Editors note: As part of Deadline’s ongoing coverage of the WGA and SAG-AFTRA strikes, we have been giving voice to below-the-line workers who have been impacted by the work stoppage. Here, we decided to change gears by asking a writer to recall first-hand what it was like to create a low-budget series for Netflix that had no full-time writers room. Fearful that it may impact their ability to find jobs in the future, they asked that their name not be used.