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Jazz Tangcay Artisans Editor In the end, an old-fashioned filmmaking trick involving heated cardboard helped costume designers re-create Marilyn Monroe’s famous pleated halter dress from “The Seven Year Itch” for Andrew Dominik’s “Blonde.” “On paper, it looks easy,” says “Blonde” costume designer Jennifer Johnson, who worked on many of Monroe’s looks — including that one — for the movie, which is now streaming on Netflix. She started by outfitting the film’s star, Ana de Armas, with a facsimile of the dress from a costume house. “It looked cute,” but it wasn’t right, says Johnson.

Zack Sharf As soon as word got out that “Blonde,” Andrew Dominik’s Marilyn Monroe drama starring Ana de Armas, was going to be rated NC-17, the film became an instant source of months-long controversy and fascination. Such is the effect of the NC-17 rating, which prohibits anyone under the age of 17 years old from buying a ticket.

Blonde was released on Netflix just , but many film critics have already seemingly : If you have a strong moral compass, you probably won’t like it. The part-fact, part-fiction Marilyn Monroe biopic was written and directed by Andrew Dominik, best known for his work on thrillers like Chopper and Killing Them Softly. stars as Monroe, and her performance has garnered well-deserved awards buzz.

Michael Nordine author “There is no meaning to life apart from the movie story,” writes Joyce Carol Oates in the opening pages of “Blonde,” “and there is no movie story apart from the darkened movie theater.” If it was inevitable that Oates’ novel about Marilyn Monroe would be made into a movie, it’s also a little ironic that that movie was made by Netflix — suffice to say that few who see “Blonde” will do so in a darkened movie theater. How many potential viewers are scared off by its runtime of 167 minutes is impossible to say, but there is a good reason for its protracted length: The book is similarly imposing at 738 pages. A finalist for both the Pulitzer Prize and National Book Award, Blonde was released in 2000 and adapted once before — not that the CBS miniseries starring Poppy Montgomery garnered nearly as much attention as this new version has.

Jazz Tangcay Artisans Editor A photo shoot for the stills of Marilyn Monroe that would feature throughout Andrew Dominik’s “Blonde,” coming to Netflix Thursday, was essential to the hair and makeup team in transforming Ana de Armas into the celebrated icon. Jaime Leigh McIntosh, hair department head and makeup department head Tina Roesler Kerwin spent two and a half hours each morning applying hair and makeup to de Armas. “That photo shoot for stills gave us a chance to try out a lot of different colors and figure out what worked. It gave us a chance to figure out what worked better in black and white as opposed to color,” explains Kerwin.

“Blonde” director Andrew Dominik has strong opinions about cultural icon Marilyn Monroe as his NC-17-rated Netflix film starring Ana de Armas as the golden-haired bombshell dropped on Wednesday.Although Dominik. 54, created the movie inspired by Joyce Carol Oates’ fictional book, he’s not a big fan of the late actress’ film career.Dominik spoke to Sight and Sound magazine’s film critic Christina Newland, who shared a portion of her interview that didn’t make the official profile on Twitter Tuesday.“She’s somebody who’s become this huge cultural thing in a whole load of movies that nobody really watches, right?” the New Zealand filmmaker said.

Blonde‘s explicit scenes, claiming they’re harder for people to watch than they were for her to make.In a recent interview with Entertainment Weekly, the actress – who stars in the Netflix film as Hollywood icon Marilyn Monroe – discussed some of the movie’s more uncomfortable moments.These range from sexual assault to abortion, as well as a scene in which Monroe performs oral sex on President John F. Kennedy. However, de Armas made it clear that she always felt safe on set with director and writer Andrew Dominik.“It’s harder for people to watch [those scenes] than for me to make them, because I understood what I was doing and I felt very protected and safe,’ she said.“I didn’t feel exploited because I was in control.

Ethan Shanfeld “Blonde” director Andrew Dominik has previously said he was unfamiliar with Marilyn Monroe’s filmography before adapting Joyce Carol Oates’ book about the late actor. Now, Dominik says Monroe starred in a “whole lot of movies that nobody really watches,” calling her famous romance film “Gentlemen Prefer Blondes” a movie about “well-dressed whores.” Dominik’s comments were part of an outtake from an interview with the British Film Institute’s Sight and Sound Magazine. Journalist Christina Newland, who conducted the interview, posted the transcript on Twitter, in which Dominik asked, “Does anyone watch Marilyn Monroe movies?” Newland added in a follow-up tweet: “I do want to make sure I’m doing my due diligence here: [Dominik] did talk about and reference many of her films. He clearly had studied and watched everything: whether he liked it (bar ‘Some Like it Hot,’ which he loves) another story, evidently.”

Netflix’s new Marilyn Monroe movie that hopes to be a major contender during awards season.Running time: 166 minutes. Rated NC-17 (some sexual content). Out Sept.

To say there’s a discourse on social media about Andrew Dominik’s latest film, “Blonde,” is a huge understatement. For years, since the film was announced, especially after the reports of Ana de Armas being cast in the lead, people have been speculating about the Marilyn Monroe biopic, based on the fictionalized history of Joyce Carol Oates’ novel of the same name.

NC-17 rating or star Ana de Armas’ accent, but writer-director Andrew Dominik doesn’t see any truth to claims his movie is anti-abortion. In fact, he sees the point of his film as directly addressing the “rescue fantasy” he feels many of the film’s detractors are experiencing.“The film is concerned with the meaning of Marilyn Monroe I guess a bit more than the documented reality, but I think what the film is really about is, I think everything to do with Marilyn Monroe is kind of a rescue fantasy,” Dominik told TheWrap in a recent interview about the Netflix drama.

Ana de Armas bares it all in the upcoming movie Blonde and she expects the clips to go viral online, which she says is “upsetting just to think about.”

Blonde star Ana de Armas says she went to Marilyn Monroe’s grave to ask permission to play her.The actor plays the Hollywood icon in new Netflix biopic Blonde directed by Andrew Dominik, released in cinemas today (September 23) and streaming next week.In an interview with AnOther, Ana de Armas revealed that she and the Blonde crew visited Monroe’s grave in Los Angeles, at Pierce Brothers Westwood Village Memorial Park Cemetery to ask permission to tell her story on film.“We got this big card and everyone in the crew wrote a message to her,” de Armas said. Then we went to the cemetery and put it on her grave.

Andrew Dominik‘s “Blonde” is one of the Fall’s biggest movies for several reasons. For one, it’s Dominik’s first feature film since 2012’s “Killing Them Softly.” “Blonde” is also a project long in the making, taking fourteen years of development to reach audiences finally.

Few movie dramas in recent years have generated as much fevered online speculation as Andrew Dominik’s Marilyn Monroe movie Blonde.

EXCLUSIVE: Film industry veteran Emily Wolfe  has joined Plan B Entertainment’s film division as they continue to expand their prolific slate of films.

The world premiere of “Blonde” at the Venice Film Festival earlier this month confirmed that Andrew Dominik‘s film is everything critics expected it to be, and maybe more. After all, the film did receive a 14-minute standing ovation, the longest at the festival.

Ana de Armas finds it "disgusting" that her nude scenes from the highly anticipated Netflix film "Blonde" will most likely go viral on the internet. "Blonde," which is based on a fictional take the life of Marilyn Monroe, debuts on the streaming service Sept. 28.  Speaking to Variety, de Armas discussed candidly what her reaction will be once the nude scenes hit the internet. "I know what's going to go viral," the 34-year-old actress said, being the one to first address the scenes.

Ana de Armas needed to convince Netflix that she could be Marilyn Monroe. She was already the first choice of director Andrew Dominik, whose film “Blonde,” a surrealist vision of the life and death of the screen legend, had been reportedly cast with various leading ladies before alighting on de Armas, but “Knives Out” — the hit film in which the previously little-known performer sat at the center of the mystery — hadn’t yet come out. In 2019, few knew her name. De Armas brought her accent coach to the in-person screen test with Netflix. “I hadn’t had the training and the voice and everything,” says de Armas, who was born and raised in Cuba. “So my coach was crouching on the floor, under the table.” The stakes were high. “I just knew that everything we did that day was going to be the definitive test of the movie to be greenlit or not.” The scene was one in which Monroe pleads with husband Joe DiMaggio to let her move to New York so that she can “start from zero, away from Hollywood,” de Armas recalls; passion had to enter Monroe’s voice, all as the woman under the table fed de Armas the proper pronunciations of the lines.

When it comes to biopics, they don’t get much more intensely intimate than Andrew Dominik‘s “Blonde.” And the film’s world premiere at the Venice Film Festival earlier this month confirmed that Ana de Armas expertly channels Marilyn Monroe in her performance. In fact, de Armas got so close to Monroe during the film’s production the actress attempted to contact the deceased starlet, in a way.

Ana de Armas is stepping out to promote her new Netflix movie.

Michaela Zee editor The first time “Blonde” star Adrien Brody saw Ana de Armas’ transformation into Marilyn Monroe was on set right before filming their first scene together. “I was transported to another time and place,” Brody, who plays Arthur Miller (aka The Playwright), told Variety at the U.S. premiere of “Blonde” in Hollywood Tuesday night. “I really thought she channeled [Marilyn] — she brought a nuanced, emotionally present [and] connected impression of her. I’m still blown away by it. It was really impressive.” Based on Joyce Carol Oates’ novel of the same name, “Blonde” presents a reimagined version of the iconic actor’s life, from the traumatic childhood of Norma Jeane Baker to her rise to fame as Marilyn Monroe. The supporting cast includes Brody, Bobby Cannavale, Julianne Nicholson, Xavier Samuel, Evan Williams, Sara Paxton and Scoot McNairy.

“Partner Track,” “Lost Ollie” and seven other book-based projects found their way onto streamers last month, including HBO’s “Game of Thrones” prequel series “House of the Dragon.” September has more theatrical releases, but fewer book adaptations to look forward to. Those that are coming out this month have rich history though, especially “The Rings of Power” series that Amazon has based on J.R.R. Tolkien’s books and appendices.There’s also “The Silent Twins” starring Letitia Wright and Jodhi May as well as Andrew Dominik’s feature film “Blonde” adapted from Joyce Carol Oates’ book about the career of Marilyn Monroe.Here are six book to screen adaptations coming out in September:J.R.R.

EXCLUSIVE: We are hearing that in a competitive situation, Paramount Pictures has swooped in with a high six-figure deal to acquire the film rights to Matt and Harrison Query’s upcoming book, Wilderness Reform.

Elsa Keslassy International Correspondent Rolling off a banner world premiere of Andrew Dominik’s “Blonde” at the Venice Film Festival, Ana de Armas’s next stop was the Deauville Film Festival in France where she received the Hollywood Rising-Star Award on Friday (Sept. 9) in the jam-packed Palais des Congres. Attended by Dominik and the film’s producers, the ceremony was followed by the French premiere of the Netflix movie, in which de Armas delivers a riveting performance as Marilyn Monroe. De Armas, who notably starred in “Knives Out,” “No Time to Die” and “Grey Man,” succeeds Dylan Penn, Sophie Turner, Elle Fanning and Shailene Woodley as recent recipients of the Hollywood Rising Star Award.

If anything, since its inception, cinema has been an art of apparitions. There’s a ghostly quality to the medium, no pun intended.

Ana de Armas received a special honor during the latest screening of her upcoming Netflix movie Blonde!

And you thought Don’t Worry Darling was the only film at Venice where the making-of would be more exciting than the actual movie!

Blonde has divided critics in early reviews, who have described it as both “miserabilist” and “fascinating”.Directed by Andrew Dominik and based on the novel by Joyce Carol Oates, Blonde stars Ana de Armas as Marilyn Monroe and “blurs the lines of fact and fiction” in a reimagining of her life. The film also stars Adrien Brody, Bobby Cannavale and Julianne Nicholson.Blonde has attracted controversy after it received a restrictive NC-17 rating in the US, which recommends that no-one under the age of 18 should see the biopic.Following its premiere at the Venice Film Festival on Thursday (September 8), where the film was met with a reported 14-minute standing ovation, reviews have now been released online – which paint a more controversial reception.In a positive review on Deadline, de Armas’ performance is described as “extraordinary”, “ferociously emotional” and the reason “the film works at all”.

during the Venice Film Festival, many attendees took this to heart: Celebrities chose looks that paid homage to Marilyn Monroe, the Old Hollywood star who is the subject of the new Andrew Dominik-directed film and played by . Some of the gowns were subtle odes to Marilyn’s style, while others were more in-your-face.The leading lady, de Armas, wore a pink halter-top gown by Louis Vuitton, complete with a hand-pleated satin mousseline skirt.

Marilyn Monroe Biopic “Blonde” is already raking in the praise.

Blonde” debuted to a massive 14-minute long standing ovation during its world premiere at the 2022 Venice Film Festival. Ana de Armas, who plays Marilyn Monroe, was in tears at the screening, her face glowing as tears streamed down. Before the film’s world premiere Brad Pitt, who is among the film’s producers, de Armas, director Andrew Dominik, Adrien Brody and Julianne Nicholson created commotion on the red carpet, largely for Pitt who worked the crowds wearing a black Covid mask when he came into close contact with fans to sign autographs and do selfies. Pitt made a surprise appearance in Venice since he was not present at the film’s press conference earlier in the day. Dede Gardner, who is also among “Blonde” producers, was also on hand.

Hollywood’s glory days were on full display Thursday as the cast of Blonde, with star Ana de Armas resplendent in a pink full-length gown, walked the red carpet before the film premiered in the Palazzo del Cinema at the 79th Venice Film Festival.

Blonde, Andrew Dominik’s long-awaited and anticipated Marilyn Monroe biopic starring Ana de Armas, just had its world premiere Thursday night at the Venice Film Festival, where the audience greeted it with an 11-minute standing ovation after the credits rolled.

Ana de Armas channeled Old Hollywood glamour at the Venice Film Festival premiere on Thursday, honoring her onscreen character, Marilyn Monroe, with an elegant pink gown and understated white jewelry. The film is a nearly three-hour adaptation of Joyce Carol Oates' 700-page novel of the same name. De Armas told this week that the film «changed my life,» adding that «I did this movie to push myself, because I thought it was a gift.» De Armas floated down the carpet in a flowing coral pink dress with a deep neckline and tie at the waist.

“Blonde.” Start with a base of biographical fiction, add three parts mid-century photography, a heavy dash of bitters, a wash of bad taste and top with a Lynchian float. You’ll have something that kicks hard, if leaving you somewhat worse for wear once the intoxicants run their course. And to push this analogy further than needed (hey, “Blonde” is a film of excess), director Andrew Dominik’s long-awaited Marilyn Monroe biopic is somehow less about the actress and more about his own showmanship.