Jem Aswad Executive Editor, Music It’s no surprise that British-Ghanaian R&B singer/songwriter Raye was the center of attention at last weekend’s BRIT Awards — she won a record six trophies at the British Grammy-equivalent ceremony, including Best Artist, Album of the Year and Song of the Year, and during her acceptance speeches made empowering statements like “I’m in control — I’m my own boss.” Yet obscured in all the headlines was the strong business statement she made on behalf of fellow songwriters, calling for them to receive a share of the master recording income of the songs on which they’re credited. Multiple other participants receive such shares — “points on the master” — including artists, labels, producers and others, but not songwriters.