Carla Juri Latest Celebrity News & Gossip

EXCLUSIVE: Actress and filmmaker Romola Garai, whose directorial debut Amulet played at Sundance 2020, is working on a raft of projects including a re-team with Amulet producer Matthew James Wilkinson (Yesterday).

The director of a new movie inspired by the death of Heath Ledger has revealed how Michelle Williams almost starred in the lead role.

If two people who lack a common language want to communicate, they’ll find a way to communicate. The characters in “blood,” the first new film from Bradley Rust Gray in a decade, don’t exactly lack a common language, but coltish English and crummy Japanese necessitate auxiliary tools for communication, such as food, dance, music, flowers, and art.

Albeit beautifully shot and made tolerable by the warm presence of Carla Juri in the leading role, blood is a frustratingly indulgent study of emotional recovery after the loss of a loved one. This fourth feature by Bradley Rust Gray is splendidly appointed with locations in Japan and Iceland and an appreciation of emotional openness expressed by all the characters. All the same, the mostly short scenes of recent widow Chloe handling her grief day by day possess little compelling drama and are handicapped by a scruffy Japanese male lead who just doesn’t match up with his appealing female counterpart in any credible way. As with the director’s previous work, you come out of it wondering who this film was made for.

By Dave McNary

Murder-for-hire is all the rage onscreen these days, and in the upcoming thriller,, Gemma Chan plays a woman desperate to have her husband offed -- now, ET can exclusively debut the trailer.

Greenwich Entertainment has taken the U.S. rights to When Hitler Stole Pink Rabbit, an adaptation of Judith Kerr's semi-biographical children's book about how her Jewish family escaped from the Nazis and emigrated to England in the 1930s.

Actress Romola Garai makes a distinctive feature directorial debut with “Amulet,” even if this upscale horror drama is ultimately more impressive in the realm of style than substance. It’s some style, though: She hasn’t just created a stylish potboiler, but a densely textured piece that makes for a truly arresting viewing experience to a point. A shame then that the film succumbs somewhat to the more pretentious and silly aspects of Garai’s initially cryptic puzzle of a script.