David Koepp Latest Celebrity News & Gossip

EXCLUSIVE: One of the more highly sought after open directing jobs may have just been filled as Sources tell Deadline that Leigh Whannell is in negotiations to direct The Green Hornet And Kato for Universal. Execs have been meeting with directors over the past couple of weeks but insiders close to the meetings felt as soon as Whannell threw his name in the mix he had the edge as the studio has wanted to get back in business with him after he delivered Invisible Man pic to critical acclaim and box-office success. The studio got a script in from David Koepp early this year they are high on and once a deal closes the film should be fast-tracked to the pre-production stages.

TheWrap first reported.Jonathan Kasdan (“Solo: A Star Wars Story”) was recently brought on to edit the script after original screenwriter David Koepp, who penned 2008’s “Indiana Jones and the Kingdom of the Crystal Skull,” exited the project.

EXCLUSIVE: Liam Neeson and Stranger Thing’s Joe Keery are set to star in Cold Storage. Jonny Campbell (Westworld and Doctor Who) will direct the sci-fi action film from a novel by David Koepp. Koepp, whose film work includes Jurassic Park, Spider-Man and Mission: Impossible, has written the script. Zombieland and Panic Room’s Gavin Polone is producing.

EXCLUSIVE: Liam Neeson and Stranger Thing’s Joe Keery are set to star in Cold Storage. Jonny Campbell (Westworld and Doctor Who) will direct the sci-fi action film from a novel by David Koepp. Koepp, whose film work includes Jurassic Park, Spider-Man and Mission: Impossible, has written the script. Zombieland and Panic Room’s Gavin Polone is producing.

The last film from Oscar-winner Kathryn Bigelow (“The Hurt Locker“) was the period drama “Detriot” that was released back in 2017. The filmmaker has finally found her next project, a genre picture that will be made for Netflix.

Oscar-winning filmmaker Kathryn Bigelow is finally getting back behind the camera. Netflix announced on Thursday that the “Zero Dark Thirty” director will helm an adaptation of David Koepp’s upcoming novel “Aurora” for the streaming service.

Sasha Urban editorFresh off the heels of Jane Campion’s best director win at the Oscars, Kathryn Bigelow is also heading to Netflix for her next project. Bigelow, who became the first woman to win a directing Oscar in 2010 for “The Hurt Locker,” will direct “Aurora,” based on David Koepp’s upcoming thriller novel of the same name, for the streamer.Koepp will also write the film’s screenplay, which will join his long list of credits including “Mission: Impossible” and “Jurassic Park.” The novel “Aurora” is set to be released on June 7 by Harper Collins.Per Netflix’s announcement of the project on Twitter, the film “follows characters who are coping with the collapse of the social order, set against a catastrophic worldwide power crisis.” The novel’s blurb sets the story in Aurora, Illinois, where Aubrey Wheeler and her teenage son are forced to fend for themselves in the wake of a massive power outage.

Fish gotta swim, birds gotta fly and Steven Soderbergh just gotta keep on making films, which he does with his 33rd feature narrative title, Kimi, in which the central character’s intense agoraphobia very neatly overlaps with the all-enveloping presence of Covid. It’s a piece that feels like it was quickly made in the heat of the moment and creatively benefits from that edge. The film is also bolstered by the unsettling disruptions of norms, the feeling that the continuation of everyday existence is extremely tenuous. It’s a tight, taut little thriller—the third film Soderbergh has made under Covid conditions–that defines our times as the moment when communication via electric devices has superseded personal one-on-one contact. In this regard, the film clearly represents the time and place it was made.

borks. And if that sounds like a really terrible idea, if only because it’s more of an invasion of privacy than usual (which is already a lot), “KIMI” agrees with you.

Steven Soderbergh loves a good thriller—most people do, he knows. But he’s always conscious of making sure that whatever it is, it isn’t just “single use plastic.”“It’s got some aspect to it percolating underneath that keeps it from being completely disposable after you’ve watched it,” he said.Needless to say, he was especially happy that the timing worked out for “KIMI,” a classic, edge-of-your-seat thriller about a home assistant device that records what may have been a murder and the tech worker (Zoë Kravitz) who hears it.

When you call out for KIMI, both the sound and the substance of the voice are comforting. It’s a soft, female sound, providing an affirmation: “I’m here.” KIMI is a virtual assistant, like Siri and Alexa, but with the key difference of “people,” according to the CEO of the company that makes it.

recently said of Koepp, “There’s a reason he’s the most successful screenwriter in history”). And that’s what we’ve got in “Kimi,” a paranoid techno-thriller debuting Thursday on HBO Max.

Steven Soderbergh’s original thriller KIMI, starring Zoë Kravitz (The Batman), will stream exclusively on HBO Max beginning February 10, Warner Bros. Pictures announced today.

Steven Soderbergh’s original thriller “KIMI,” from New Line Cinema and HBO Max, starring Zoë Kravitz, will stream exclusively on HBO Max beginning February 10, 2022, Warner Bros. Pictures announced on Thursday.David Koepp wrote the screenplay and will also produce with Michael Polaire.The story centers on an agoraphobic tech worker who discovers recorded evidence of a violent crime during an ordinary data stream review, and then tries reporting it up the chain of command at her company.

When Steven Soderbergh first announced his next film, “Kimi,” with Zoe Kravitz for HBO Max — the one that’ll arrive after “No Sudden Move,” which is being released today, not much about it was known. It was dubbed a mystery thriller, written by veteran screenwriter David Koepp, and about an “agoraphobic tech worker that stumbles on some evidence of a violent crime over the course of a routine work project.” Intriguing but still slightly vague.

EXCLUSIVE: Devin Ratray has joined the ensemble cast of Steven Soderbergh’s next film, the New Line Max Original feature KIMI, with Zoë Kravitz on board to star. Byron Bowers, Jaime Camil and Jacob Vargas are also on board. The film will premiere exclusively on HBO Max. David Koepp penned the script and will produce with Michael Polaire.

EXCLUSIVE: Erika Christensen has booked a pair of major roles. The Parenthood alum is set to reunite with her Traffic director Steven Soderbergh in New Line’s Max Original film KIMI, in which she’ll be co-starring opposite Zoë Kravitz.

EXCLUSIVE: Derek DelGaudio is set to join the ensemble cast of Steven Soderbergh’s next film, the New Line Max Original feature KIMI, with Zoë Kravitz on board to star. Byron Bowers, Jaime Camil and Jacob Vargas are also on board. The film will premiere exclusively on HBO Max. David Koepp penned the script and will produce with Michael Polaire.

EXCLUSIVE: Veteran actor Jacob Vargas has joined the cast of Steven Soderbergh’s next film, the New Line Max Original feature KIMI, with Zoë Kravitz on board to star. Byron Bowers and Jaime Camil are also on board. The film will premiere exclusively on HBO Max. David Koepp penned the script and will produce with Michael Polaire.

EXCLUSIVE: Jaime Camil is set to join Steven Soderbergh’s next film, the New Line Max Original feature KIMI with Zoë Kravitz on board to star. Byron Bowers is also on board. The film will premiere exclusively on HBO Max. David Koepp penned the script and will produce along with Michael Polaire.

EXCLUSIVE: Byron Bowers is set to join Steven Soderbergh’s next film, the New Line Max Original feature KIMI with Zoë Kravitz on board to star. The film will premiere exclusively on HBO Max. David Koepp penned the script and will produce along with Michael Polaire.

Zoe Kravitz is taking on an exciting new role!

EXCLUSIVE: After signing an overall deal with HBO Max, Steven Soderbergh looks to have found his next feature film with the studio. He has come aboard to direct the New Line Max Original feature KIMI with Zoë Kravitz on board to star. The film will premiere exclusively on HBO Max.

David Koepp has been tapped to write the script for Universal Pictures and Amasia Entertainment’s The Green Hornet and Kato.

Also Read: Van Williams, TV's Green Hornet, Dies at 82“The Green Hornet” was one of early radio’s most popular adventure shows — even predating “Superman” — before it became a set of movie serials in the 1940s as released by Universal, then the 1966 TV series that introduced Bruce Lee to the U.S., and finally the Seth Rogen reboot from 2011.The classic story focuses on Britt Reid owner/publisher of The Daily Sentinel.

Marvel movie.The actor, whose new David Koepp-directed film You Should Have Left is out now on digital release, told NME in a new interview that he’d relish the opportunity to portray a character in the sprawling comic book movie world.“I haven’t had many chances to work in the Marvel universe or even the comic book world,” he said, before responding to the prospect of joining the Iron Man franchise, for instance. “I love that franchise,” he said.

Like a lot of haunted house stories, the wonderfully sinister “You Should Have Left” is less about a creepy house and more about a tortured soul. With its empty rooms, creaky floorboards, and symmetrically framed hallways, this may seem like another mansion with secrets and secret passageways, which it kinda is.

Like a lot of haunted house stories, the wonderfully sinister “You Should Have Left” is less about a creepy house and more about a tortured soul. With its empty rooms, creaky floorboards, and symmetrically framed hallways, this may seem like another mansion with secrets and secret passageways, which it kinda is.

David Koepp has confirmed he’s no longer attached to the latest Indiana Jones sequel.The screenwriter wrote an early draft of the script, which persuaded Harrison Ford to sign on for a fifth and final film, but he has since departed the project, suggesting he walked away when Steven Spielberg was replaced as director by James Mangold.“James deserves a chance to take his shot at it,” Koepp told Collider. “I’ve done several versions with Steven.

“You Should Have Left”: instant obviousness.Generally speaking, there needs to be an unraveling in scary movies to give us somewhere to go.

Depending on the month and who you talk to, either “Indiana Jones 5” is in trouble or it’s just experiencing minor delays. Regardless of the spin, it’s clear that the latest sequel in the franchise is taking a very long time to get made and has been pushed back a number of times on the Disney release schedule.

Don't vacation-rental services have enough trouble in the pandemic era that they shouldn't have to contend with stories like David Koepp's You Should Have Left — in which travelers become trapped inside a house bent on destroying their lives? A rigorous Clorox-wipe regimen won't address the problems facing a rich banker (Kevin Bacon) whose getaway becomes a space- and time-bending nightmare.

Anthony D'Alessandro Editorial Director/Box Office EditorUniversal and Blumhouse are taking their Kevin Bacon-Amanda Seyfried psychological thriller You Should Have Left straight into homes on Friday, June 19 for a North America PVOD release. The pic was directed by Jurassic Park and Mission: Impossible scribe David Koepp which he adapted from the German novel by Daniel Kehlmann.Bacon and Seyfried star as a couple seeking a restful vacation on an isolated edge of the world in the Welsh

Anthony D'Alessandro Editorial Director/Box Office EditorUniversal and Blumhouse are taking their Kevin Bacon-Amanda Seyfried psychological thriller You Should Have Left straight into homes on Friday, June 19 for a North America PVOD release. The pic was directed by Jurassic Park and Mission: Impossible scribe David Koepp which he adapted from the German novel by Daniel Kehlmann.Bacon and Seyfried star as a couple seeking a restful vacation on an isolated edge of the world in the Welsh

Haunted house films are fairly common. And in this era of low-budget horror, we’ve seen quite a few of them pop up, as filming in one location is always fairly cost-effective.

By Justin Kroll