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Maggie Lee Chief Asia Film CriticIn the spirit of “Thelma and Louise,” a lesbian fugitive and the woman she’d kill for hit the road with three stilettos and a blood-red BMW in “Ride or Die.” A glammed up, erotically-charged cocktail of amour fou and true romance directed by Ryuichi Hiroki and written by Nami Kikkawa, the Netflix production gives agency to full-blooded female protagonists.

Maggie Lee Chief Asia Film CriticIn a year ravished by the global pandemic, when millions have lost jobs, loved ones and mobility, an intimate family drama from Taiwan with profound lessons on survival appears particularly timely.“A Sun,” directed by Chung Mong-hong, is a slow-burning study of a dysfunctional family devastated by unexpected tragedy and struggling to hold together in spite of surrounding menace.

Maggie Lee Chief Asia Film CriticThere are cinephiles who are transported to aesthetic nirvana by Naomi Kawase’s eco-spiritualism, and there are critics who flee her cinematic ashram. Neither will be wholly satisfied with “True Mothers,” the director’s contemplation of motherhood and adoption, which is her most plot-driven but least visually lustrous film yet.

Maggie Lee Chief Asia Film CriticThe devil is in the details in “The Dark and the Wicked,” a horror film that teases out the evil presence descending on a grieving family on a Texas farm, with the same ambiguous, psychological heft of Henry James’ “The Turn of the Screw.” Writer-director Bryan Bertino’s slender script translates into a low-humming, allusvie narrative (punctuated with occasional gore) of tingling terror.

Maggie Lee Chief Asia Film CriticFour days feels like an eternity in “The Eight Hundred,” mainland Chinese writer-director Guan Hu’s monumental, if sometimes unwieldy epic interpretation of the courageous defense of a warehouse by the Chinese Nationalist Army in October 1937. For those with little knowledge of the Sino-Japanese War, the bombardment of facts, action and characters in the 147-minute film can be too much to take in at one go.

Maggie Lee Chief Asia Film CriticWant to impress your date by fighting off her molestor? Wish your stand-up comedy act would bring the house down? Or looking to pack your grumpy grandpa’s funeral with keening mourners? Call “Special Actors,” an agency that supplies performers to help you keep up with the Suzukis — or out-scam your scammers.The third feature by Shinichiro Ueda, director of Japanese cult zombie comedy “One Cut of the Dead,” is a daffy ensemble trickster comedy with a few “gotcha”

Maggie Lee Chief Asia Film CriticWho would have thought a romantic comedy on the pain of being different could become such ironic and timely viewing in a global pandemic? In “I Weirdo,” a kooky and innovative debut by Taiwanese writer-director Liao Ming-yi, a couple with OCD trying to fit in to so-called “normal” society now looks like social-distancing heroes in our Covid-hit, locked-down lives. Shot and edited by Liao using the iPhone XS Max, the production looks no less vibrant for it.

Maggie Lee Chief Asia Film CriticImagine a Japanese version of “Pygmalion” in which the sculptor continues to caress slabs of marble even after Galatea has come to life. That is the unusual premise of “Romance Doll,” a marital drama in which a sex doll maker’s rapt obssession with his new prototype, leads to rejection of his human muse.

Maggie Lee Chief Asia Film CriticEye-popping action steals the show in “Lupin III: The First,” the first computer-animated feature entry in the classic franchise about the French gentleman thief and master of disguise.