‘Zero Contact’ Film Review: Anthony Hopkins Zoom-Call Thriller Lays a Goose Egg
27.05.2022 - 23:59
/ thewrap.com
did make the movie more engaging, but this is simply as engaging as “Zero Contact” can get.What does stand out in “Zero Contact” is the score by Anders Niska and Klas Wahl, but not because it tells the story very well. Instead, it creates an incessant filter between the audience and the film, so that every moment in the narrative has to fight its way to the audience through a hazy aural mishmash of non-specific tension.
It’s as though Niska and Wahl knew that, for the most of the movie, nothing was happening, and that when things did happen they were deeply confusing, and the best they could do was perpetually suggest a generic sense of portent.And then of course there’s Hopkins, who adds a heck of a lot of respectability to these proceedings. He would have added a heck of a lot more if he’d actually interacted with any of the other actors, but instead he seems to have been invited to shoot his entire part like a series of Cameos, to be added into the movie later when it needed a boost in personality.
Hopkins can’t help but elevate the film whenever he’s on screen, but he’s given so little to do, and such claptrap to say, that it doesn’t make much of a difference in the long run. There’s no denying that the production of a film like “Zero Contact” was complicated, and that everyone involved is at least trying to make lemonade out of lemons.
But when all is said and done, the lemonade doesn’t taste good. It’s a film full of boring conversations, daft sci-fi conceits, and confusing suspense, which add up to practically nothing.
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