Isabelle Huppert Latest Celebrity News & Gossip

Elsa Keslassy International Correspondent Kino Lorber has bought U.S. rights to Jean-Paul Salomé’s true life thriller “The Sitting Duck,” starring Isabelle Huppert as the French union organizer and whistleblower Maureen Kearney. Represented in international markets by The Bureau Sales, “The Sitting Duck” world premiered at Venice where it won the Premio Fondazione FAI Persona Lavoro Ambiente Prize. The film will open theatrically in France in March, and Kino Lorber is planning a U.S. theatrical release later this year, followed by a digital and home video release on all major platforms. Penned by Salomé and Fadette Drouard, based on investigative journalist Caroline Michel-Aguirre’s book “La Syndicaliste,””The Sitting Duck” follows the true story of Maureen Kearney (Huppert), the influential head union representative of a French multinational nuclear powerhouse.

EXCLUSIVE: Famke Janssen (X-Men franchise) and Rose Williams (Mrs. Harris Goes to Paris) will topline Locked In, a contemporary psychological thriller from Netflix, which is currently in production in London and the UK. Others in the cast include Alex Hassell (Violent Night), Finn Cole (Animal Kingdom) and Anna Friel (Monarch).

Inspired by Robert Bresson’s 1966 classic “Au Hasard Balthazar,” Jerzy Skolimowski’s “EO” also follows the life and times of a humble donkey. However, this latest offering by the 84-year-old Polish filmmaker is in no sense a direct remake of one of cinema’s enduring masterworks.

EXCLUSIVE: Oscar nominated actress Isabelle Huppert is leading Marianne from Hyde Park International, Cine@ and James Ireland and Alex Pettyfer’s Dark Dreams Entertainment.

The Queen is getting crowned at the 2023 Santa Barbara International Film Festival.

Prolific French director François Ozon has released the first image for his upcoming period drama My Crime and confirmed the presence of rising actresses Nadia Tereszkiewicz and Rebecca Marder in the cast.

How do you write music for a wandering donkey in EO? Composer Pawel Mykietyn didn’t take the responsibility lightly.

Dario Argento is an iconic filmmaker who revolutionized the horror genre in the ‘70s. His run of films from the mid-‘70s through the ‘80s is one of the best ever, with films such as “Deep Red,” “Suspiria,” “Inferno,” and “Tenebrae,” among others.

Juliette Binoche, Marion Cotillard, Isabelle Huppert and other French actresses have cut their hair in solidarity with Iranian women. The trio joined 50 other French cinema icons such as Isabelle Adjani, Charlotte Gainsbourg and Alexandra Lamy to give themselves a haircut to express their support for the widespread civil unrest in Iran that was kickstarted by the state-sanctioned killing of the 22-year-old activist Mahsa Amini after she refused to follow the law forcing women to don the hijab on September 16. The video - which was hashtagged with the phrase Hair For Freedom and was posted on Wednesday (05.

Marion Cotillard and Juliette Binoche have shown solidarity with Iranian protesters by filming themselves cutting off pieces of their hair. In recent weeks, protesters in Iran - and subsequently all over the world - have been cutting off a lock of hair to protest the death of 22-year-old Mahsa Amini in September. She died shortly after being detained by Iran's morality police for wearing her hijab too loosely and showing some hair.

Marion Cotillard, Juliette Binoche, Isabelle Huppert and a handful of female actresses and singers from France are lending their support to the people of Iran amid the mass protests following the death of Mahsa Amini.Amini, 22, was killed by Iran's morality police on Sept. 16 for improperly wearing her hijab — a violation of the country's strict dress codes for women in public.According to a United Nations report, Amini was arrested on Sept. 13 and taken to a morality «re-education center» in Tehran where, per Iranian authorities, she died of a heart attack three days later.

French stars and creatives including the likes of Marion Cotillard, Isabelle Huppert and Juliette Binoche are cutting their hair in a video as a sign of protest against the Iranian government.

More than 50 French female artists from the worlds of cinema and music have symbolically cut their hair in a video campaign showing support for the ongoing protests in Iran calling for more freedom for women following the death of 22-year-old Mahsa Amini.

Elsa Keslassy International Correspondent Award-winning filmmakers Alice Diop (“Saint Omer”), Audrey Diwan (“Happening”), Julia Ducournau (“Titane”), Michel Hazanavicius (“The Artist”), Jacques Audiard (“Dheepan”), and actors Juliette Binoche, Marion Cotillard, Isabelle Huppert, Lea Seydoux are among nearly 1,000 prominent French film figures who have signed an open letter to support Iranian women and civil rights activists in their revolt over the death of 22 year-old Mahsa Amini, as well as denounce the “murderous violence” of the Iranian regime. Amini, a Kurdish woman, died in custody on Sept. 16, three days after being arrested in Tehran because she allegedly breached the Islamic republic’s strict dress code for women. Her death has sparked protests across Iran, including in Tehran, Isfahan and Yazd, and in cities around the world, including in Paris, Istanbul and Los Angeles. Amnesty International said Iranian authorities have been “intentionally using lethal force against the protesters,” causing more than more 52 deaths (as of Sept. 30). The organization has urged international action “beyond statements of condemnation” to prevent more people from being killed.

Flanders Image, the promotional arm of the VAF film fund of Belgium’s Flemish-speaking community, has unveiled the 80 projects selected for its annual CONNEXT showcase, running as a hybrid event from October 10-24.

Naman Ramachandran Universal’s ‘Ticket to Paradise,’ starring Julia Roberts and George Clooney, and Warner Bros.’ “Don’t Worry Darling,” with Florence Pugh, Harry Styles and Chris Pine, were in a close tussle at the U.K. and Ireland box office, with the former winning narrowly. “Ticket to Paradise” collected £2.8 million ($3.03 million) to top the box office, edging “Don’t Worry Darling,” which took £2.7 million ($2.99 million) to second place, according to numbers released by Comscore. Disney’s “Avatar” rerelease placed third with £1.2 million. After two weeks atop the box office, Disney’s “See How They Run” dropped to fourth position in its third weekend with £473,222 for a total of £3.6 million.

Elsa Keslassy International Correspondent After taking a break from his filmmaking career to preside over the French film promotion org Unifrance, Jean-Paul Salomé has made a big comeback with a pair of films with Oscar-nominated French actor Isabelle Huppert. The latest one, “The Sitting Duck,” is world premiering at Venice in the Horizons section. Adapted from Caroline Michel-Aguirre’s book “La Syndicaliste,” “The Sitting Duck” tells the true story of Maureen Kearney, the head union representative of a French multinational nuclear powerhouse who becomes a whistleblower, denouncing top-secret deals that shook the French nuclear sector. One day, Kearney is found in her home, tied to a chair, the letter “A” carved into her abdomen, and a knife handle inserted into her vagina. Traumatized, she has no memory of the assault. However, after an investigation, the police accused her of staging the attack herself.

La syndicaliste red carpet at the Venice Film Festival on Friday.  The 69-year-old actress, who hails from Paris, cut a stylish figure in a black ribbed top and long skirt as she hit the red carpet.  The film, directed by Jean-Paul Salome, is 'a thriller investigation set in the world of nuclear power and politics,' according to IMDB.

wear a T-shirt with her name on it just to make them aware,” she recalled.Huppert has nearly 150 credits to her name. Some of her most celebrated work includes “The Piano Teacher,” “The Lacemaker,” “Violette Nozière,” “La Séparation,” “8 Women” and “Elle,” for which she received an Academy Award nomination.“I think it’s really interesting sometimes to be like Isabelle Huppert, who just says, ‘I go to zero,'” Reijn continued. “Instead of thinking, ‘Who am I? Where am I going?’ just react.

Mrs. Harris Goes To Paris grossed $1.35 million in week two with a mix of arthouse and commercial theaters among top ten locations and a nice hold from opening weekend (-31%). Cume to date is $4.65 million for the film starring Leslie Manville as a British housekeeper who dreams of owning a Christian Dior gown. It was no. 10 in North America in 1,001 theaters.

Focus Features’ Mrs. Harris Goes To Paris will hit an estimated $1.9 million weekend gross at 980 theaters drawing women with those 55 years of age and older repping 44% of the total. Turnout was best on the coasts for the drama starring Leslie Manville and Isabelle Huppert.

Mrs. Harris Goes To Paris, a kind Cinderella story for older women with a Dior twist, arrives in 978 theaters this weekend with strong reviews and great word of mouth. The film is a known property among that demo given its prime trailer treatment before Focus Features’ fan favorite Downtown Abbey: A New Era — not a bad setup.

Cannes Film Festival Jury Prize winner “EO” has been acquired by Sideshow and Janus Films.The companies have the North American rights to the film from Jerzy Skolimowski.The film shows a vision of modern Europe as seen through the eyes of a donkey. Here’s the logline: “The world is a mysterious place when seen through the eyes of an animal.

Manori Ravindran International EditorCannes sensation “EO,” which tells the story of a donkey’s life, has been acquired for North America by Sideshow and Janus Films. The film is the latest collaboration for the U.S.

Reteaming after last year’s collaboration on Ryusuke Hamaguchi’s Oscar-winning Drive My Car, Sideshow and Janus Films have acquired North American rights to veteran auteur Jerzy Skolimowski’s EO, which won the Jury Prize in Cannes this past weekend. A fall theatrical release is planned.

So many stars stepped out for 75th Anniversary celebration screening of The Innocent during the 2022 Cannes Film Festival!

Elsa Keslassy International CorrespondentThe Cannes Film Festival celebrated its 75th anniversary Tuesday evening with a group of no less than 120 stars and filmmakers from all over the world, including Jake Gyllenhaal, Paolo Sorrentino, Isabelle Huppert, Diane Kruger, Guillermo del Toro, Jacques Audiard, Melanie Laurent, Gael Garcia Bernal and Nicolas Winding Refn who made the trip for the event.Some of them, notably del Toro, took part in a symposium earlier Tuesday to discuss the new challenges that cinema is facing today. The roster of talents on the ground at the gala ceremony also included the bevy of stars and filmmakers presenting films at this year’s festival, including Kristen Stewart, Lea Seydoux, Viggo Mortensen and David Cronenberg (“Crimes of the Future”), among many others.

To celebrate its 75th anniversary, the Cannes Film Festival gathered dozens upon dozens of previous laureates and special guests at the Palais des Festival this evening. Inside the Lumière Theatre, the fest’s artistic chief and general delegate, Thierry Frémaux, and outgoing Cannes President, Pierre Lescure, did a roll call of star actors and directors who left their seats and made their way to the stage .

Viola Davis is being honored!

Alicia Vikander stuns on the red carpet in a metallic cooper dress at the premiere of Irma Vep during the 2022 Cannes Film Festival held at Palais des Festivals on Sunday (May 22) in Cannes, France.

There’s always at least one. Just a few nights deep into this year’s Cannes Film Festival, the competition has thrown up its first wild, batshit, and occasionally beautiful curiosity.

exercice de style as the French would put it, “EO” has plenty on its mind and nothing much to say, idling through a series of vignettes than more often not end with a punch-line of a forbidden kiss or a sudden act of violence, capturing them all with a flashy and urgent style of a music video or Super Bowl car commercial. One need not look far to see in this tale of a lonely beast of burden traipsing across the countryside a condemnation of modern Polish society, especially in sequences when the titular donkey first witnesses and then succumbs to a bout of skinhead hooligan violence, or when it clops across a forest bed we soon learn was once a Jewish burial site. At the same time, Skolimowski – who shot this project over a two-year period – seems more interested in simply making his camera swoop and soar and generally perform its series of stupid pet tricks. In many ways, this rather silly (if quite entertaining) trifle makes for a fitting entry for Cannes’ 75th edition. Skolimowski approaches the material with the hunger and zeal of a young film student, lifting a framework from Robert Bresson and filtering through references to recent festival provocateurs like Lars von Trier, Refn, and Michael Haneke.

Elsa Keslassy International CorrespondentFrancois Ozon, whose latest film, “Peter von Kant,” opened the Berlinale, is already shooting his next movie, “Madeleine,” with a flurry of stars including Isabelle Huppert, Dany Boon and Fabrice Luchini.The project, which is believed to be his most ambitious since “8 Women,” is being introduced to buyers at Cannes by Playtime and has already sparked strong interest. The plot is being kept under wraps, but Playtime is presenting the script to select buyers.Ozon is one of the few bankable European directors whose films have opened at major festivals and traditionally sell around the world, including in the U.S.“Madeleine” reteams Ozon with his regular producers, Eric and Nicolas Altmayer at Mandarin Cinema.

EXCLUSIVE: French distributor ARP Selection has just acquired Cannes Competition movie EO by Polish veteran Jerzy Skolimowski.

Jethro Lazenby, who worked as an actor and model under the name Jethro Cave, has died. He was 31.

Not every movie needs to either reinvent the wheel or make us question our personal realities. Sometimes, a movie can look like it is just wanting to offer an audience a nice time, make them feel good for its runtime, and that can be enough.