Newest Review Movies On Netflix & Best Porn Videos

Netflix co-CEO and chief content officer Ted Sarandos tossed cold water on hopes that the streamer’s recent deal with major cinema chains for Glass Onion: A Knives Out Mystery could be the start of something bigger.

It’s Halloween season and that means everyone is looking for the best horror movies to watch on Netflix.

Naman Ramachandran After a blockbuster debut in 2022, the London Action Festival is set to return this summer for its second edition. The festival is timed to be squarely in the middle of the summer action movie season. This summer will see the release of “Fast X,” “Kandahar,” “Transformers: Rise of the Beasts,” “Indiana Jones and the Dial of Destiny” and “Mission: Impossible – Dead Reckoning – Part One” in the May-July time frame and the festival will unspool June 21-25. Highlights of the inaugural edition included The World’s Greatest Screening Ever… Probably! – an enhanced screening experience of “Die Hard” with director John McTiernan; a making of “Jurassic World Dominion” with an Academy Award-winning VFX panel presented by Proof Inc. and director Colin Trevorrow participating; exclusive previews of season 2 of Sky original “Gangs of London” with director Corin Hardy and MARV’s “School Fight” from stunt coordinator turned director Damien Walters; and screenings of “Predator” and “Con Air” followed by panels with directors McTiernan and Simon West.

EXCLUSIVE: Jack O’Connell and Matthew Duckett have joined Golden Globe Winner Emma Corrin in Lady Chatterley’s Lover for Sony’s 3000 Pictures and Netflix. This will be the first film to be produced under the new partnership where Sony Pictures will offer Netflix a first look at any films it intends to make for streaming.

Daniel D'Addario Chief TV CriticWe may soon begin to run low on famous cases from the past to reframe into true-crime series. Following on recent series about the Night Stalker and the Ted Bundy murders, Netflix now drops “The Sons of Sam: A Descent Into Darkness,” about the Son of Sam killings in New York City in the late 1970s.

Daniel D'Addario Chief TV CriticIn the middle of the night, a young woman grabs her daughter and runs, using what little gas is left in her car to flee her abusive partner.That’s the way “Maid,” a new drama on Netflix, starts, as Margaret Qualley’s Alex runs from her daughter’s brutish father (Nick Robinson). What the show does well, in the episodes that follow, is to depict the ways in which, for many people trapped within the lower echelons of the economy, clean breaks are impossible.

Alison Herman TV Critic Before a rushed ending soured the “Game of Thrones” fanbase on showrunners David Benioff and D.B. Weiss, the duo had rightfully earned acclaim for wrangling a seemingly unadaptable series of books into a damn good adaptation. Author and screenwriter George R.R.

After a rather tame show last month, the freewheeling Golden Globes kind of back! Only now they go by the name 30th annual SAG Awards with a whole lot of the Globes and the Emmys in their bloodstream.

After parodying his attempts to become an action movie star in the Quibi/Roku short film series Die Hart (later compiled into a Amazon Prime feature), Kevin Hart goes for the gold in the genre and attempts to do the real thing in Lift, an absurdly ridiculous, over the top, but still entertaining heist movie that strains credibility at every turn – but who cares because it’s got Hart.

Michael Nordine author A case study in the downside of timeliness, “Lift” is a caper predicated on a truly ludicrous concept: an NFT increasing in value. That might have seemed plausible two years ago, when Netflix first acquired Daniel Kunka’s spec script, but F. Gary Gray’s followup to “Men in Black: International” has the misfortune of arriving shortly after the vast majority of non-fungible tokens were deemed officially worthless.

Movie buffs who don’t like to get off the couch are in for a big summer.

Netflix UK this August, including the second season of Heartstopper and a string of new documentaries.A full list of every film and TV show being added to Netflix this month (via What’s On Netflix) has emerged, along with the movie titles leaving the platform.Season two of the acclaimed LGBTQ youth drama Heartstopper, which NME said in a four-star review brings “more teenage tenderness in a time of turbulence”, streams on Netflix from tomorrow (August 3).Other notable additions include new documentaries about Jake Paul, Tyson Fury, and Johnny Depp and Amber Heard.The full list of films and TV shows being added to Netflix in August 2023 is below:August 1August 2 August 3August 4August 7August 8August 9August 10August 11August 12August 14August 15August 16August 17August 18August 22August 23August 24August 25You Are So Not Invited to My Bat Mitzvah (2003)August 28Princess Power (Season 2)August 31In other Netflix news, the streamer recently axed its cheapest ad-free plan in the US and UK.

If you’re the type to start tearing up from just a sad movie trailer (hi, guilty), then you should be warned that every single one of the movies on this list will have you destroying an entire box of tissues. But if you’re the type of robot human who needs something REALLY sad to get the water works flowing, I found some options to split open your ice cold heart, too.

Zack Sharf Digital News Director Zack Snyder appeared on “The Joe Rogan Experience” and championed his recent pivot to Netflix. The 58-year-old filmmaker spent the bulk of his career making movies at Warner Bros., but he made the jump to streaming starting with the 2021 release of his zombie action movie “Army of the Dead.” Snyder’s latest Netflix original was “Rebel Moon,” which debuted in December and kicked off a new space saga for the streaming giant. A second “Rebel Moon” film arrives this spring.

Peter Debruge Chief Film Critic“Wish Dragon” is well aware that “Aladdin” got there first. Making his spirited feature debut, dream-big animation director Chris Appelhans pretty much assumes you’ll be thinking of Disney’s blue genie when his humble Hong Kong hero rubs a jade teapot and produces a fluorescent flamingo-pink dragon, ready to grant his wildest dreams — or three of them at least.

Michael Nordine author News of a fresh horror comedy from Christopher Landon, director of the joyously silly “Happy Death Day” and its sequel, should be greeted with cautious optimism at the very least. He’s been working in the space for some time now, having also co-written and directed “Freaky,” “Scouts Guide to the Zombie Apocalypse” and the more straightforward “Paranormal Activity: The Marked Ones,” and understands how to thread that particular needle better than most. His latest feels like both a natural next step and also something of a departure: a family-friendly haunted-house story releasing on Netflix. Unlike his previous efforts, however, “We Have a Ghost” fails to capture what makes this particular genre hybrid so much fun.

The Christmas Chronicles, in which Russell stars as Santa Claus and his real-life partner Hawn makes a cameo as Mrs. Claus.

The Wonder is Gothic without the architecture. Set in rural central Ireland in the wake of the Great Famine of the mid-1800s, director Sebastian Lelio’s adaptation of Emma Donoghue’s 2016 novel methodically moves the chess pieces around in telling the tale of an 11-year-old girl who has locals mystified as to what God is intending by letting her survive for four months without eating. Atmospheric and intriguing up to a point, it nonetheless feels like much ado about a mildly curious situation that’s been milked for rather more than it’s worth.

Caroline Framke Chief TV CriticWith every passing episode of “Maya and the Three,” I grew more and more annoyed that there wouldn’t immediately be a “Maya and the Three” video game to play the second it was done. I haven’t played a video game in years, but something about its dense, colorful world of mythic gods and warriors makes it all too easy — and downright fun — to imagine disappearing headlong into it.

About 20 minutes into new series Sweet Magnolias, I had a revelation: This is just like Mind you, it takes place in a small South Carolina town (the fictional "Serenity"), and there's no sex. There's not so much as a steamy make-out session.

Some of the best comedy movies on Netflix right now are ones you've definitely seen before: , , and more classics. But intermixed with them are some newer titles you may have missed last year, like the Bridesmaids-adjacent or Someone Great, a rom-com starring Gina Rodriguez and Brittany Snow.

Grey’s Anatomy, and a .2021 Tony Awards: Not a big fan of movies or TV shows? Maybe Broadway is your bag! If so, this awards show is for you. 7 p.m.

Alison Herman TV Critic The sitcom “Girls5eva” follows the attempted comeback of a fictional girl group that peaked in the early 2000s, now reunited as middle-aged women. But headed into its third season, it’s “Girls5eva,” not just Girls5eva, that’s trying to start anew. After two critically acclaimed, if evidently little-watched, seasons on Peacock, the show has been resurrected by Netflix, which has bankrolled a fresh batch of episodes and made the entire back catalog available to its massive audience of over 260 million global subscribers — many of whom will encounter “Girls5eva” for the first time as a Netflix original.

Ed Meza @edmezavar Confirming Germany’s importance as a growth market, Netfix on Wednesday announced 17 new and returning shows and movies produced by some of the country’s leading producers, including docuseries “Kaulitz & Kaulitz,” about the Tokio Hotel popstar siblings, and sci-fi drama “Cassandra,” about an overzealous electronic household helper. Netflix presented 17 feature films, series, documentaries and reality shows at a special event in Berlin.

Dan Lin, the producer of “The Lego Movie” and “It,” was in negotiations to become head of DC Studios. It was a singular opportunity to reimagine the company behind Superman, Batman and other costumed heroes. But talks broke down.

Aramide Tinubu Loosely based on the experiences of real-life porn sensation Rocco Siffredi, known as the “Italian Stallion,” Netflix’s “Supersex” isn’t actually very sexy at all. Instead, the seven-part series, created by Francesca Manieri, is a tale about family, masculinity and toxic bonds. While the show, which stars Alessandro Borghi in the lead role, has some interesting chapters, the surrealist elements — including some hallucinatory moments and the bizarre way some of the sex scenes are filmed — make it more than a biographical account.

Aramide Tinubu In aristocracies across the globe, rank and title are paramount. Set in the same world as his 2019 film of the same name, Guy Ritchie‘s new Netflix series, “The Gentlemen,” is a brilliant show about legacy, family and the thrills of self-discovery. While the TV show boasts a brand new cast of characters, the series’ concept focuses on a similar criminal underworld that Ritchie depicted in his film —no prior knowledge of the movie is necessary.

The list of movies and television shows that Netflix is removing from the streaming service throughout the month of February 2024 have been revealed.

Within the first few minutes of “Wham!,” a documentary focusing on the meteoric career of the eponymous ’80s pop icons, late frontman George Michael describes the day he came to meet group co-founder Andrew Ridgeley as secondary school students and the instant bond that formed in such a way that Michael would go on to question the path his life might have subsequently taken had the two never crossed paths themselves.

Netflix has released the full list of movies and television shows coming to the streaming service in February 2024.

Netflix in July 2023. From theatrical releases that made waves — such as James Cameron’s “Titanic” to DreamWorks’ “Puss in Boots” — we’re running down some of the best new movies to stream on Netflix this month.Those in the mood for family fun should check out “They Cloned Tyrone,” “The Out-Laws” and “Happiness for Beginners.” “Tyrone,” starring John Boyega and Jamie Foxx promises thrilling scenes and an overall suspenseful setting.

Netflix’s has unveiled a slate of female-led African projects to coincide with International Women’s Month.

EXCLUSIVE: Stand-up comic Deon Cole is set to return to Netflix with a third hour-long comedy special, to premiere later this year. While a title and logline haven’t been shared, he’ll tape his new hour at the LA Theater on May 2nd, as part of Netflix Is A Joke Fest 2024.

Pat Saperstein Deputy Editor Netflix is kicking off its Milestone Movies: The Anniversary collection with films that are turning 50 in 1974 — a group that happens to include some of the medium’s all-time classics. The anniversary titles will stream on the platform in the U.S., along with in-person special screenings starting in March at New York’s Paris Theater and L.A.’s Egyptian Theater in Hollywood and Bay Theater in Pacific Palisades.

Daniel D'Addario Chief TV CriticNetflix has lately been met with varying degrees of success with pure genre serial storytelling — shows that dig deep into surreality and find within it some level of heart. These are shows less like “Stranger Things,” which is built to have a broad, near-universally-understandable appeal, than like “The Umbrella Academy,” unapologetically niche.Within this realm, “Sweet Tooth” is a relatively successful outing.

Owen Gleiberman Chief Film Critic Unabashed pop groups with fervid teenage followings tend to get trivialized, at least in the media. They’re dismissed as being slick and calculated and superficial. But there’s a story in “Wham!,” the new Netflix documentary about the quintessential pop duo of the 1980s, that testifies to what a chancy and audacious artist George Michael was even back in his teen-idol days. The year is 1983. Michael and Andrew Ridgeley, coming off their first album, “Fantastic” (which had a few hits, though none of them were great), have established Wham! as an effective lightweight pop machine, with its two young stars prancing around the stage in sexy sportswear. The time has come to record “Careless Whisper,” a song they’ve had in their back pocket for several years (we hear the super-early demo version of it that they recorded in 1981 in Ridgeley’s living room on a TEAC 4-track Portastudio). Michael has become enough of a powerhouse to hook up with Jerry Wexler, the legendary producer of Aretha Franklin and Ray Charles. He heads down to Muscle Shoals Sound Studio to record the track, with Wexler producing. What more could a 20-year-old budding pop star want?