Kyle Richards had a real medical emergency over the weekend.
07.07.2021 - 18:27 / manchestereveningnews.co.uk
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Helicopter crews had to airlift a patient to hospital after they were taken ill in Ramsbottom this afternoon.
Emergency services were called to Stubbins Lane, Ramsbottom, just before 1.45pm this afternoon, July 7, after someone at a nearby business became unwell.
Two air ambulances, a land ambulance, and two response vehicles rushed to the scene after being alerted.
READ MORE: “It absolutely broke
Kyle Richards had a real medical emergency over the weekend.
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Do NOT mess with Blake Lively when it comes to her children!
MK2 Films has sold Cannes buzz pic The Worst Person In The World to MUBI following an auction for UK/Ire rights. The buyers has also taken Indian rights.
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Director Joachim Trier has developed quite a relationship with the Cannes Film Festival over the years. Two of his films, 2011’s “Oslo, August 31st” and 2015’s “Louder Than Bombs,” have premiered at the festival, and he also served as the Jury President for the 57th Independent Critics’ Week at Cannes in 2018.
Midway through “The Worst Person in the World,” everything stops. Everyone in the streets of Oslo is frozen in an instant.
A sharp and poignant look at how one’s supposedly best years pass by so quickly you barely realize it, The Worst Person in the World is loaded with freshly observed intimate moments that make up the things of life. For about two-thirds of the way, director Joachim Trier and his co-writer Eskil Vogt keep this study of a smart, vibrant young woman alive with inventive scenes brimming with play and sex.
Ben Croll As he set out on “The Worst Person in the World,” which premiered July 8 in competition at Cannes, director Joachim Trier wasn’t looking to expand what he informally calls the Oslo Trilogy.Having worked stateside with 2015’s “Louder Than Bombs” and in genre with 2017’s “Thelma,” the Norwegian filmmaker just felt the need for a kind of soft reset.“My co-writer Eskil [Vogt] and I wanted to go back to basics, back to the form we started out with — human stories, in this case about love,”
Guy Lodge Film CriticAt a weekend getaway otherwise populated entirely by fortysomethings, 29-year-old Julie (Renate Reinsve) is subjected to some amateur analysis from a well-meaning elder. “Being young today is different,” the other woman observes, noting the increased pressure millennials face in daily life.
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