Laure Calamy Latest Celebrity News & Gossip

If you’ve watched “Succession” or “Knives Out,” you know that families can go a little crazy when large estates are left on the table. That’s definitely the case in the new film, “The Origin of Evil.” READ MORE: ‘Medusa Deluxe’ Review: Energetic Hairdresser Murder Mystery Mainly Coasts on Vibes As seen in the trailer for “The Origin of Evil,” the film follows the story of a woman who reconnects with her estranged father, who happens to be extremely wealthy.

Juliette Binoche, Marion Cotillard and Jacques Audiard are among 500 French cinema professionals to have signed an open letter in support of a silent march for peace in Paris this Sunday.

Stop Making Sense, the remastered concert film that sowed delight at TIFF, opens on 300 Imax screens in the U.S., Canada, U.K. and Ireland. Locations Stateside number 260 ahead of a nationwide release next week.  

Catherine Bray Sun! Sea! Men! Margaritas! The siren song of this holy quartet is all that is required to tempt free-spirited hot mess Magalie (“Call My Agent” star Laure Calamy) to pack her bags and join her estranged former schoolfriend Blandine (Olivia Côte) on the holiday of a lifetime. The invitation has come courtesy of Blandine’s teenaged son Benjamin (Alexandre Desrousseaux), who believes, with good reason, that his recently divorced mother is in danger of becoming a recluse — and she wasn’t exactly the life and soul of the party to begin with. The stage is set for a pleasant if meandering comedy-drama powered by the personality clash at its core. “Two Tickets to Greece” opens with a prologue establishing the contrast between these two women as teenagers, and it’s perhaps not strictly required, since this dynamic is telegraphed loud and clear in every glance, line and scene in the movie. But it is necessary to make sense of the film’s best scene, which flirts briefly with a less realist mode of filmmaking.

EXCLUSIVE: Greenwich Entertainment has picked up U.S. distribution rights to the French comedy Two Tickets to Greece (aka Les Cyclades), starring César Award winner Laure Calamy (Call My Agent!), Olivia Côte (My Donkey, My Lover & I) and Academy Award nominee Kristin Scott Thomas (The English Patient). It’ll be released in theaters on July 14.

K.J. Yossman Kristin Scott Thomas starrer “Two Tickets to Greece” has been picked up by Parkland Entertainment for U.K. and Ireland distribution, Variety can confirm. Directed by Marc Fitoussi (“Call My Agent”) the French comedy stars Scott Thomas alongside Olivia Côte (“My Donkey”) and “Call My Agent’s” Laure Calamy. Set in present-day Paris and Greece, “Two Tickets to Greece” tells the story of recently-divorced Blandine (Côte), who is struggling to put her life back together. She is persuaded by her loud and fearless friend Magalie (Calamy) to head to the Greek island of Amorgos, which they’ve dreamed of visiting since they were teenagers. It’s only once the two women arrive they realize that their different approaches to life mean their dreamy holiday won’t go as planned, especially once Magalie’s pal Bijou (Scott Thomas) arrives on the scene.

Elsa Keslassy International Correspondent Don’t expect Warner Bros. Discovery’s French original programming team to follow Netflix and Amazon Prime Video’s trail and chase teen audiences. Vera Peltekian, VP and head of streaming original production for the banner, says the standalone service’s bow in France “is on the roadmap” with a raft of “bold and director-driven Max originals targeting adult audiences in line with what the HBO brand is known for.” Peltekian, who previously worked 15 years at Canal + and played a major role in the pay TV group’s critically acclaimed series such as “The Returned,” “Spiral” and “Savages,” revealed that Warner Bros. Discovery’s first French original will be “The Mythomaniac of the Bataclan,” a four-part series inspired by the true story of a woman who conned her way into a victims’ association and quickly became one of its pillars.

Elsa Keslassy International Correspondent Juliette Binoche, Laure Calamy (“Call My Agent!”), Camille Cottin (“Stillwater”) and Michel Hazanavicius (“The Artist”) are among the 300 stars who signed an open letter addressed to France President Emmanuel Macron to demand the withdrawal of the retirement bill. The letter was published in French newspaper Liberation ahead of massive and fiery protests that rallied more than a million people across the country on Thursday, according to local press. Despite the ongoing strikes, the government passed the unpopular bill last week to increase the retirement age from 62 to 64, and was allowed to bypass a vote by using a constitutional clause called 49.3. “You chose to push through a pension reform that is unfair, inefficient and one that impacts more severely the most vulnerable people and women,” said the letter, which added that the “reform has been rejected by the immense majority of the population.”

More than 300 leading figures from the French film and TV world have got behind a petition decrying controversial pension reforms spearheaded by the government of President Emmanuel Macron.

Elsa Keslassy International Correspondent While the market for foreign-language cinema has shrank, the packed opening of the Rendez-Vous with French cinema in New York hosted by Film at Lincoln Center and Unifrance on March 1 underscored American audiences’ enduring love for Gallic fare. At least when it comes to New Yorkers. Some of France’s brightest writers/filmmakers, including Alice Winocour (“Paris Memories”), Rebecca Zlotowski (“Other People’s Children”), Sebastien Marnier (“The Origin of Evil”) and Cesar-winning star Virginie Efira and famous actor Melvil Poupaud traveled to New York with Unifrance, the French film promotion org. On top of presenting their movies, some talents on the ground took part in masterclasses at Film at Lincoln Center, Columbia University and Brooklyn College, as well as a creative workshop with emerging filmmakers participating in the Gotham Marcie Bloom Fellowship in Film.

“Who would like to read about domestic joys and struggles?” poses the latest incarnation of Jo March in Greta Gerwig’s “Little Women.” “Writing doesn’t confer importance; it reflects it.” Though the existence and persistence of her story, both within and outside the narrative, provide a counterpoint to such a fatalistic outlook, the line of thinking Jo expresses does still prevail. Culture produces stories that it thinks an audience wants to hear.

Animated fairy tale The Amazing Maurice voiced by Emilia Clarke, Hugh Laurie, David Thewlish, Gemma Arterton and Himesh Patel, jumps from Sundance to 1,700 screens via Viva Pictures, the distributor’s widest release to date and a big one for any independently produced animated film.

More than 50 French female artists from the worlds of cinema and music have symbolically cut their hair in a video campaign showing support for the ongoing protests in Iran calling for more freedom for women following the death of 22-year-old Mahsa Amini.

Elsa Keslassy International Correspondent IFC Films has bought North American rights to Sebastien Marnier’s thriller “The Origin of Evil” starring “Call My Agent!” star Laure Calamy. The film world premiered at the Venice Film Festival and had its North American premiere at Toronto. The suspense-filled ensemble film also stars Doria Tillier (“La belle époque”), Suzanne Clément (“Mommy”), Dominique Blanc (“Indochine”) and Jacques Weber (“En thérapie”). Marnier’s follow up to “Faultless”and “School’s Out,” “The Origin of Evil” was produced by Caroline Bonmarchand with Kim McCraw and Luc Déry of mirco_scope with Avenue B Productions executive producing. IFC Films will release the film in 2023.

Elsa Keslassy International Correspondent Music Box Films has acquired U.S. rights to “Full Time,” Eric Gravel’s visceral social thriller which is one of the five finalists for France’s official submission to the 95th Academy Awards. Represented in international markets by Be For Films, “Full Time” world premiered at last year’s Venice festival in the Horizons sections and won a pair of awards for Laure Calamy (“Call My Agent!”) and Gravel. The critically acclaimed film went on to made its U.S. debut at New Directors/New Films. Music Box Films will release “Full Time” in cinemas and on home entertainment platforms in 2023.

K.J. Yossman After triumphing at last year’s Venice Film Festival, the U.K. and Irish rights to Eric Gravel’s race-against-time social drama “Full Time” (À plein temps) have been snapped up by Parkland Entertainment. It is set to be released in the U.K. and Ireland in early 2023. The film, which stars “Call My Agent’s” Laure Calamy, had its world premiere at last year’s festival in the Orizzonti section before going on to win prizes for both Calamy, for best actress, and Gravel, for best director. In “Full Time,” Calamy stars as Julie, a maid in a luxury Parisian hotel while simultaneously carting for her two children in the French countryside. One day, she finally gets a break when she is offered an interview for a long-hoped for job. But, as luck would have it, the interview is on the same day as a national strike, which shuts down the city’s transport.

Elsa Keslassy International Correspondent Best-known for her role as Noemie in the hit French series “Call My Agent!,” Laure Calamy has emerged in recent years as one of France’s biggest stars and most versatile actors. After a busy career in theater and many notable supporting roles, she finally got a shot at leading roles, and kudos have followed, for Caroline Vignal’s romantic comedy “My Donkey, My Lover and I,” which was part of Cannes’ Official Selection and earned her a Cesar award, and Eric Gravel’s social drama “A Plein Temps,” for which she won best actress at Venice in the Horizons section. Calamy is now on a roll and she’s shown that she can play anything. Case in point: Over this summer, she was at Locarno to present Blandine Lenoir’s period drama “Angry Annie,” in which she plays a working mother who joins the Movement for the Liberation of Abortion and Contraception (the film won Variety‘s Piazza Grande Award), and she’s now at Venice with Sebastien Marnier’s psychological thriller “The Origin of Evil,” in which she flirts with genre. In-between Locarno and Venice, she also made a stop at Angouleme Film Festival, where she presented “Angry Annie” and Marc Fitoussi’s “Two Tickets to Greece.”

Can a rich man trust anyone? Bien sûr que non. But then again, should a rich man be trusted by anyone else? Again, non. Never mind that everyone in Sebastien Marnier’s Gallic fable claims either the best of motives or victim status; you shouldn’t believe any of them. And oui, you’re going to have to trust me on this.

Sébastian Marnier’s psychological thriller Origin Of Evil, starring Call My Agent! actress Laure Calamy as a factory worker who discovers the father she never knew is a wealthy businessman, opens Venice’s Horizons Extra sidebar on Thursday.

Elsa Keslassy International Correspondent Paris-based company Indie Sales has boarded Emad Aleebrahim Dehkordi’s feature debut “A Tale of Shemroon” which is set to premiere in the New Directors competition at San Sebastian. Set in the north of Tehran, “A Tale of Shemroon” follows Iman and his younger brother Payar who live with their father. After the death of their mother, Iman starts a business thanks to his connections with the city’s affluent youth, but these new opportunities bring him on a dangerous path affecting his family’s destiny. “We are proud to be a part of San Sebastian’s New Directors competition with this new voice from Iranian cinema,” said Nicolas Eschbach at Indie Sales. “Emad (Aleebrahim Dehkordi) depicts the reality of the Iranian youth living in parts of Tehran that have seldom been seen before,” Eschbach continued.

Guy Lodge Film CriticThe fashions, fabrics and eye-crossingly patterned wallpapers of the 1970s abound in “Angry Annie,” a French period piece practically painted in avocado green and Le Creuset orange, with hand-crocheted accessories for good measure. Would that the rest of Blandine Lenoir’s rousing abortion drama felt quite so dated.

EXCLUSIVE: Paris-based company Indie Sales has sold Angry Annie, French director Blandine Lenoir’s latest feature, to a host of key territories ahead of the film’s world premiere at the Locarno Film Festival on Thursday.

Laure Calamy, who plays Noémie, the wacky assistant to Mathias Barneville in Call My Agent!, won the César (French equivalent of the Oscars) for Best Actress for My Donkey, My Lover & I, the film by Caroline Vignal that opens this weekend Stateside from Greenwich Entertainment. It’s the distributor’s second narrative film in a year and its widest release since The Rescue.

Elsa Keslassy International CorrespondentNew York-based distributor Greenwich Entertainment and Rialto Distribution have teamed up to picked up U.S. rights to Caroline Vignal’s “My Donkey, My Lover & I,” a heartwarming French romantic comedy headlined by “Call My Agent” breakout star Laure Calamy.The company was co-created by Ed Arentz, co-founder and former managing director of Music Box Films, and Edmondo Schwartz, co-founder of Cohen Media Group, in September 2017 with the goal of handling high-end theatrical movies.Sold by Playtime, “My Donkey, My Lover & I” was part of Cannes 2020’s official selection and went on to be nominated for eight César Awards, earning best actress for Calamy.

EXCLUSIVE: As international delegates touch down on the Croisette for what feels like the first “real” Cannes market since the pandemic struck, Olivier Albou is getting ready to hit the ground running. The veteran exec, who heads up sales and production house Other Angle with his wife Laurence Schonberg, has four new films on his slate this year that he’s offering up to international buyers.

Laure Calamy and the best director award for Eric Gravel in the Horizons section of the Venice Film Festival, has scored multiple territory deals for Brussels-based sales company Be For Films.

Elsa Keslassy International CorrespondentParis-based company Indie Sales has boarded Blandine Lenoir’s “Angry Annie,” a female-driven movie headlined by “Call My Agent!” star Laure Calamy, Zita Hanrot (Netflix’s “The Hook Up Plan”) and India Hair (“Mandibules”). Inspired by true events, the film takes place in France in 1974 and tells the story of Annie, a working mother of two teenagers who accidentally becomes pregnant at a time when abortion was illegal in the country.