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Nick Vivarelli International Correspondent Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival. “Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 ($487,000) intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector. Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.

With Italy not being a nation typically associated with progressive views and attitudes regarding sexuality, it was reassuring to hear the largely local crowd at the “Lord of the Ants” press screening of the Venice Film Festival laugh at the preposterous words of an ultra-religious woman on screen talking about how she “cured” her son from homosexuality by sending him to a saint. Whether the scene was intended to provoke that reaction is another story.

Guy Lodge Film Critic Gianni Amelio was in his late sixties when he came out as gay a few years ago. The announcement preceded the release of his documentary “Happy to Be Different,” which worked toward an overriding sunniness in contemplating the trials and challenges of being gay in Italy at various points in the 20th century. In turning to a gay-themed narrative project, Amelio narrows the focus and dims the mood: “Lord of the Ants” takes as its subject the gay Italian author Aldo Braibanti, and the social and legal opposition he faced over his sexuality in mid-1960s Rome. Solemn, stately and perhaps a little stifled, it’s the kind of queer statement you might expect from a veteran filmmaker who wasn’t until relatively recently out and proud, and is rather poignant for that.

Nick Vivarelli International Correspondent Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday. The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in: Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said. Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.

Nick Vivarelli International CorrespondentItaly’s True Colours has sold Mario Martone’s Naples-set Cannes competition drama “Nostalgia” to Curzon Film for the U.K. and Ireland, among other new territories.The deal, negotiated by True Colours sales manager Francesca Tiberi and Curzon acquisitions executive Eleonora Pesci, marks the first partnership between the companies.At the Italian Screenings market event recently held in Lecce, Southern Italy, the Rome-based sales company also sealed fresh deals on several other films, including pre-sales on upcoming Locarno title “Delta,” which is a revenge drama with a contemporary Western vibe.Martone’s “Nostalgia,” which has been praised by Variety critic Guy Lodge as the prolific Italian auteur’s “most rewarding film in years,” stars Pierfrancesco Favino as the middle-aged Felice Lasco, who returns to the bustling port city after having lived in Egypt for 40 years.

Nick Vivarelli International CorrespondentDisney, Amazon, Netflix and Showtime all have TV series of different types either recently shot or set to shoot in Sicily.As one of its first Italian originals, Disney+ has commissioned a still-untitled TV series about Sicily’s Florio family, who, during the 19th century, built an economic empire on the island and became known as the merchant princes of Europe.Casting is now underway for this high-end period epic, to be directed by Italy’s Paolo Genovese (“Perfect Strangers”) and produced by Rome-based Lotus Prods., a unit of Leone Film Group. The Sicilian skein, which is expected to start shooting in July, is based on local bestseller “The Lions of Sicily,” by Stefania Auci, that has been translated in several languages.

By Tom Grater