Marie De-La-Fuente: Last News

Marie De-La-Fuente - Rodrigo Bellott’s ‘Blood-Red Ox’ Acquired by Breaking Glass Pictures (EXCLUSIVE) - - New York - USA - city Santiago - Bolivia - Lebanon - city Sanfic
Rodrigo Bellott’s ‘Blood-Red Ox’ Acquired by Breaking Glass Pictures (EXCLUSIVE)
Anna Marie de la Fuente Breaking Glass Pictures has snagged North American rights to “Blood-Red Ox,” the first genre pic by award-winning Bolivian director-producer Rodrigo Bellott, now playing at the 18th Santiago International Film Festival (Sanfic) sidebar Visions of the World.“A mind-bending trip into the depths of myth and madness, Bellott has crafted a haunting tale that pays homage to classic horror films while offering commentary on contemporary environmental and social issues,” said Scott Motisko, Breaking Glass VP of acquisitions, business development and sales, who together with Breaking Glass CEO Rich Wolff negotiated the pact with Ida Martins, CEO of Media Luna.“We have a longstanding business relationship with Breaking Glass Pictures and couldn’t think of a better outlet for “Blood-Red Ox,” said Martins, adding: “They have been doing an excellent job with all Media Luna previous titles, and we are honored to have one more title in their care.” Shot on location in Bolivia and upstate New York, “Blood-Red Ox” centers on Amir, a Lebanese American journalist, and his partner Amat. The two visit Amir’s environmentalist friend in the town of Tarija, which is being harassed by an oil company bent on exploiting the Bolivian rain forest.
Marie De-La-Fuente - Netflix Touts New Pics from Mexico’s Rodrigo Prieto, Fernando Frias, Ernesto Contreras (EXCLUSIVE) - - Mexico - Netflix
Netflix Touts New Pics from Mexico’s Rodrigo Prieto, Fernando Frias, Ernesto Contreras (EXCLUSIVE)
Anna Marie de la Fuente Netflix has reaffirmed its $300 million commitment to Mexican cinema and series, announcing a slew of new movie projects to celebrate the country’s National Day of Cinema on Aug. 15 and as part of its #QueMéxicoSeVea initiative.The year-old initiative, which can be roughly translated to “Let Mexico Be Seen” has the mission “to make visible the work of Mexican creators, screenwriters, writers, directors, actors and people who make national cinema possible,” as well as its wealth of original stories.Leading the pack is the widely anticipated directorial debut of Oscar-nominated cinematographer Rodrigo Prieto (“Brokeback Mountain,” “The Irishman”) who is helming an adaptation of Juan Rulfo’s seminal novel, “Pedro Paramo.” Produced by Redrum, the film’s crew includes Oscar-nominated production designer Eugenio Caballero (“Roma,” “Pan’s Labyrinth”) and costume designer Anna Terrazas, whose notable credits include “Roma,” “Spectre” and “Bardo.” “Our commitment to Mexican culture also includes adapting great Mexican works to the cinema, and ‘Pedro Páramo’ will be the first great example of this,” said Francisco Ramos, Netflix VP of Content for Latin America.“The impact of our productions has been very positive so far: We are hyper committed to Mexican cinema,” Ramos added.said Ramos, who asserted that there were no plans to reduce the $300 million-over-three-years pledge.“Mexicans love our content and there is a huge appetite for Mexican cinema in Latin America and in some parts of Europe as well,” he pointed out, adding that they have had the good fortune to be working with some of the biggest players in Mexico, including Redrum, Woo Films, Alebrije Prods.
Marie De-La-Fuente - DNEG Animation Taps Erika Burton as Co-President (EXCLUSIVE) -
DNEG Animation Taps Erika Burton as Co-President (EXCLUSIVE)
Anna Marie de la Fuente Underscoring the further expansion of its animation division, leading VFX and animation studio DNEG has tapped Erika Burton, its president of VFX Production since October last year, to lead DNEG Animation with Tom Jacomb as co-president.The former DreamWorks Animation and Disney Animation exec will focus on production, resource management, training, and operations while Jacomb will oversee creative, client management and outreach as well as the development of IP and original content.Expressing his delight at welcoming Burton to the DNEG Animation fold, Jacomb said: “We have more exciting projects, more growth and expansion, and more original content and co-productions on the horizon, and Erika will be absolutely instrumental in helping to ensure that we have a rock-solid foundation upon which to continue building.” “I’m also delighted that she will be contributing her compassion, warmth, and experience to the amazing work that our teams are already doing in putting equality, diversity and inclusivity at the heart of everything that we do here at DNEG Animation,” he continued.Said Burton: “I have been fortunate enough to work with some immensely talented VFX and animation teams during the course of my career, and I love both disciplines equally.”“There is something really compelling and challenging about animated filmmaking that keeps drawing me back and this is just a tremendous new opportunity,” she added. “Working with DNEG’s VFX teams over the last year has been a career highlight for me, but when the invitation came to join Tom, David [Prescott, SVP Creative], Crosby [Clyse, Head of Production] and all of the other talented folks on the animation side of our business, it was one that I could