EXCLUSIVE: Netflix is developing a limited series adaptation of John Steinbeck’s classic novel East of Eden with Zoe Kazan writing and exec producing and Florence Pugh attached to star and co-produce.
EXCLUSIVE: Netflix is developing a limited series adaptation of John Steinbeck’s classic novel East of Eden with Zoe Kazan writing and exec producing and Florence Pugh attached to star and co-produce.
Andrew Bujalski’s “There There” opens with a mellow, melancholy saxophone solo, the first of several musical interludes by The War on Drugs’ Jon Natchez that serves as bridges between the series of primarily two-person scenes that will follow. The first of them is probably the best – it makes a promise the movie can’t quite keep – as a doctor (Lili Taylor) and a restaurateur (Lennie James) wake up the morning after their first date and first sexual encounter.
Netflix co-CEO and chief content officer Ted Sarandos tossed cold water on hopes that the streamer’s recent deal with major cinema chains for Glass Onion: A Knives Out Mystery could be the start of something bigger.
EXCLUSIVE: Jack O’Connell and Matthew Duckett have joined Golden Globe Winner Emma Corrin in Lady Chatterley’s Lover for Sony’s 3000 Pictures and Netflix. This will be the first film to be produced under the new partnership where Sony Pictures will offer Netflix a first look at any films it intends to make for streaming.
Rebecca Souw There’s more to Korean TV than a greenlit second season of “Squid Game” and Ted Sarandos, Netflix co-CEO, shed new light on what’s making the “Korean wave” worthy of large-scale commitment. After meeting with leading helmer Park Chan-wook (“Oldboy” and upcoming series “War and Revolt”) and 100 film students a day earlier, Sarandos on Wednesday held a public forum at Seoul’s Four Seasons Hotel on the future of Korean content. The abundant glad-handing follows a public commitment made in April to spend $2.5 billion on original Korean content over the next four years. “[Korean content] is very often unpredictable and catches the American audience by surprise,” said Sarandos at the event. “I think what’s brilliant is to see film, unscripted and series all grow according to the interests of our Korean audience.”
Cynthia Littleton Business EditorNetflix is going deep on Dr. Seuss. The streamer has ordered three animated series and two specials inspired by classic works from the beloved author that will anchor an expanded slate of content aimed at preschoolers.Netflix has ordered series based on “One Fish, Two Fish, Red Fish, Blue Fish,” “Wacky Wednesday” and “Horton Hears a Who!” from Dr.
Cynthia Littleton Business Editor Nah Yung Suk, one of South Korea’s most successful TV producers, says the content marketplace in his home country has been divided into two distinct eras: “Before Netflix” and “After Netflix.” On the latest episode of Variety podcast “Strictly Business,” Nah Yung Suk offers his observations on the rise of Korean popular culture throughout the world. The producer’s latest series reflects the incredible global growth of content imports and exports: “Jinny’s Kitchen,” an unscripted series for Amazon Prime Video, revolves around the opening of Korean street food restaurant in a small town in southeastern Mexico.
Naman Ramachandran Netflix has revealed its upcoming 2024 Indian slate and Monika Shergill, VP, content has outlined the streamer’s commissioning philosophy and strategy for the country. New titles on the slate include: Luv Ranjan comedy film “Wild Wild Punjab”; Neeraj Pandey heist film “Sikandar Ka Muqaddar”; scripted Anubhav Sinha thriller series “IC 814: The Kandahar Hijack”; Kapil Sharma’s unscripted comedy series “The Great Indian Kapil Show”; and cricket themed docu-series “The Greatest Rivalry – India vs Pakistan,” featuring top Indian and Pakistani cricketers.
An official selection of the 2022 Tribeca Film Festival, “There There” follows seven loosely intertwined characters to tell a story about connection while playing off of the isolation we became too familiar with during the pandemic. “There There,” which is the seventh feature film directed by Andrew Bujalski, throws away the norms of filmmaking and the so-called rules that directors follow to give us an insight into the life and conversations that we saw come to the forefront during the pandemic but don’t see represented on the big screen.
Netflix’s ties with Latin America and the region’s much-loved telenovela format go back to the company’s first steps in original production outside of the U.S., when the streamer picked, as its first international original, Gary “Gaz” Alazraki’s “Club of Crows,” a soccer-themed soapy drama about a dynastic sports ownership family.Since then, there have been several further incursions into the world of the novela, including some of the streamer’s most popular ever series such as “Who Killed Sara,” currently filming its third and final season, and “Café con Aroma de Mujer,” “Rebelde” and “The Queen of Flow,” the top three non-English language series on Netflix globally at the time of this article’s publishing, sure to be joined by the second season of “Dark Desire” when it launches on Feb. 2.
Zack Sharf Digital News Director Zack Snyder appeared on “The Joe Rogan Experience” and championed his recent pivot to Netflix. The 58-year-old filmmaker spent the bulk of his career making movies at Warner Bros., but he made the jump to streaming starting with the 2021 release of his zombie action movie “Army of the Dead.” Snyder’s latest Netflix original was “Rebel Moon,” which debuted in December and kicked off a new space saga for the streaming giant. A second “Rebel Moon” film arrives this spring.
Guy Ritchie fans can't get enough of his new drama The Gentlemen. Debuting last week, the gangster series is currently the most-watched on Netflix in the UK.
EXCLUSIVE: Netflix has handed control to its Arabic content slate to long-serving exec Nuha El Tayeb following the exit of Ahmed Sharkawi.
Netflix has found itself with cash to spend thanks to the writers and actors strike.
EXCLUSIVE: Netflix has taken remaining worldwide territories including in the U.S. on Maggie Gyllenhaal’s directorial debut The Lost Daughter. Starring Olivia Colman, Jessie Buckley, Dakota Johnson, Peter Sarsgaard and Paul Mescal, the drama is set to world premiere in competition at the Venice Film Festival next month. The deal was negotiated by Endeavor Content and includes most major markets.
Code 8.Directed by Jeff Chan and based on the 2016 short film of the same name, Code 8 follows Connor Reed (Robbie Amell) who uses his superhuman abilities to help a group of criminals in order to raise money to help his sick mother.The first film, after a brief run in cinemas, was released on Netflix in 2020. A sequel, titled Code 8: Part 2, was released on the platform in February 2024.At the time of writing (March 6), a sequel to Code 8: Part 2 has not been officially announced.
EXCLUSIVE: Stand-up comic Deon Cole is set to return to Netflix with a third hour-long comedy special, to premiere later this year. While a title and logline haven’t been shared, he’ll tape his new hour at the LA Theater on May 2nd, as part of Netflix Is A Joke Fest 2024.
EXCLUSIVE: League of Legends and Valorant publisher Riot Games continues to bolster its entertainment division as former Netflix executive Brian Wright joins the studio as Chief Content Officer.
upcoming animated series called “Arcane,” which ties into “League of Legends” and is an event series for Netflix. “Brian is a dynamic leader with creative instincts that led to many shows that penetrated pop culture and delighted audiences around the world while working with the best showrunners, directors and creators in entertainment,” Spenley said in a statement.
A brand new thriller from writer Harlan Coben, starring actress Michelle Keegan, is set to launch on Netflix very soon.
committed to invest US$2.5billion on new South Korean TV shows and films.“[Korean content] is very often unpredictable and catches the American audience by surprise,” Sarandos said at the event, per Variety. “I think what’s brilliant is to see film, unscripted and series all grow according to the interests of our Korean audience.”He added that “great stories can come from anywhere and be loved anywhere [and] nowhere has this proven more true than here in Korea”, per Yonhap News Agency.Over the past two years, Netflix has released a number of hit Korean series and films, from the global phenomenon Squid Game, to the thrilling revenge series The Glory, to the reality TV series Single’s Inferno.Sarandos added that 60 per cent of all Netflix subscribers have watched at least one Korean title, while viewership of Korean content is up sixfold over the past half decade.During the event, the Netflix co-CEO also spoke about how the company is looking to use its US$2.5billion investment plan to “grow the industry” in Korea.
If you’re a sucker for reality TV, I promise you, everything thing you’ve been watching has been preparing you for the madness that this show is. Real Housewives, Geordie Shore or even Keeping up with the Kardashians is nothing compared to the content (and craziness) that this show is.
Netflix has launched yet another feature to help make the title selection process for TV users across the globe feel less like a task.
Douglas Henshall has revealed that he could sense the ghosts of those killed in a Catalonia bullring when filming Netflix 's latest thriller Who is Erin Carter?. The Shetland star, who plays mysterious businessman Daniel in the show, spoke about filming a climactic action scene in a historic bullring - and how he felt that "the ghosts [were] still there". "That’s one of the fantastic things about being an actor.
The editor for Dahmer – Monster: A Jeffrey Dahmer Story is opening up about the scenes that were cut from the anthology series, and for good reason.
Sex Education is set to end after the upcoming season four, but that doesn’t mean that the series is entirely dead.
Netflix has announced a slate of Japanese dating, comedy and reality shows, part of a wider push into Asian unscripted content, which also takes in South Korea and India.
Netflix has just dropped some serious shows for this weekend with a little of something for everyone.
Todd Spangler NY Digital EditorNetflix’s multibillion-dollar content spending continues paying off: The lion’s share of U.S. consumers say the streamer has the best original programming, according to a new Morgan Stanley survey.Netflix remains the most frequently cited as offering the best original programming — with 38% of survey respondents picking it as No.
its dominance over the rest of the streaming landscape has shrunk from 29% — a drop of nearly one third- as more services like HBO Max and NBCU’s Peacock have debuted in the last year.In its shareholder letter, Netflix said it doesn’t believe “competitive intensity materially changed in the quarter or was a material factor in the variance as the over-forecast was across all of our regions.” The company said the subscriber-miss was due primarily to a harder time acquiring new customers, since
first published by Variety and dated Monday, Sarandos added to remarks he’d already made in defense of the comedy special.
In the last 2 weeks, Netflix‘s top five most-watched TV shows of all time list has changed completely.
Hours after a memo by Netflix’s co-CEO declaring that trans remarks in Dave Chappelle’s latest special didn’t “cross the line” was made public, one of the nation’s leading LGBTQ+ advocacy organizations has called out the streamer for some serious hypocrisy.
Elaine Low Senior TV WriterNetflix and Shonda Rhimes are extending their creative relationship, inked in 2017, beyond television to feature films and gaming.Under the terms of the expanded deal, which encompasses Rhimes’ Shondaland Media and her longtime producing partner Betsy Beers, Netflix and Shondaland will exclusively produce, stream and distribute feature films in addition to potential gaming and virtual reality content.“When Ted and I decided to break the traditional network TV business
Netflix has revealed that it will spend $17B on content in 2021 – on par with its 2020 spend.
Elaine Low Senior TV WriterNetflix revealed that it will spend over $17 billion on content this year, according to its first-quarter earnings report.“As we’ve noted previously, the production delays from Covid-19 in 2020 will lead to a 2021 slate that is more heavily second half weighted with a large number of returning franchises,” said the company in its letter to shareholders.
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