coming up for auction now that the Saul Zaentz Co.

Forbes just revealed their Highest-Paid Entertainers of 2022 list, and the person at number one might surprise you.

Peter Jackson’s The Beatles: Get Back – The Rooftop Concert is heading back to IMAX after a one-day, single-show screening last Sunday — the 52nd anniversary of the band’s iconic 1969 concert. The show and live Q&A with Jackson beamed directly to theaters had its share of sellouts with audio and visuals about as close as possible to actually joining the band on the roof of their Apple Corps headquarters at 3 Savile Row. Disney and IMAX presenting it again Feb. 9 at 75 to 80 IMAX locations, then on 200 screens starting Feb. 11 through the weekend. (The concert is also included in its entirety in Jackson’s six-part doc series The Beatles: Get Back, which hit Disney+ last fall. Click video above to play exclusive clip.

Disney+ in November, but it's back and bigger than ever. Literally.

The Beatles if he had filmed the Let It Be documentary himself.The Get Back director reflected on the “incredible” footage he inherited from Michael Lindsay-Hogg, who produced the 1970 documentary of the 1969 ‘Let It Be’ recording sessions.“The poor guy was herding cats the whole time and I was just feeling so many times that I would have lost it!” Jackson said at a Q&A as part of the IMAX release of The Beatles: Get Back – The Rooftop Concert, according to Metro.“I mean as much as I love the Beatles, I would have raised my voice at them a couple of times and read them the riot act because they would have driven me crazy, and Michael’s just so calm.”He added of his respect for Lindsay Hogg: “I particularly enjoy seeing Michael twitch and squirm when things aren’t going quite his way; as a director I can sympathise with that and find it kind of funny.“Some of my favourite bits in the rushes and the outtakes were Michael’s stuff because I don’t play in a band – I can love the Beatles and watch the Beatles like anyone – but crucially the person I was really relating to was Michael.” In a five-star review of The Beatles: Get Back, NME wrote: “After decades of old, tired stories getting respun, retold and republished, Jackson’s work offers a fresh look at pop’s greatest group.”

As The Beatles’ final live performance atop their Apple Corps HQ in London reaches its big 53rd anniversary this Sunday, a newly mixed recording of it has arrived on the streaming services.Now, here’s a thing – and this might shock you – 53rd anniversaries aren’t really that big a deal. This obviously all comes off the back of Peter Jackson’s recent ‘Get Back’ documentary.Have you seen ‘Get Back’? Bloody hell.

Disney+ in November, but it's back and bigger than ever. Literally.

The Beatles‘ legendary 1969 rooftop show is set to arrive on streaming services tomorrow (January 28).The unannounced gig took place on top of Apple Corps’ headquarters on Savile Row in London, marking the Fab Four’s final public performance of their career.Peter Jackson’s recent documentary The Beatles: Get Back includes footage of the concert, with limited IMAX screenings of the show scheduled for this Sunday (January 30).Today (January 27) it’s been announced that ‘The Beatles: Get Back – The Rooftop Performance’ will land on Spotify, Apple Music and other major streaming platforms tomorrow (January 28) at 5am GMT via Apple Corps Ltd/Capitol/UMe.Per a press release, the complete audio for The Beatles’ rooftop performance has been mixed in stereo and Dolby Atmos for the very first time by Giles Martin and Sam Okel.You can pre-save the live album here now, and see the official teaser clip above and artwork below.This Sunday (January 30) marks the 53rd anniversary of the iconic show. Following the upcoming screenings, Peter Jackson will take part in a special Q&A session which will be broadcast simultaneously to all participating IMAX cinemas.“I’m thrilled that the rooftop concert from The Beatles: Get Back is going to be experienced in IMAX, on that huge screen,” Jackson said in a statement.“It’s The Beatles’ last concert, and it’s the absolute perfect way to see and hear it.” The Beatles: Get Back – The Rooftop Concert will get a global theatrical release from February 11-13.

Chris Willman Music WriterFew Beatles fans had complaints about Peter Jackson’s recent “The Beatles: Get Back” documentary, but to the extent they did, there were some grumblings that the faithful wanted a way to hear the entire rooftop concert that makes up the last portion of the docu-series without the spoken interjections of the interceding British policemen or man-on-the-street interviews.Now, they’ll be getting their wish, along with the luxury of being able to listen to the entire mini-concert in their homes or cars on demand. The audio of the full 1969 performance is being released to streaming services as “The Beatles: Get Back — The Rooftop Performance,” starting at midnight ET/9 p.m.

Clayton Davis The fight for women to be recognized for their directorial achievements stretches back for decades, but, too often, the screenwriters aren’t given that same spotlight. However, this year presents a unique situation where female filmmakers have also penned the top awards contenders for adapted screenplay.